On Noach and its Ecofeminist Potential.

The Torah portion for November 2, 2024 is Noach.  The portion includes the stories of Noah’s ark and the tower of Babel and ends with Abraham and Sarai settling in the land of Canaan.  In my feminist analysis of Noach, I will focus on the ecofeminist potential of divine acknowledgements and how the divine is portrayed.

As ecofeminists at the intersection with religion, one task we have is to interpret those sacred texts which have something to say about nature and animals.  Within Judaism, there are numerous such texts, and parshah Noah is one of them.  Afterall, most of Noach revolves around a great flood in which the deity destroys the earth and most of its inhabitants, animal and human.  

The divine destruction of the material realm is problematic.  The deity blames the divine decision to destroy creation on the rampant corruption of the flesh: human and animal alike (6:13).  In feminist thinking, linking material existence to corruption is unsettling since patriarchy often disavows material existence by linking it to evil.  In addition, in Noach, an aspect of the material world, water, is used in bringing about that destruction.  However, water is also ironically what all flesh depends on for life.    

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The Place of All Possibility: Cultivating Creativity Through Ancient Jewish Wisdom by Rabbi Adina Allen

In her book Pentimento, author and playwright Lillian Hellman describes a phenomenon that often occurs when we return to a piece of art we once worked on after much time has passed: “Old paint on a canvas, as it ages, sometimes becomes transparent. When that happens it is possible, in some pictures, to see the original lines: a tree will show through a woman’s dress, a child makes way for a dog, a large boat is no longer on an open sea.” Hellman speaks of the way the aging paint allows for older layers to show through, offering an opportunity to see, in her words, “what was there for me once, what is there for me now.”

Like the painting Hellman describes, Torah, too, is a work in process. Layers and layers of interpretation have been added to it over time, according to the needs, desires, fears, and longings of those who devoted their lives to making meaning out of these sacred words. Some layers add to the beauty and power of the overall piece, strokes and shapes that bring the picture more clearly and compellingly into focus. And some accrue like varnish, making the painting hard and impenetrable. Each one of us is invited into this process of excavation, of peeling back layers of what we have been taught or what we think we know, and seeing, as Hellman writes, what is there for us now. And each of us is called to our creativity — to bring our brush back to the canvas anew, reencountering and reworking the stories, ideas, and images that lie at the very foundation of who we are and who we could be.

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Naso: An Invitation for Feminist Imagining.

This week’s Torah portion is Naso (Numbers 4:21-7:89).  The portion discusses who, among the Israelites, carries the components of the Miskan (Tenting of Meeting) while wandering through the desert.  It also entails a census of the tribe of Levi, describes various offerings that were brought to the Tent of Meeting in general and for its twelve days of dedication, decrees keeping the ill and ‘contaminated’ out of Israelite settlements, details the Nazirite vow, gives us the priestly blessing, and proscribes the process through which women are acquitted or found guilty of affairs.  There are many components of this parshah that offer food for thought when it comes to a feminist analysis, but for today, I am going to focus on where there is equality between men and women within the text and where there isn’t.  

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Acharei Mot: Build Each Other Up.

The parshah (Torah portion) for May 4, 2024 is Acharei Mot, Leviticus 16:1-18:30.  It explains how to approach the divine and who should approach the divine in the context of establishing a yearly day of atonement to absolve the people of their sins.  This atonement day proscribes various rituals for the high priest to perform that day including immersions in ritual baths, special clothing, many animal sacrifices and sprinklings of blood, an incense offering, and a goat let loose in the wilderness carrying the sins of the community.  In addition, the parshah warns against idolatry and forbids the drinking and eating of an animal’s blood, as it contains its soul.  The parshah ends with a list of prohibited sexual relations.  This is a tricky parshah as it is often cited as proof that homosexuality is forbidden by the deity, and this has caused much pain and struggle for us within the LGBTQ+ community. 

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The Policing of Muslim Women’s Speech: Invited, then Silenced on a Women’s History Month Panel by Dr. Hadia Mubarak  

Moderator’s Note: This is part 1 of a 2 part series. A version of this article first appeared in The Charlotte Post on March 25

In her paradigm-shifting book, Why I am No Longer a Feminist: A Feminist Manifesto, Jessa Crispin reminds us that having token “female representation” does not solve the problem of systemic oppression or marginalization.  I was recently reminded of this truth when a female co-panelist attempted to silence me twice, when I shared my perspective on women’s challenges in Gaza.

On March 20, I joined an all-female interfaith panel for an elite retirement community center in Charlotte, NC in honor of Women’s History Month. As three female panelists, we were invited to represent our respective faiths, Judaism, Islam, and Christianity. After we each responded to the scripted questions posed to us, community members began to ask us questions. One man stood up and said, “I have visited Jordan, Egypt, and Israel. Will it be safe to travel to Israel again given the current situation?”

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Sh’mini: An Egalitarian Argument for Women and Girls

The parshah for April 6, 2024 is Sh’mini (Shemini), Leviticus 9:1-11:47 and since it is also Shabbat Hachodesh, we read Exodus 12:1-20 in addition to Sh’mini.  Sh’mini contains commandments regarding animal sacrifice, the death of two of Aaron’s sons, lists of which animals are kosher and which are not, and distinctions between clean/unclean and holy/profane.  The excerpt from Exodus, read as the maftir, describes the last plague before the Jews were freed from slavery in Egypt, the establishment of Pesach, and the eating of unleavened bread or cakes.  In today’s commentary, I’m focusing on the only mention of femaleness in Sh’mini and by doing so I hope to find more room for women and girls within contemporary Judaism.

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Bloody Waters by Ivy Helman

(Author’s note: I live in Prague, Czech Republic and teach at Charles University. Try as I might, I could not express in prose my thoughts about the violence in the world and particularly the violence here, in Prague, on the 21st of December, especially given the fact that I was a block away from what took place. So, I have written a poem instead.)

I swim through
the slimy waters of patriarchal violence
Difficult to express in words
the anxieties, the fear, the sadness
I feel as I take another stroke

towards

the parshah Bo (Exodus 10:1-13:6),
a divinely wrought plague of locusts
devouring all in their path.

Breathe,
stroke.

Darkness lasting three long days
blood smeared on doorposts and lintels
the deaths of first-borns, humans and animals alike,
the proclamation of a New Year and its festivities
to remind us of such nonsensical violence.

Breathe.
There is blood in the water.
Stroke.

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From the Archives: “I Missed a Day Again: Reflections on Hanukkah.”

Author’s note: This post was orginally published December 13th 2015. Nonetheless, I still find this post relevant and my hope is that you, dear reader, do as well. Chag semeach!

When I first started back on my journey to reclaim Judaism, I distinctly remember the first Hanukkah I lit candles. Not only was I bringing light into the literal darkness of night, I was also kindling the divine spark within myself. Each night I walked through a meditation I had created using the letters of the word Hanukkah, since there were eight letters and eight nights. I remember some of the words I had assigned to the nights: Holiness, Attentiveness, Night, Understand, Knowledge and Keep. I can’t remember the rest, but I do remember feeling the calm of the candlelight and the deepness of the meditation. I also remember that at some point, either I missed a night of lighting or I repeated one night twice because the days were officially over, and I still hadn’t lit all eight candles.

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From the Archives: “Breathing Life into the Women of Chayei Sarah.”

One of the basic tenants of feminist methodology in religion is the recovery of women’s history.   There are many ways to approach such a task.  In religions with sacred writings, one avenue for recovery may be reinterpreting them.  This could come in the form of a critique.  For example, traditional interpretations may overlook or undervalue women, who appear in the text, reaffirm sexist, patronizing, and/or misogynist viewpoints already found in the text, or develop new ones.  In order to recover women’s history, feminists working with their sacred texts would then call out these interpretations for their sexism.  They would correct phrasing, understanding, and even translations, when necessary.   

In addition to critiquing, feminist interpretations of scripture could also be constructive.  Religious feminists may highlight values, teachings, and images that affirm women’s lives.   They may incorporate documented history into their interpretations as proof of expanded roles for women.  That would then contextualize or negate later traditions that deny women such roles.  

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Lilith: Evil Demon or Feminist Role Model?

Today, we celebrate Simchat Torah (the Joy of the Torah) which marks the end of a cycle of Torah readings and the beginning of a new one.  Therefore, the Torah portion for October 14, 2023 is Bereshit (Genesis 1:1-6:8), the first parshah of the Torah.  This parshah is most known for its myths surrounding the beginning of the world, including, within it, two creation stories, the first one running from 1:1 to 2:3 and the second from 2:4 to 2:25.  These accounts of creation are followed by a story about Adam, Eve, a snake, and the Tree of the Knowledge of Good and Evil.  The parshah concludes with the happenings of Cain and Abel, the descendants of Adam and Eve, and Noah, a man who found divine favor.

I wrote briefly about this parshah in the midst of the pandemic.  The writing there mirrors the chaotic and often difficult nature of that time.  Thus, I want to revisit the parshah now.  Interestly, I am drawn to comment on the same topic: Lilith. 

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