Category: Mother Earth

Notes from A Goddess Pilgrimage by Joyce Zonana

JZ HEADSHOT

The solar eclipse has had me sensing deep alignment with earth, sea, and sky, with my sisters and brothers and Self. This, then, from my 1995 journal of my first Goddess Pilgrimage to Crete with Carol Christ, a trip still engraved in my heart:

June 3  – Yesterday, anointing us with rose, lavender, or olive oil, Jana said, “Your journey has begun.” But for me it is this morning, with the purchase of this journal at the biblio on the square across from the hotel, where I sit now in the lobby, traffic noise outside, our group gathering, preparing for our journey . . . happy to be here . . .

Bleeding at the home of the Panagia, the all holy, the sacred mother, sacred myrtle, ancient tree of Aphrodite, Mary, black-bent nuns: we tie ribbons to the tree, sing, “all manner of things shall be well. Blessed be, walk in beauty.” And I am utterly in tears as I walk on the grounds of this ancient place, the birds singing everywhere, yet there is quiet, stillness, an ancient peace . . . A pilgrimage, a shrine, a very holy place.

Continue reading “Notes from A Goddess Pilgrimage by Joyce Zonana”

Sacred Water by Molly Remer

“Drinking the water, I thought how earth and sky are generous with their gifts and how good it is to receive them. Most of us are taught, somehow, about giving and accepting human gifts, but not about opening ourselves and our bodies to welcome the sun, the land, the visions of sky and dreaming, not about standing in the rain ecstatic with what is offered.”

–Linda Hogan in Sisters of the Earth

The women have gathered in a large open living room, under high ceilings and banisters draped with goddess tapestries, their faces are turned towards me, waiting expectantly. We are here for our first overnight Red Tent Retreat, our women’s circle’s second only overnight ceremony in ten years. We are preparing to go on a pilgrimage. I tell them a synopsis version of Inanna’s descent into the underworld, her passage through seven gates and the requirement that at each gate she lie down something of herself, to give up or sacrifice something she holds dear, until she arrives naked and shaking in the depths of the underworld, with nothing left to offer, but her life.

In our own lives, I explain, we face Innana’s descents of our own. They may be as difficult as the death of an adult child, the loss of a baby, the diagnosis of significant illness, or a destroyed relationship. They may be as beautiful and yet soul-wrenchingly difficult as journeying through childbirth and walking through the underworld of postpartum with our newborns. They may be as seemingly every day as returning to school after a long absence. There is value in seeing our lives through this mythopoetic lens. When we story our realities, we find a connection to the experiences and courage of others, we find a pattern of our own lives, and we find a strength of purpose to go on. Continue reading “Sacred Water by Molly Remer”

Public Art and Personal Transformation by Jessica Bowman

 

Public Art Sculptures

Borrego Springs, CA

Artist: Ricardo Breceda

Photo: Jessica Bowman

 

Public Art displays like the image above, a dragon that appears to be moving through the sand dunes of Borrego Springs, California offer tremendous insight into the time and era of the society when it was created, the surrounding community, the patron of the work and of course, the artist. In the case of this artwork and several other similar sculptures found in the barren but beautiful landscape within the Anza-Borrego Desert State Park the subject matter supports the wildness of the region and invites the viewer to consider the area before the impacts of modern civilization.  In this case, it isn’t difficult to imagine such an untamed time as there are miles and miles of sandstone, treeless mountains and desert brush with very few people anywhere to be found. Also in this case, the artwork is absolutely appropriate for the environment in which it is placed.

“If private art suggests an intimate exchange, public art gathers a congregation.  While I have observed that all art is to some degree public, pubic art merits its name in virtue of the fact that the creation of a public is its point of departure.  Public art presupposes the public sphere and produces a public in relation to that concept.  Unlike popular or mass art, it does not assume a preexistent generic audience to be entertained or instructed but sets out to forge a specific public by means of an aesthetic interaction.” (Hein, pg. 49)

Continue reading “Public Art and Personal Transformation by Jessica Bowman”

Honoring the Earth in our Rituals of Well-Being by Elisabeth Schilling

plantsMuch of our lives lack the rich culture of ritual that I think would help us repair the relationships we have with our own bodies and with the earth. The Rg Veda is one of the oldest collection of hymns from India. In them, I find a playful and introspective expression of desires and fears that, at first, did not seem to me to hold much wisdom for a modern contemplative. But lately, I have been noticing how the speakers communicate to or about the earth, and how their lives seem centered around trying to take a part in creation. Mostly, these hymns are stories and supplications for rain, cows, victory in battle, and a long life. But there is a deep understanding of the power and divinity in the universe that is the very earth-based wisdom that our humanity-in- crisis needs. If the Qur’an is God calling for humanity to be grateful, the Rg Veda is a model of a humanity that could be nothing else.

I love one incantation, for instance, found in the tenth mandala, that seems to be from a compounding physician, praying to the healing herbs that might make her client well again. I imagine her alone, in a greenhouse pharmacy, on a damp late afternoon, fingering stems and leaves before crushing them with her mortar and pestle to make a bespoke tincture that holds a cure. She knows the plants intimately, and works as if she is on holy ground: Continue reading “Honoring the Earth in our Rituals of Well-Being by Elisabeth Schilling”

Standing Rock: What Does Easter Look Like? by Elizabeth Cunningham

As I write, Bakken crude oil is moving through the Dakota Access Pipeline under the Missouri River at Lake Oahe Reservoir, crossing treaty lands and waters that the Sioux Nation never ceded to the United States Government.

This, after the Standing Rock Sioux Tribe has opposed the Dakota Access Pipeline since it was proposed in 2014, with hundreds of other tribes making formal declarations in support of the tribe’s opposition. This, despite ongoing lawsuits. This, after a prayer camp begun by a small group of indigenous youth in April, 2016 grew to several camps with a total population at one point of close to 20,000. This, after 4,000 United States military veterans came to stand with the water protectors in December, 2016. This, after the United States Army Corps of Engineers under the Obama administration denied the easement to cross the river and legally bound themselves to conducting an environmental impact study that the Trump administration aborted. This, after countless unarmed water protectors faced attack dogs, mace, rubber bullets, water hoses turned on them in sub-freezing weather, and noise cannons.  This, after the arrest of over seven hundred people (some charged with felonies and still awaiting trial) many of whom were strip-searched and held in kennels in an unheated parking garage. This, after hundreds of people camped all winter, surviving blizzards and bitter cold. This, after people remained standing in prayer until they were forcibly removed from the prayer camps on February 22nd, 2017. Continue reading “Standing Rock: What Does Easter Look Like? by Elizabeth Cunningham”

Making Our Stand by Molly Remer

“You may not remember, may-2016-103
but let me tell you this,
someone in some future time
will think of us.”

—Sappho

I put on my boots and jeans, grab my priestess robe, pack a basket of ritual supplies, and meet four close friends in a nearby cave. We feel a little nervous about holding ritual on unfamiliar land, but we decide to push our boundaries and do it anyway. The land needs us, says my friend. The other people who come here are meth-heads and vandals.

We take our drums and climb to the top of the cave, singing as we find our way up the steep hillside. On top, looking out across the country, we sing: cauldron of changes, feather on the bone, arc of eternity, ring around the stone. We laugh and practice some more songs, some hearty, some tentative and new. We tie up small bundles of our symbolic burdens with stones and let them down over the edge
may-2016-051using handspun wool yarn until the yarn releases, taking our burdens with them. Suddenly, we hear the sound of tires on the gravel. Slamming doors. The sound of loud men’s voices. The smell of cigarette smoke. A ripple of uncertainty passes through us. We are once again tentative and we feel a current of unease. What should we do? we whisper to one another. The voices draw nearer, there are calls and hoots. My friend looks at me and says: this is where we make our stand. We hold hands in a line at the edge of the cave roof, gazing out into the horizon. A hawk wheels overhead. We sing. The approaching voices quiet. We sing louder.

I am a strong woman, I am a story woman, I am a healer, my soul will never die.

We project our voices and yell: we are the witches, back from the dead!

The voices stop. We wait. We hear doors slamming. The sound of tires on gravel. We are alone once more.

We descend into the cave singing a song composed on the spot: Deeper, deeper. We’re going deeper. Deeper, deeper. Deeper still.

We strike a pose based on the carvings described in the classic book, When the Drummers were Women. Archaeologists described may-2016-099carvings of priestesses carrying drums as, “women carrying cakes to their husbands.”

We shout: “we’re not carrying cakes!”

I stand on a rock in the center of the cave and sing: she’s been waiting, waiting, she’s been waiting so long, she’s been waiting for her children to remember to return. My friends join the song and we move deep into the darkness where we face the “birth canal” at the back of the cave, listening to the small stream within trickle, laugh, and bubble as it emerges from the dark spaces deep within the heart of the earth. We begin to sing:

Ancient mother we hear you calling. Ancient mother, we hear your song. Ancient mother, we hear your laughter…

Just as we sing the words, ancient mother, we taste your tears, droplets of cave water fall on our faces, splashing our eyelids.

It might seem simple on the surface, but gathering the women and calling the circle is a radical and subversive act. A revolutionary act. In my work with women’s circles and priestessing, I am repeatedly reminded that gathering with other women in a circle for ritual and ceremony is deeply important even though it might just look like people having fun or even being frivolous, it is actually a microcosm of the macrocosm—a miniature version of the world we’d like to see and that we want to make possible.

In the book, Casting the Circle, Diane Stein observes that women’s rituals, “…create a microcosm, a ‘little universe’ may-2016-062within which women try out what they want the macrocosm, the ‘big universe’ or real world to be. Within the safety and protected space of the cast circle, women create their idea of what the world would be like to live in under matriarchal/Goddess women’s values…The woman who in the safety of the cast circle designs the world as she would like it to be takes that memory of creation and success out into daily life…By empowering women through the microcosm of the ritual’s cast circle, change becomes possible in the macrocosm real world.” (p. 2-3)

It starts with these private ritual and personal connections and then, as Stein explains, “A group of five such like-minded women will then set out to clean up a stream bed or park in their neighborhood; a group of twenty-five will join a protest march for women’s reproductive rights; a group of a hundred will set up a peace encampment. The numbers grow, the women elect officials to government who speak for their values and concerns. Apartheid crumbles and totalitarian regimes in Eastern Europe end, disarmament begins, and laws to control polluters are enforced. Homes, foods, and jobs are opened to the world’s homeless, and often begins in the microcosm of the Women’s Spirituality ritual circle” (p. 3)

“Feminism catches fire when it draws upon its inherent spirituality. When it does not, it is just one more form of politics, and politics never fed our deepest hungers.”

–Carol Lee Flinders (in The Millionth Circle)

january-2017-038Molly has been “gathering the women” to circle, sing, celebrate, and share since 2008. She plans and facilitates
women’s circles, seasonal retreats and rituals, mother-daughter circles, family ceremonies, and red tent circles in rural Missouri and teaches online courses in Red Tent facilitation and Practical Priestessing. She is a priestess who holds MSW, M.Div, and D.Min degrees and finished her dissertation about contemporary priestessing in the U.S. Molly and her husband Mark co-create Story Goddesses, original goddess sculptures, ceremony kits, and jewelry at Brigid’s Grove. Molly is the author of Womanrunes, Earthprayer, and The Red Tent Resource Kit and she writes about thealogy, nature, practical priestessing, and the goddess at Brigid’s Grove. 

Earth’s Mystery School by Molly Remer

“Earth is a mystery school complete with initiations and discoveries that you only experience by september-2015-123living with your feelings, touching the earth, and embracing the fullness of your humanity.”

–Queen Guenivere

(awakewoman)

On Samhain morning, I wake early and mist is rising out of the forest and dancing through the field and out of the trees. I have a moment of sheer awe to see it…the veil was literally thin.

Over the weekend, I visit the nearby river to connect in personal ceremony in appreciation before the park closes for the year and also symbolically to those at Standing Rock. This river eventually meets the Missouri River. I run my hands through the water. I anoint my brow, neck, and hands. I whisper my prayers into the ripples. I sing: “I am water. I am water…I am flowing like the water, like the water I am flowing, like the water.”october-2016-065

I am hurrying outside to get some work done. I feel tight and hurried with the length of my to-do list and my superhuman plans for the day. The bright red flame of a bloom on my pineapple sage plant catches my eye and then…the perfection of a bright yellow butterfly alighting on one slender stamen. My breath catches and I stop in wonder. I smell the flower and it smells of pineapple, just as the leaves do. I can hardly believe this treasure and the tightness melts into nothing. The rest of the day is full of joy.

I am once again healed by flowers.

About twenty feet outside my house, there is a small building with a little porch and a peaked roof. Inside, there is red carpet and a purple wall, goddess tapestries draped from floor to ceiling, and goddess sculptures in abundance. march-2016-002In this building I write, work, create, and hold small rituals with a circle of friends. I call it my Tiny Temple and it is the proverbial, “room of one’s own” described by Virginia Woolf in 1929. Having a dedicated work and ceremony space in the midst of a home-based life, which includes a home business shared with my husband, and four homeschooled children, has changed my life profoundly. In the tiny temple, I feel most wholly myself: connected, powerful, free, authentic, and completely alive.

One morning, as I walk to the temple, this beautiful rose makes me drop to my knees with delight. Yes. This right here. This is a beautiful moment. As I kneel beside the rose, the Body Prayer song* wells out of me until I have tears in my eyes.

september-2016-077  “We may need to be cured by flowers. 

We may need to strip naked and let the petals fall on our shoulders, down our bellies, against our thighs. We may need to lie naked in fields of wildflowers. We may need to walk naked through beauty. We may need to walk naked through color. We may need to walk naked through scent. We may need to walk naked through sex and death. We may need to feel beauty on our skin. We may need to walk the pollen path, among the flowers that are everywhere. 

We can still smell our grandmother’s garden. Our grandmother is still alive.”

–Sharman Apt Russell, in Sisters of the Earth

I create personal ritual almost every day in my tiny temple, sometimes simple, sometimes elaborate, sometimes tearful, sometimes joyful, sometimes hurried, sometimes leisurely, sometimes distracted, sometimes astonished at the wonder of it all. The week of my rose worship experience, I smudge the temple with sage I grew in the flowerboxes by my front porch. I ring my bell 13 times. I sing “I Am Fire.” I lay out cards and tiny goddesses and create a mandala out of fallen leaves. I leave an offering of flowers from the herbs and let rose petals drop from my fingers. Ritual captivates all the senses…in this sacred space, I invoke my own senses of smell, touch, sight, sound, and wonder and the result is magic.

“Through ceremony we learn how to give back. When we sing, we give energy through our voice; when we drum, we allow the earth’s heartbeat to join with our own; when we dance, we bring the energy of earth and sky together in our bodies and give it out; when we pray, we give energy through our hearts; when we look upon our relations, we give blessings through our eyes. When we put all these activities together, we have a ceremony, one of the most powerful forms of gift-giving we humans possess.”

–Sun Bear and Wabun Wind

May we each be healed by flowers, time to ourselves to sit on the earth and sing, and the simple, every day beauties and miracles that surround us each day.

october-2016-003

Notes:

august-2016-199

Molly has been “gathering the women” to circle, sing, celebrate, and share since 2008. She plans and facilitates women’s circles, seasonal retreats and rituals, mother-daughter circles, family ceremonies, and red tent circles in rural Missouri and teaches online courses in Red Tent facilitation and Practical Priestessing. She is a priestess who holds MSW, M.Div, and D.Min degrees and finished her dissertation about contemporary priestessing in the U.S. Molly and her husband Mark co-create Story Goddesses, original goddess sculptures, ceremony kits, and jewelry at Brigid’s Grove. Molly is the author of Womanrunes, Earthprayer, and The Red Tent Resource Kit and she writes about thealogy, nature, practical priestessing, and the goddess at Brigid’s Grove. 

What Does Mother’s Day Mean in a Patriarchal and Matricidal Culture? by Carol P. Christ

Carol Molivos by Andrea Sarris 2When we seek immortality or spiritual “rebirth,” are we not saying that there is something wrong with the “birth” that was given to us through the body of our mothers? In She Who Changes and in “Reading Plato’s Allegory of the Cave as Matricide and Theacide,” I asserted that our culture is “matricidal” because it is based on the assumption that life in the body in this world “just isn’t good enough.”

What is so wrong with the life that our mothers gave us that we must reject it in the name of a “higher” spiritual life? The answer of course death.

Can we love life without accepting death?

Can we love our mothers if we do not accept a life that ends in death? Continue reading “What Does Mother’s Day Mean in a Patriarchal and Matricidal Culture? by Carol P. Christ”

It’s Autumn in the Southern Hemisphere – not Spring/Eostar by Glenys Livingstone

GlenysDespite the chocolate bunnies, eggs and toy chickens in the shops along with the coaxing to buy and celebrate Easter at this time in Australia, it is not Spring: Earth here does not seem to co-operate with the Consumer Faith, built as it is around the Northern Hemisphere and dominant Christian calendar. In the Southern Hemisphere it is Autumn, the dark part of the day is lengthening.

On March 20th at 4:30 UT Earth will be perfectly poised in balance for a moment: it is a global moment of Equinox – one of the annual two. Humans have celebrated it for millennia, perhaps for many tens of thousands of years, in ways appropriate to various regions, in both the South and the North of the Planet. The light and dark parts of the day in the South and in the North of our planet, are of equal length at this time. In the Northern Hemisphere it is Spring, and Easter is commonly celebrated: with those of Earth-based tradition celebrating the moment and season of Equinox with the name of Eostar. Continue reading “It’s Autumn in the Southern Hemisphere – not Spring/Eostar by Glenys Livingstone”

We are Mauna Kea: The Continual Protest for Maintaining Sacred Land by Anjeanette LeBoeuf

AnjeanetteIt seems like there is a perpetual debate over acquiring land for progress and growth versus the protection of land that has ties to religion, customs, and cultures. The history of America is littered with stories and events that deal with acquisition of land. The sake of growth, expansion, and progress takes precedence in the history of America. Our country’s geography is a road map of acquired land and the pushing aside sacrality.

Continue reading “We are Mauna Kea: The Continual Protest for Maintaining Sacred Land by Anjeanette LeBoeuf”