Recently, I have thought about a common idiom that has been used to refer to sexual reproduction, the birds and the bees. I became curious why animals that appear in most gardens were used as an example to explain where babies come from, until I did some research. It turns out that since the birds lay eggs, that is their representation of the female body and the bees represent the sperm due to pollination. It is a very subtle, overlooked message that can be disguised as being more age-appropriate to young children. However, I decided to dig a bit deeper. Ed Finegan, a USC professor of linguistics and law, has stated that this phrase has existed a lot longer than one might think. There is evidence of it being used in a somewhat sexual context going back to at least two authors, Samuel Coleridge Taylor (1825) and an entry from John Evelyn’s The Evelyn Diary (1644).
In Work Without Hope, Samuel Coleridge Taylor quotes, “All nature seems at work . . . The bees are stirring, birds are on the wing . . . and I the while, the sole unbusy thing, not honey make, nor pair, nor build, nor sing.” This separation of the birds and bees is indicating the loneliness and sadness of missing out on a potential romantic connection. When going even further back in time to 1644, it was noticed in the Evelyn Diary that there was an entry discussing the interior design of St. Peter’s in Rome: “That stupendous canopy of Corinthian brasse; it consists of 4 wreath’d columns, incircl’d with vines, on which hang little putti [cherubs], birds and bees.” This description is illustrating that there is a possible sensual or sexual meaning of the architecture in St. Peters.
Continue reading “Let’s Have The Talk – What Does “The Birds and The Bees” Actually Mean: By Zoe Carlin”




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I’ve been thinking a lot about something my grandmother would always tell me: “When life hands you lemons, sometimes you have to make applesauce.” I know, it sounds crazy, but life right now appears to be more on the crazy than the sane side.
The Tanakh, Jewish scriptures, predominately call the deity king and lord and use the masculine pronoun. These images evoke a certain level of power. Just how powerful the deity is in then multiplied when “he” is addressed as “G-d of Gods,” “Lord of Lords,” judge, almighty, all-powerful, and warrior-like with vengeance, fury and flaring nostrils. Events like war, army invasion, disease, drought, and famine are often described as divine punishments for wrongs done throughout the Tanakh.