goddess – Page 3 – Feminism and Religion

Herstory Profiles: The Season of the Witch by Anjeanette LeBoeuf

Throughout the modern ages there have been stories, legends, myths, and historical accounts of threatening people, mainly women, who have been linked with the supernatural, with containing powers, engaging with elements that go beyond the natural world, and who decentralize, shake up, and counter mainstream patriarchal systems and groups. And the predominate word which can be translated and transcend languages is that of WITCH. And since we are in the month of October, when it becomes somewhat acceptable for people to deck their houses with items long been associated with witchcraft, this month’s herstory profiles is diving into all things witchy.

So, lets deconstruct what witches do and how they function in history and in modern times. When we look at the origins of magic – at the very core- is the manipulation of the natural world for supernatural outcomings. Those outcomes can be a range – from conversing with supernatural beings, healings, prophecy, alchemy, transformation, and to even holding secret knowledge. The word magic has origins in Ancient Persian and Proto-Indo-European languages with concepts of “being able to” and to “have power.” If we look at ancient cultures, civilizations, and religions we found multiple variations of people and roles being able to contain, control, and weld magic.

Samhain: The Cailleach, Wolf, and Black Cat by Judith Shaw

Halloween, with its Celtic pagan roots in the sacred day of Samhain, which later morphed into a Christian holiday, is now mainly a nonreligious celebration in Europe and North America. It’s enjoyed by both young and old with scary outdoor decorations, parties, spooky costumes, haunted houses, carved pumpkins, and candy-giving.

Legacy of Carol P. Christ: WOMEN ARTISTS AND RITUALISTS IN THE GREAT CAVES: THE BEGINNING OF THE END OF INDOLENT ASSUMPTIONS

This was originally posted October 21, 2013

In an earlier blog, I suggested that women might have blown red ocher around their hands to leave their marks in prehistoric caves.

At the time I thought this was a rather bold suggestion.

Had I been asked why I thought the images were made by women, I might have said that people have understood caves to be the womb of the Great Mother, the Source of All Life, from time immemorial. I might have added that those who performed rituals in the caves cannot have been performing simple “hunting magic,” but must also have been thanking the Source of Life for making life possible for them and for the great beasts they hunted. Still I am not certain that I imagined women as the artists in the Paleolithic caves.

Legacy of Carol P. Christ: GODDESS WITH US: IS A RELATIONAL GOD POWERFUL ENOUGH?

This was originally posted on Sept 2, 2013

Last week I wrote about Protestant Neo-Orthodoxy’s deification of male power as power over. This week I want to ask why the relational Goddess or God* of process philosophy has not been more widely embraced, both generally and in feminist theologies.

Could it be that a relational God just isn’t powerful enough? Are some of us still hoping that an omnipotent God can and will intervene in history to set things right? Do we believe an omnipotent God can save us from death?

Process philosophy provides an attractive alternative to the concept of divine power modeled on male power as domination. According to leading process philosopher Charles Hartshorne, the power to coerce, power as power over and domination, is not the kind of power God has.

The concept of divine power as omnipotent (having all the power) leads to what Hartshorne called “the zero fallacy.” If God has all the power and can dominate in all situations, then the power of individuals* other than God is reduced to zero. In effect, this means that individuals other than God do not really exist, but at most are puppets whose strings are pulled by the divine power.

Cerridwen’s Cauldron; Stealing from Old Mother Universe by Kelle ban Dea

Catherine Kay Greenup, blue well
Unsplash stock

The story of how Cerridwen, the witch goddess, brews a magic potion full of awen (inspiration) which is then accidentally imbibed by the boy Gwion Bach, is well loved across the Western world, especially by neo-Druids. Gwion Bach is then reborn as Taliesin, the greatest bard in Britain. It is a typical heroes tale, with Cerridwen as the muse and initiatrix.

Or is it? This tale has always left a funny taste in my mouth, and when I recently read The Broken Cauldron by Lorna Smithers, I understood why. In the oldest version we have of this tale, Gwion Bach doesn’t accidentally taste the awen. He steals it.

Atargatis, the Mermaid Goddess by Judith Shaw

Modern science has proven what ancient myth has long told us about our Earth — billions of years ago our world was a water world. It’s not surprising then to find water-based creation stories and goddess mermaids in the myths of our ancient ancestors.

A Healing Shrine by Joyce Zonana

From October 5, 2023. Joyce posted the blogpost which she titled: Nineteen months and Counting: Experiencing the Web of Life

On February 28, 2022, I unknowingly drove into a deep snowbank, shortly after finding myself in a strangely unfamiliar landscape. Suspecting a TIA, my primary care physician urged me to go to an emergency room for a possible CAT scan. There, a lesion in my right parietal lobe was quickly discovered.

The Eye of the Goddess by Sara Wright

Spiraling In

I buried you today,
a fluff of earthly feathers
dipped in ebony
bronze
and gold.
He left you
on my road
innocent
already broken
Just a tiny bird
peeping pitifully
in fear and pain
cocooned in
deep distress.

I scooped you up
held you against
my heart

Instantly Still
I felt you knew…

Wild Mothering
kicked in
create a loving
space for
life or death

Above all
Be Present
for whatever
is ahead…

I dug a grave
where you were born
nestled under pines
fragrant roots
cradled what
was left
your bones are
made of light

Offering prayers
to Her
Our Bird Goddess*
I bowed my head
Ancient and Wise
She who Sees
She who holds
Abusers accountable
(as do I)
She watches
over us all
honoring the dead.

Legacy of Carol P. Christ: Two Ultimates: The Ground of Being and Goddess

This was originally posted July 15, 2013

The concept of two ultimates, the ground of being and Goddess, can be helpful in understanding differences of emphasis within and among religions. Some religions or strands within religions focus on relationship with or worship of a personal God, while other religions or strands within religions focus on identifying with or merging with the impersonal ground of being or the whole of which we are part. These two ultimates are found in feminist spiritualities and theologies.

In “Being Itself and the Existence of God”* process theologian John Cobb identifies two ultimates. The ground of being as the metaphysical principles that structure all of life is unchanging; as the whole of which individuals are part, the ground of being is impersonal. God, on the other hand, is an active presence in the world, is personal, and cares about individuals in the world. If God is understood to be in some sense an individual in relation to other individuals, then God cannot be identified with the whole, because the whole is made up of God and other individuals. Yet God is not simply one individual among other individuals. Only God has perfect knowledge of the world and every individual within it and only God cares for the world in light of perfect knowledge of it.

The Impresa of Great Mystery by Janet Maika’i Rudolph

The Fibonacci series has been called the fingerprint of god. That is because they are a sequence of numbers found ubiquitously in nature. I’ve been thinking up new names for it. It is a progression created by adding each number to its previous number after starting with the number one. It looks like this:

1, 1, 2, 3, 5, 8, 13, 21, 34, 55 and so on to infinity.

The Fibonacci Sequence was first described in the 12^th century by Leonardo Pisano Bigollo, an Italian mathematician. His nickname was Fibonacci, which translates to “son of Bonacci.” He has been called the Leonardo of Pisa, the city of his birth. The series is unique. When you take the ratio of any two successive numbers in the series (after the three), the resultant numbers have a pattern. They fall into an increasingly narrow range with the sequence revolving around a ratio called the Golden Mean, the golden ratio, or the golden number. It is 1.618. Below is an example of how the number sequence works: