
“Freud once asserted that mortals are not made to keep secrets;
what they would like to conceal oozes from all their pores.”
Psychoanalyst Theodore Reik[1]
It’s remarkable how much female imagery there is in the Bible hidden within its wording. The more I delve into its passages, the more that I have found these hidden/not so hidden sacred feminine images, even deities. I have begun a project of digging in and rooting out these little gems. When people think about the sacred feminine or female deities in the Bible the most well known is the Shekinah. The Shekinah is a lovely presence. The word means “dwelling” and usually represents “god’s divine presence” or a place where the divine resides.
The problem is that the Shekinah as a feminine essence of the divine is never stated explicitly, it is an interpretation of how the word is used. I love the concept of the Shekinah but as an essence that upholds the entire weight of the feminine divine in the bible, I find it unsatisfying by itself. Luckily for me, Goddess Shekinah has lots of company. Sometimes they are indeed hiding in plain sight. Sometimes they hide in the translations. The passage I am presenting today has some of both going on. The following is the King James Version of Genesis 49:25. Jacob has been giving blessings to each of his sons and this is part of the blessing he gives to Joseph: Continue reading “Yes, There are Goddesses in the Bible by Janet Maika’i Rudolph”


I am an annoying feminist. I annoy pretty much everyone about it, because I’m never NOT applying a feminist lens to every aspect of life: science (looking at you,
Very early in Henri Bosco’s 1948 novel Malicroix, a young man, Martial de Mégremut, living placidly amid fruitful orchards in a tame Provençal village, receives a letter informing him he has inherited “some marshland, a few livestock, a ramshackle house” from a reclusive great-uncle, Cornélius de Malicroix. Against his family’s strenuous objections–with alarm they speak of “marshes, mosquitoes, miasmas”–Mégremut resolves to travel alone to the remote Camargue to claim his “wild” Malicroix inheritance. The house is on an island, and to reach it Mégremut must cross a rough river, at night, in a frail wooden boat piloted by a taciturn old man who meets him at dusk in the middle of a vast plain.
The Tanakh, Jewish scriptures, predominately call the deity king and lord and use the masculine pronoun. These images evoke a certain level of power. Just how powerful the deity is in then multiplied when “he” is addressed as “G-d of Gods,” “Lord of Lords,” judge, almighty, all-powerful, and warrior-like with vengeance, fury and flaring nostrils. Events like war, army invasion, disease, drought, and famine are often described as divine punishments for wrongs done throughout the Tanakh.
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