In the first part of this article, I looked at how Carol P Christ’s Nine Touchstones of Goddess Spirituality from Rebirth of the Goddess are related to traditional women’s ritual dances of the Balkans. After more than thirty years of researching and teaching these dances and the way that they pass on information in encoded symbolic ways, I have come to see them as an educational system, a women’s mystery school.[1] The main message which the dances convey is an ethic of community, partnership, mutual support, and other life-enhancing values aligned with the Nine Touchstones, which can be directly experienced in the dance.
We know from the research of Marija Gimbutas that these values were central to the Old European civilizations which honoured the Goddess, while Yosef Garfinkel and Elizabeth Wayland Barber show that circle dances have their roots in these same early Neolithic cultures of Eastern Europe and the Near East. This leads me to suggest that Balkan women’s circle dances surviving today may have their origin in early egalitarian matriarchal cultures of Neolithic Europe. The Nine Touchstones of Goddess Spirituality provide an perfect template through which to explore the ethics of women’s ritual dances.
Donna Henes, familiarly known as “
The past few weeks, I’ve been sitting with the many layers held by the concept, and the manifest reality, of mother, mothering, and motherhood. Mother is seen in the divine feminine, in the cosmos, and in the sea and the glow of the moon. She is held in our genes and our histories and the eyes of our children. She is found in archetypes of healing, nurturing, and comfort, as well as in stories of criticism, coldness, and abuse. She is the soft one who tends grief and holds hands and braids hair, and she is the unbreakable one whose labor and caregiving is taken for granted in most areas of her life. We carry our mothers with us in our DNA, in our stories, and in the way we navigate the impacts of intergenerational trauma.
communities to create a more just, compassionate world through building connection, sacred truth telling, and striving for the common good. She has written for outlets including Huffington Post, Sojourners, Religion Dispatches, Response magazine, the Good Mother Project, the Journal for Feminist Studies in Religion, and the United Methodist News Service. Her book Women Rising will be published by the FAR Press in 2017. Find her on Twitter at @kateyzeh or on her website 
Pelišky was one of the first movies I watched in the Czech Republic. It takes place in the year (maybe years) before the Soviet Occupation. It follows the lives and struggles of ordinary families. One of the best and funniest scenes takes place at a small post-wedding dinner. The couple receives some new-fangled plastic spoons as a wedding present. The gift-giver is very proud of the fact that they were made in Eastern Germany. One of the characters stirs her tea with the spoon and is about to lick it but as she takes it out of the hot tea it bends as if it was made of rubber. Soon the scene dissolves into arguments, frustrations and disappointments.
Dear Friends,
1 The beginning could not be reckoned in the time before time was reckoned. 2 For, what was had yet to know itself, and it could not know itself alone. 3 But, for its love, it could not be known. So it was that the beginning that could be reckoned was not the beginning but the beginning of loving, which was the beginning of knowing, which was the beginning of being. 4 And, in that beginning, a great ellipsis had already become of particle and light, and the particle and light thrummed through darkness forming a whole body. 5 Of the great ellipsis of particle and light, a body and a body and a body were formed, in and of the great ellipsis, thrumming through darkness. 6 The thrumming ellipsis pushed forward so far that its particle and light extended beyond itself and then beyond itself and then beyond itself, as though it were to separate, but it did not. 7 A whole body was formed, which was the beginning of the simultaneity of what was and what is and what will have been. 
My sister once said about me, “One thing you have to understand about Elise—she takes the ritual of whole thing very seriously.” My sister was right and her words helped me see this quality about myself. What ritual was she talking about me taking so seriously? Happy hour on Fridays.
