The holiday season is a particularly difficult time for grief. Whether it is grieving someone who died earlier in the year as you celebrate your first holiday season without them, or the lasting memories of loved ones who are no longer present at family gatherings, this time of year makes grief bubble to the surface. Since this is my first holiday season without my little brother, who died in March, I’ve planned ahead with coping strategies that I’d like to share with other feminists struggling to grieve through the holidays.
Upon the death of a loved one, most people in the West are offered commodified grief, costly funerals, and stifled feelings pre-packaged as dignified tradition. When deathcare became a commercial enterprise at the turn of the twentieth century, there was what mortician and author Caitlin Doughty calls a seismic shift in who was responsible for the dead. “Caring for the corpse went from visceral, primeval work performed by women to a ‘profession,’ an ‘art,’ and even a ‘science,’ performed by well-paid men. The corpse, with all its physical and emotional messiness, was taken from women. It was made neat and clean, and placed in its casket on a pedestal, always just out of our grasp (Caitlin Doughty, From Here to Eternity: Traveling the World to Find the Good Death, 136).”
My father was a very intelligent man who tested “genius” in the army. Drafted into the army at a young age, he decided not to take advantage of the “GI Bill” that would have paid for his college education after the war, because he already had a family to support. My father was lucky not to have served in combat. Scheduled for the invasion of Japan, he served in its occupation. I once asked him if he saw the devastating effects of the atomic bombs that the United States dropped on Japan. Instead of answering directly, he said dismissively, “I suppose you think I was traumatized.” I imagine that on some level he was, because unlike many WW II veterans he never spoke about his time in the army, and most tellingly, he was the only member of his unit not to sign up for the “extra pay” to be earned in the reserves, and thus the only one not to be called up to serve in Korea. Although he never questioned the US government’s right to wage war, he always told me, “war is hell.” Though he was not at all pleased when I became active in the anti-war movement, I found some of the roots of my opposition to war in my father’s refusal to glorify it. 
I was asked recently to present my work on shame and guilt for a documentary about the experience of being in a caregiving relationship. Initially, I felt concerned. My conceptualization of the idea of caregiving circulated around 1) aspects of parenthood and 2) the inevitable life situation of witnessing a parent’s death. I have no experience with either of these. I expressed my concern to the producer and one of the cameramen as we discussed the protocol for the shoot. They suggested I try to tell stories. This perplexed me a little further. Then, in order to offer me a context, they posed questions about times I might have cared for people in the past. Their inquiry uncovered a large range of possible, personal caregiving experiences upon which I could draw. For me, these include experiences involving my in-laws, my aunt’s dying of cancer when I was a child, and, most currently, my tending to a friend who had a massive stroke at the brain stem at the age of 40. 
My father died on July 6, 2017, 98 years, 4 months, 12 days. The last time I saw him was in the spring of 2004. During that visit, he gave me “the silent treatment” (refused to look at me or speak to me) when I stepped over an invisible line. That was not the first time, but it would be the last. When I gave lectures in California in 2008 and 2010, I agonized and yet made the decision not to visit him. I did not want to give him the chance to hurt me again.
One of the bigger problems with being the only Classics major at a Jesuit university is that all my friends were fairly old men before I had even reached drinking age. Now, they are pretty much gone back to the cradle of the grave, save one, who is on his way to a remote retirement home. As a young woman, my coterie wasn’t a terrible problem for me because some deep part of my psyche had been convinced, since I was about nine years old, that I myself was an old man. I sort of felt at home reading about the Second Punic War and identifying with the sexual ramblings of the naughty old Latin poets, noting between me and my teacher-purveyors of such materials only the occasional, modest differences in skin elasticity and dental sheen.
Our first ritual on the Goddess Pilgrimage to Crete is a death ritual in which we honor the memory of those who have gone before us. Like so many things on the pilgrimage, the death ritual evolved. I did not consciously plan to begin with death. Rather, the death ritual inserted itself at the beginning of the tour. Now I understand that the timing is right.
In early December 2016 I visited central Williamsburg in Brooklyn, New York, where my 2x great-grandparents 
Goddess, explains:
