Rescuing Martha from the Dishes: A Challenge of Retrieval and Proclamation by Mary Grey – Part II

What do the Gospels of Luke and John tell us?
This is the second part of a three part post. Part I is here and Part III is to follow tomorrow. 

I now return to the story of Mary and Martha in the gospel of Luke: what was its purpose for the evangelist and his community? The text itself has been a subject of multiple interpretations. An abstract interpretation sees the sisters as representing two different principles, one as justification by works and one by faith. Augustine (d.430) saw them as symbolising either the labours of this world and the bliss of the world to come. Origen (185-254), famous for his allegorising interpretation of Scripture, understood them as life according to the flesh or according to the Spirit. So, as Elisabeth Schüssler-Fiorenza points out in But She Said: Feminist Practices of Biblical Interpretation (1992:58), this typologising contrast was already established by the end of the 2nd century.  In a contemporary context Martha and Mary continue to exemplify the two vocations that the church offers to women, contemplative love of God (Mary), or social activism through service of neighbour (Martha). Continue reading “Rescuing Martha from the Dishes: A Challenge of Retrieval and Proclamation by Mary Grey – Part II”

Rescuing Martha from the Dishes: A Challenge of Retrieval and Proclamation by Mary Grey – Part I

Introduction and Martha – Patron Saint of Housewives

Here I explore a troubling issue for feminist biblical interpretation, namely the interpretations of Luke 10, 38-42, with specific reference to the figure of Martha, and the questions that arise when we compare John’s story, the Raising of Lazarus (John 11.1-44).  At first sight Luke seems clear: Martha is troubled with the domestic task of preparing food, while Mary has gone to the heart of the matter, listening to the word of God at the feet of the Lord. Mary is always depicted at the feet of the Christ, while Martha is the active one and this is often interpreted negatively. (One interesting exception is Giotto’s fresco of the raising of Lazarus, where both sisters are prostrate at Jesus’ feet). A clear message seems given for Christian discipleship and this text has had an evocative power through history. But on reading John’s story, are the roles reversed? Martha runs to greet Jesus, Mary remains at home. From Martha comes the confession of faith in Jesus:

Yes, Lord; I believe that you are the Christ, the Son of God, he who is coming into the world. (John 11.27)

What we are given is a full confession of faith on Jesus as Son of God, the confession which is on the lips of Peter in the 3 Synoptic Gospels, (Luke 9.20, Mark 8.29, Matthew 16.15-17).

Why is it, then, that Christian Tradition has largely ignored the Johannine text and followed Luke, even a negative interpretation of Luke? Continue reading “Rescuing Martha from the Dishes: A Challenge of Retrieval and Proclamation by Mary Grey – Part I”

Hidden Meanings in the Rituals of the Assumption by Carol P. Christ

carol-christ“[T]he Old European sacred images and symbols were never totally uprooted; these persistent features in human history were too deeply implanted in the psyche.  They could have disappeared only with the total extermination of the female population.” Marija Gimbutas, The Language of the Goddess, 318.

August 15 is known to Greek Christians as the date of the Koimisi, “Falling Asleep” or Dormition of the Panagia, She Who Is All Holy.  December 25 is a minor holiday in the Orthodox tradition, while Easter and August 15 are major festivals.  The mysteries of Easter and August 15 concern the relation of life and death.  In Orthodox theology, both Easter and August 15 teach that death is overcome:  Jesus dies and is resurrected; Mary falls asleep and is assumed into heaven.  These mysteries contain the promise that death is not the final end of human life.  Yet this may not be the meaning of the rituals for many of those who participate in them.

In Christus Victor, Gustaf Aulen argued that Eastern (Orthodox) and Western (Catholic and Protestant) traditions understood salvation differently.  The Western Church focuses on salvation from sin, while the Eastern Church focuses on transcending death.  This contrast is not absolute, as for the Western Church sin is the cause of death and when sin is overcome, immortal life is restored.  While Orthodoxy has strong ascetic and monastic traditions, it does not teach ordinary Christians to focus on sexual purity and impurity as Western traditions have done.  Nor is there a strong emphasis on transforming collective sin in movements for social justice.  Significantly, though Roman Catholics and others consistently refer to the “Virgin Mary,” Orthodox Christians prefer “Panagia,” She Who Is All Holy.

In Greece the ordinary rhythms of life are disrupted at Easter and in August.  During lent, many women (and some men) fast, while in August women named Mary and Panagiota–as well as others who wish to honor or petition the Panagia–wear black for two weeks.

Assumption1Throughout the first 2 weeks of August, Greek Christians focus on the death of the Panagia.  According to theology, her Son appears after her death and “assumes” her into heaven.  The Orthodox icon depicts Mary surrounded by the Apostles, while Jesus holds the assumed body of Mary depicted as an infant wrapped in swadling clothes.

When she first saw this icon, my friend Naomi Goldenberg commented that it is an example of the widespread attempt on the part of men to appropriate the power to give birth.  The icon reverses the symbolism of the nativity where the baby wrapped in swadling clothes is held in the hands of his mother.  Christian baptism described as re-birth through the Father, Son, and Holy Spirit is another version of “male birth.” Continue reading “Hidden Meanings in the Rituals of the Assumption by Carol P. Christ”

Painting Georgia O’Keeffe by Angela Yarber

Hailed as the Mother of American Modernism, her seemingly vaginal flowers lauded by feminists and artists alike, Georgia O’Keeffe stands as a sentinel for strong, creative women who balk at tradition and embrace a faraway freedom.  Though she adamantly denied any association with female genitalia embedded in her sensuously up-close-and-personal flowers—even from feminist artists as famed as Judy Chicago—she remained a female force unbound, painting, living, loving, and creating on her own terms.  So, it’s no wonder that she joins my Holy Woman Icons with a folk feminist twist: Virginia Woolf , the Shulamite, Mary Daly, Baby Suggs, Pachamama and Gaia, Frida Kahlo, Salome, Guadalupe and Mary, Fatima, Sojourner Truth, Saraswati, Jarena Lee, Isadora Duncan, Miriam, and Lilith.

Born in November 1887, O’Keeffe knew she would be an artist from the young age of seven.  Whether you’re familiar with her intricate flowers, soaring skyscrapers, or desert skulls depends largely on the period of her life that interests you.  Whether it was the rural Wisconsin farm of her childhood, the bustling city of New York where she began her relationship with famed photographer Alfred Stieglitz, the peaceful lake in the Adirondack Mountains where they summered, or the harsh desert landscapes of New Mexico where she devoted her later years, she found inspiration and captured beauty wherever she lived, camped, traveled, hiked, or drove in her Ford Model A.  Continue reading “Painting Georgia O’Keeffe by Angela Yarber”

Who is the Church? by Linn Marie Tonstad

Linn Marie TonstadThe headlines blared, “Who am I to judge?” News outlet after news outlet led with the pope’s conciliatory stance toward gays, expressed during an interview aboard the pope-plane as he returned from Brazil. Among the several headers from Fox News (I encourage not clicking!), we find discussions of the pope’s “reaching out” to gays and even one that combines this development with his “urging” of a “greater role” for women. The New York Times story introduced the pope’s comments as follows: “For generations, homosexuality has largely been a taboo topic for the Vatican, ignored altogether or treated as ‘an intrinsic moral evil,’ in the words of the previous pope.” Ignoring the astonishing comment that this has been the case “for generations,” as though homosexuality has historically been the kind of issue for the church it has become in the wake of radical queer movements – see Mark Jordan’s several books on this for the most helpful treatments – the story went on to say that the pope’s comments “resonated throughout the church.” Although the NYT article did a better job than some contextualizing and nuancing the pope’s comments, they were still termed “revolutionary” in an assessment better suited to an opinion page than to a news report. Better-informed commentators, such as James Martin, offered a measured response. Martin said that although the pope’s remarks didn’t really signal a significant change in policy, “in the church, style often proves substantial,” implying that the “pastoral” tone might have effects in the implementation of policy. More significantly, Martin praised the pope’s adherence to Jesus’ injunction not to judge as an instance, first and foremost, of the pope’s commitment to mercy as the hallmark of his pontificate.

My Facebook feed, predictably, lit up with links to and discussions of these comments. While most were thrilled, a few posts noted that, even if Pope Francis is in fact (which is not proven) walking back Benedict XVI’s language of “intrinsically disordered,” the church’s policy has not and will not change in any significant way. What was missing in all but a few instances was attention to the pope’s comments in the same interview on women, and the deep theological problems with the assumptions contained in those comments. And while I, as a queer theologian, would never wish to downplay the struggles of LGBTQI people in the Roman Catholic church, there are rather more women than queers in that church (as elsewhere!). What’s more, it is arguable that it is the sexism and heterosexism of what Marcella Althaus-Reid memorably termed “T-Theology” that underlies condemnation of homosexuality in Roman Catholic theology. Continue reading “Who is the Church? by Linn Marie Tonstad”

Women’s Christian Heritage by Elise M. Edwards

elise-edwardsIt is difficult to carve out time in a course that covers Christianity from the past 2000 years to address material beyond the standard textbooks.  But yet, I must because the visual and material culture, the worship practices, and the daily activities of women and men who have called themselves Christians or followers of Christ throughout history also comprise the story of the Christian heritage.

Over the past several weeks, I have been developing material for a historical and theological survey course called “The Christian Heritage.” In the multiple sections of this course taught at my university, and I imagine similarly at schools across the country, students are assigned a course reader.  The reader we use is a collection of texts that have shaped the Christian faith from the first century to the 21st.  It is a good collection, and I have no objection to using it.  However, for the way I would like to teach the course, I will need to supplement the reader with other material.  I have two interrelated concerns: the reliance on texts as a way of determining theological history and the absence of women in that history before the medieval period (and even then the number of women included is small). Continue reading “Women’s Christian Heritage by Elise M. Edwards”

5 Interesting Facts about Women and Religion by Kile Jones

Kile Jones, atheistPart of my research is focused on how the social sciences relate to “religion” and religious studies.  More specifically, I spend time examining the sociology of religion.  I look at stats, demographics, and polls.  I look at rates of attendance, frequency of prayer, levels of “religiosity,” apostates (or the less religiously-loaded term “exiters”), and political outlooks.  I also look at how bias this area of study is in favor of religion.  One facet of this work that has always interested me, is the differences in “gender” and “sex” as they relate to religious beliefs and observances.  Accepting the fact that there are spectrums of sex, gender, and identity, and the presence of difficult philosophical questions surrounding self-identification and the limits of labels, some really interesting facts and statistics crop up time and time again.  In what follows I will lay out a couple of these interesting facts, along with some thoughts on them: Continue reading “5 Interesting Facts about Women and Religion by Kile Jones”

Mormon Feminism and the Need for Ritual and Practice Creation by Caroline Kline

Kline, CarolineIn the past year, Mormon feminist activism has exploded. Wear Pants to Church Day, Let Women Pray, and Ordain Women are three recent projects which encouraged Mormon feminists to agitate collectively and put pressure on the institutional LDS Church to be more inclusive. I was proud to be involved in each of these, and I see this new activism as enormously important. Not only has it led to actual change (a woman did recently pray in General Conference), but this kind of public agitating also creates more space within the fold for Mormon feminists, so often silent about their questions, to discuss their feminist convictions and hopes with other Mormons.

Over the last few months, however, I have had the growing sense that pressuring the institution for change is only one part of our feminist struggle. We also need to begin developing our own community practices, our own rituals, and our own traditions. We need practices we can pass on to the next generations of Mormon women, so that our granddaughters and great nieces can turn to these traditions and find insight and inspiration in them. Continue reading “Mormon Feminism and the Need for Ritual and Practice Creation by Caroline Kline”

Painting Lilith, Leaving Church by Angela Yarber

 Lilith has been a misunderstood, appropriated, and redeemed woman throughout the ages.  Many feminists claim her as an empowering figure in Jewish mythology, her story reclaimed by contemporary artists such as Sarah McLachlan, who created the all-women music tour, “Lilith Fair.”  Others have claimed that Lilith was a demon who seduced men and strangled children in the night.

Based almost entirely on Judith Plaskow’s beautiful Midrash, “The Coming of Lilith,” this new Holy Woman Icon with a folk feminist twist has empowered me to reject the sexism and heterosexism that was rendering me broken.  So, she joins Virginia Woolf , the Shulamite, Mary Daly, Baby Suggs, Pachamama and Gaia, Frida Kahlo, Salome, Guadalupe and Mary, Fatima, Sojourner Truth, Saraswati, Jarena Lee, Isadora Duncan, and Miriam as powerful women who have done holy and remarkable things.  First, her story.  Then—if I may—my own.

Continue reading “Painting Lilith, Leaving Church by Angela Yarber”

Creating Ritual by Linn Marie Tonstad

Linn Marie TonstadLast time, we considered whether the creation of rituals, I mean habits, might serve as an antidote to depression, or as a way of managing depression. But the creation of ritual has had a much more significant role in feminist religious practice than such an approach might suggest. Currently, WATER – Women’s Alliance for Theology, Ethics, and Ritual, a leading center for feminist religious thought – creates multiple rituals marking various seasons and events in the year, most recently for the summer solstice. These rituals can provide alternative ways of marking the year’s rhythms, and they can serve as ways to take control of liturgical spaces that have tended to exclude women or to allow women to serve only in various subordinate roles.

Yet the terminology is odd. What does it mean to create a ritual? If I think of the rituals of my childhood, what presented itself to me as ritual was connected either with religious practice, or with seasons of exception. Indeed, the most stylized rituals of the year were areligious (as I understood religion). They took place on Christmas Eve. First, during the distribution of presents, my father would put on a terrifying, horrifying, grotesque Santa mask. It was intended, clearly, to be a friendly Santa, which was why its leering was so fundamentally disturbing. My sister and I would try to run away, emotionally and sometimes physically petrified by the transformation of our father into this monster. Second, after Christmas dinner, we would eat cold rice porridge with cream and try to get an almond – “mandel i grøten” in Norwegian tradition. Getting the almond, which is blanched and hidden in the porridge, is considered an auspicious omen for the new year, and requires that the finder be given a gift – traditionally, a marzipan pig. Continue reading “Creating Ritual by Linn Marie Tonstad”