#HillYes by John Erickson

I’m going to do something I’d never thought I’d do: fill your newsfeed with yet another article pertaining to the 2016 United States Presidential election and yes, I’m going to talk about former Secretary of State Hillary Clinton (hint: I’m emphatically supporting her and I’m unapologetic about it.)

John Erickson, sports, coming out.I’m going to do something I’d never thought I’d do: fill your newsfeed with yet another article pertaining to the 2016 United States Presidential election and yes, I’m going to talk about former Secretary of State Hillary Clinton (hint: I’m emphatically supporting her and I’m unapologetic about it.)

Let me start off with my central point: a vote for Hillary is a vote to change history and the world. No, not because she’ll hail in some type of new economic stimulus (although I’m sure she’ll do just fine with our economy #ThanksObama) or because she’ll save us all from the evils of the GOP (looking at you Trump/Cruz/and the “moderate” Kasich) but because she’ll do one thing that’s never been done before: become the first female President of the United States, ever.

While I have tried not to get into “it” (read: online trysts with my friends on social networks who are #FeelingtheBern) the question I beg to ask is: what’s so wrong with wanting the right woman to be the President? This is one, but not my only reason, I will cast my vote for her both in the Democratic Primary in California in June as well as in November (and, if you haven’t guessed, I do not believe or promulgate the reasoning or rhetoric that Bernie Sanders will come from behind and win the Democratic Party’s nomination because I passed 5th grade level Math.)

Hillary Clinton

Continue reading “#HillYes by John Erickson”

“Light and Darkness” of the Goddess by Carol P. Christ

Carol Molivos by Andrea Sarris 2“Light and Darkness” is a song written and arranged to one of the oldest known European melodies by Ariadne Institute founding Co-Director Jana Ruble, following her first Goddess Pilgrimage to Crete. Every year since then, we have sung it in the caves of Crete during our rituals. A pilgrim told us that she learned it at the (Christian) Re-Imagining Conference. Last spring another pilgrim said that she knew it because her choral group sings it. You can listen to “Light and Darkness” and see pictures of an altar in a cave on a new video created by Goddess pilgrim PJ Livingstone after the 2015 spring tour.

In our culture we have been taught to fear the dark. We have been told that monsters come out in the dark, and that they will eat us. Such fears have not always been part of cultural memory. Continue reading ““Light and Darkness” of the Goddess by Carol P. Christ”

Re-creating a Gynocentric Cosmology: Situating Myself by Glenys Livingstone

Glenys

I am an inventor, a mythmaker, who has received/taken remnants of her indigenous religious heritage, and newly available parts, and spun and woven new threads, fabrics and stories.[i]

 My method of approach has been informed by my deep personal involvement … my need to “place” myself here – as feminist philosopher Luce Irigaray suggests that woman needs to do.[ii]

 Irigaray said that woman is not situated, “does not situate herself in her place,” that she serves as a thing and is thus nude.[iii] I have intuitively felt the need to “clothe” myself, to find the Place within me, to move from object to sentient subject.[iv]

The way the Cosmos was for a white girl child of Western European descent growing up in country Australia, with Protestant religious teachings, was a place surveyed scrupulously by a vengeful Father God, who was at the same time spoken of as the epitome of Love. What did that do to one’s understanding of Love? How does a woman – or any person – become functional within such a cosmology? Continue reading “Re-creating a Gynocentric Cosmology: Situating Myself by Glenys Livingstone”

Ode to My Twenties by Anjeanette LeBoeuf

AnjeanetteSociety has created this vortex of fear surrounding women aging. Yet, as I turn 30, I am only feeling awe. Awe over everything I accomplished in my twenties and awe in all the things yet to be realized in my thirties. The interesting thing is how other people are experiencing me turning thirty. Some are reminiscent of their twenties or how their experienced their thirties. Others start to bring up certain things which are apparently still lacking in my life. The biggest ones are a husband and children. They look at my eve of thirty-hood as the clock ticking away on me finding love and most definitely on my biological clock.

Continue reading “Ode to My Twenties by Anjeanette LeBoeuf”

Rosh Hashanah and the Goddess by Joyce Zonana

Joyce Zonana head shotWhen I was growing up in the 1950s in my Egyptian Jewish immigrant home, each of the High Holidays was imbued with sacredness, thanks largely to my mother’s commitment to a creating a harmonious and memorable gathering of family and friends.  Around a long table, covered with an embroidered white cloth and set with sparkling silver and delicately fluted china, she served at each season the festive meal that made manifest for us the presence of the Divine.

My father, an Orthodox man who prayed each morning and went regularly to the local Sephardic synagogue in Brooklyn, privately followed the tenets of his faith.  But it was my mother, unconsciously devout, who brought the public rituals of our religion to life.  As a child, I longed to be at prayer with my father and was envious of the men and boys who studied and recited the sonorous ancient Hebrew; I did not want to be confined to polishing the silver and setting the table.  But today, as an adult, I am grateful for the silent teachings bequeathed to me by my mother. Continue reading “Rosh Hashanah and the Goddess by Joyce Zonana”

I Am A Woman’s Poet by Marie Cartier

MarieCartierforKCETa-thumb-300x448-72405This is the first poem I ever wrote and had published.

I wrote it in the early 80s at the height of the second wave of Women’s Liberation.

Having just returned from the final Michigan Womyn’s Music Festival, I publish it here with FAR today as an homage to that time period, to those women (myself among them), to many “womyn with a ‘y,’” and what we accomplished—battered women’s shelters, rape crisis centers, health clinics, women’s studies programs, bookstores, festivals, music and culture etc. etc.

Much of what we accomplished is because we learned to listen to each other’s repetition until, as Nelle Morton said, we “heard each other into speech.” Continue reading “I Am A Woman’s Poet by Marie Cartier”

No Longer Moved … by Symbols that Once Moved Me Profoundly by Carol P. Christ

Carol in Crete croppedThis week Judith Plaskow and I submitted the final version of our new book Goddess and God in the World to our publisher at Fortress Press. Just before completion, I added a shorter version of the following passage to my final chapter. In it I tried to describe the odd feeling of not being moved any longer by a religion that once moved me profoundly. Our book, which explores an embodied theological method, will be out in the summer of 2016.

I have never regretted my decision to leave Christianity. Although I have a sentimental attachment to Christmas trees, Christmas dinners, Christmas carols, and some hymns, I miss little else about Christianity. At a distance of several decades, I find that I quite simply have no feeling for the Christian edifice of doctrines and rituals based on the life and death of a single individual. Jesus was a visionary, but there have been many others like him—including Martin Luther King, Elizabeth Cady Stanton, and Gandhi, all of them flawed, as Jesus must have been as well.

A few years ago, I decided to participate in the Greek Orthodox Easter week services, because they are attended by so many of my neighbors. But while enjoying the company of the women who decorated the epitaphios (tomb for Jesus), the procession through the streets of our town on Friday night, and the lighting of candles at midnight on Saturday, I came to a clear understanding that the Easter drama is no longer my drama. During the Thursday night services, I realized that many of the women were openly grieving the death of Jesus. Though intellectually I could understand that the Easter drama allowed my friends to release pent-up and repressed feelings, I found their deeply emotional response to the re-enactment of the death of Jesus bizarre.

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Idean Cave

In leaving Christianity, I had gained the freedom to name the sacred in my own experience, confirmed my deep inner knowing about the human connection to nature, and found the power to create and participate in rituals that have meaning in my life. For me now, the rituals on the Goddess Pilgrimage to Crete are at the center of my spiritual life. To listen to Alice Walker’s words, “We have a beautiful/mother/Her green lap/immense/Her brown embrace/eternal/Her blue body/everything we know”* on a mountaintop or to repeat Ntozake Shange’s cry, “we need a god who bleeds now/whose wounds are not the end of anything”** at the mouth of a cave, moves me more than any passage from the Bible.

Singing “Light and Darkness” in the depths of caves is an embodied act of reclaiming the womb as a symbol of creation and the darkness as a place of transformation. I still enjoy singing the Doxology (Hymn of Praise)—and doing so connects me to my history. But I now sing it in front of altars laden with summer fruits or winter vegetables and with words that express my spirituality: “Praise Her from whom all blessings flow/Praise Her all creatures here below/Praise Her above in wings of flight/Praise Her in darkness and in light.”***

*Alice Walker, “We Have a Beautiful Mother,” Her Blue Body Everything We Know: Earthling Poems 1965-1990 (New York City and Orlando, FL: Harcourt Books, 1991), 459-460.
**Ntozake Shange, “we need a god who bleeds now,” A Daughter’s Geography (New York: St. Martin’s, 1983), 51.
***See Carol P. Christ, She Who Changes: Re-imagining God in the World (New York: Palgrave Macmillian, 2003), 238, for a discussion of the meaning of the new words.

Carol P. Christ leads the life-transforming Goddess Pilgrimage to Crete (facebook and twitter).  Carol’s books include She Who Changes and and Rebirth of the Goddess; with Judith Plaskow, the widely-used anthologies Womanspirit Rising and Weaving the Visions and forthcoming in 2016 from Fortress Press, Goddess and God in the World: Conversations in Embodied Theology. Explore Carol’s writing. Photo of Carol by Maureen Murphy. Photo of Idean Cave by PJ Livingstone.

The Wonder that is Being Born: How to Live Out Loud? Sacrilegious or Evolution? by Karen Moon

Karen 2006Yesterday, I went to a Women’s Circle, the description follows:

Our next circle will honor this journey of Venus or Innana as she was known by the ancient Sumerians. We will gather on Sunday, July 26th at 3 PM at my house. We will celebrate the divine feminine energy of Innana/Venus through meditation, song and dance. I encourage you to dress as your inner goddess, embracing your personal divine feminine energy. We will have our usual potluck munchies afterward.

I had spoken to the host on the phone previously and know her via Social Media.  My husband gave his helpful advice to be sure that it was not a “cult,” and yes, I do think any time you find things via social media, a big dose of common sense is needed.  Continue reading “The Wonder that is Being Born: How to Live Out Loud? Sacrilegious or Evolution? by Karen Moon”

Barth and Woman at Yale by Carol P. Christ

Carol P. Christ at Alverno College 1
Carol P. Christ at the Conference of Women Theologians, Alverno College, 1971

I recently located a copy of an essay on Karl Barth and women that I wrote as a graduate student at Yale University in the Alverno College archives. Rereading it decades later, I am a-mazed at the brilliance and tenacity of my younger self. Had I been a male graduate student, I imagine that I would have been encouraged to publish this paper. Instead, though distributed by Alverno College after the Conference of Women Theologians, it was never published. I am correcting that oversight here. Read  A Question for Investigation (Barth and Women)-Carol P. Christ (1971) and view the original typescript Barth’s Theology and the Man-Woman Relationship by Carol P. Christ (1970). Please note that the essay does not restrict itself to Barth’s view of women, but rather uses Barth’s view of women to raise questions about his theology and theological method. Continue reading “Barth and Woman at Yale by Carol P. Christ”

If You Don’t Believe Women Are Fully Human, Can You Be a Great Pope? by Carol P. Christ

In recent weeks I have felt compelled to respond to a series of “Great Pope” photos and stories praising Pope Francis for his stands on poverty and climate change appearing on my facebook page. In every case I added something like: “Let’s not go overboard about a pope who does not believe women are fully human.”

I am referring of course to Pope Francis’s reiteration of the Church’s prohibition of women in the priesthood. But just as important–and perhaps more important–is the role the Roman Catholic Church has played and continues to play to prevent women from having access to contraception and abortion.

Control over our own bodies is a fundamental right that undergirds every struggle for women’s equality and liberation. But the pope does not want women to have the right to use contraception to prevent unwanted pregnancies, nor does he want us to have the right to abortion if contraception is unavailable or fails—not even in cases of rape or incest. Continue reading “If You Don’t Believe Women Are Fully Human, Can You Be a Great Pope? by Carol P. Christ”