Witches and Queens in C. S. Lewis’s Chronicles of Narnia by Elanur Williams

Jadis, The White Witch, by Leo and Diane Dillon. Front Cover for The Lion, The Witch, and the Wardrobe.

When I first encountered the Narnia novels as a child, the Christian symbolism was lost on me. I grew up in Istanbul, and what captivated me most was the magical world of Narnia, where one of my favorite characters, Aslan, had a Turkish name—a rarity in the British children’s books I read at the time. I also loved the mention of Turkish delight, which I did not consider to be “exotic;” rather, it was an ordinary reference to the rose, lemon, and pistachio flavored confections I often enjoyed at home. However, the character who truly fascinated me was Queen Jadis, also known as the White Witch. Her cold, regal majesty—draped in furs and gliding across a snowy landscape in her sleigh—was enchanting. I preferred witches to princesses and was drawn to stories where characters defied the roles they were expected to play, so it’s no surprise that I found the Witch’s character far more compelling than Lucy’s or Susan’s. I even had a picture of Jadis pinned to my bedroom wall. Yet within myself, I suppressed the Witch’s more admirable qualities—her anger, conviction, and sense of personal power. It took me years to reclaim, heal, and integrate these aspects.

Much has been written about C. S. Lewis’s restrictive and problematic portrayal of female characters. He perpetuates misogyny in Christian thought by depicting women who are idealized, distracted by ‘nylons and lipstick,’ in need of protection, or portrayed as liars—like Lucy, whose discovery of Narnia is initially dismissed as a childish fabrication, even though she is a truth-teller. Traces of paternalism run throughout his works, particularly through his reinforcement of a rigid gender binary. He perpetuates the view that women must suppress their own desires and dreams, in favor of being useful and serving others. Although the Narnia novels may appear to position women like Lucy and Susan as capable and responsible leaders (especially when they are crowned co-rulers of Narnia), this vision of female leadership is complicated by the presence of villainous witches and Queens.

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An Omer Calendar of Biblical Women by Jill Hammer

Jill as the prophetess Huldah

Right before Passover every year, my wife and I visit a botanical garden to look at the spring flowers: daffodils, tulips, cherry and apple blossoms, magnolia.   One year, in 2004 or so, we were on our way there when I had an idea. I grabbed a pen and started scribbling long lists of biblical women.

“What are you doing?” my wife asked.

“Making an Omer Calendar,” I said. 

Since biblical times, there is a Jewish practice of counting the forty-nine days between the holiday of Passover (the barley harvest and festival of freedom) and the holiday of Shavuot (the first fruits festival and the season of receiving Torah).  These forty-nine days were the time of the barley and wheat harvest and were a fraught time for biblical farmers.  According to the Talmud, each day of the Omer must be counted along with a blessing.  One must count consecutively each day (usually in the evening) and one loses the right to say the blessing if one misses a full day of the count.  The Omer is often understood as a time of semi-mourning because of plagues said to occur during this time, but it is also a joyful season when nature’s abundance is at the forefront.  This seven-week period embodies both fear that the harvest will be damaged and gratitude for the harvest.

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Blodeuwedd; The Flower that Does Not Bloom and the Transhuman Death Spiral by Kelle Ban Dea

Blodeuwedd is often viewed as a Spring goddess, a personification of flower and bud and bloom. And why not; she is made of flowers after all; flowers and magic. It’s only when you read her original myth in the Fourth Branch of the Mabinogi that you realise how dark it is.

Of all the famous women – now seen as goddesses by many – in these ancient Celtic legends, Blodeuwedd is the only one who is not a mother, and therefore not seen as an aspect of the mother goddess, Modron. Bloduwedd cannot be a mother, because although she is made of flowers, she is a flower that will never bloom, that cannot reproduce.

In both ancient mythology and in the neopatriarchy we live in today, women who either cannot or will not be mothers (despite these being very different things; one a choice, one a lack of choice) are viewed with suspicion. As the opposite of the nurturing, fecund Mother, Bloduwedd instead brings betrayal and death to the hero of the tale. Yet, it was never Blodeuwedd at fault. She is created by the rapist magician Gwydion and given without her consent to be the wife of Lleu, the king, and our shining ‘hero’ of the story. Lleu has been cursed by his own mother to never have a human wife or children, so Bloduwedd is the best that Gwydion can conjure up, and he is celebrated for this marvellous feat of magic.

No-one, of course, bothers to ask Blodeuwedd what she might want.

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Changing Woman’s Light, part 2 by Sara Wright

Last week Sara told the story of Changing Woman. You can read it here.

What I love the most about this story is that Changing Woman evolves from a woman who is passively acted upon into a self – directed deity  who stands up for what she wants and needs. A second reason I feel so strongly about this tale is that Changing Woman demonstrates the importance of having a relationship with more than human beings – animals and plants. A third reason I am so attracted to this myth is the gender balance that eventually evolves between the two – Changing Woman and the Sun. But I think the most important part of the story for all of us is that Changing Woman never dies. She grows old and then young again reflecting the powers of the Great Round to renew All Life.

Imagine if we were all brought up with this kind of myth to guide us…

  When I returned from NM five years ago, I brought home fragments of worked and unworked chert not realizing at the time that Changing Woman accompanied her stones and that they would continue to exert an influence on me. My relationship with that mountain is not distance dependent. I also continue to re – experience the wonder and awe I experienced as becoming part of that mountain, although these periods wax and wane like the moon. The Navajo call Changing Woman’s Mountain Tsip which means tree mountain and the Tewa use a similar word Tsip’in, to name this Being obsidian or flint mountain.  A shining mountain crafted of stones and trees, yes!

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Journey to Freedom: Harriet Tubman Still on the Move, part 2 by Maria Dintino

Part 1 appeared yesterday

Additional Developments

Although there’s a significant dearth of statues depicting real women in our country, Tubman’s image and legacy have done much to address this gap and put a serious dent in the bronze ceiling.

There are said to be at least 9 full-figure sculptures of Tubman with others in the works, along with plaques, busts,  parks and museums named in her honor. Also, three commemorative coins have been released, each depicting a particular phase in Tubman’s life.

Speaking of currency, the plan to replace President Andrew Jackson’s image with that of Harriet Tubman’s on the twenty-dollar bill is still in the works. It’s an important endeavor that’s taking far too long. Annie Linskey with The Philadelphia Tribune explains:

“There has never been a Black person on the U.S. currency, nor has there been a woman on a bill in the modern era, despite repeated attempts to diversify the currency.”

Continue reading “Journey to Freedom: Harriet Tubman Still on the Move, part 2 by Maria Dintino”

Yoga for Witches: Should You Try This at Home?

In this post, I review Yoga for Witches by Sarah Robinson, a practical book that weaves together two ancient practices with surprising similarities, yoga from the East, and witchcraft as practiced in Northwestern Europe.

I start with what I loved, and how Robinson describes the similarities and differences between those two traditions. That weaves into some personal and deeper reflections on the theoretical background and yoga sequences. At the end you’ll find a specific recommendation so you’ll know if this is the book for you!

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Sacred Secrets: The Legacy of Women’s Wisdom Across Generations by Rabbi Nadya Gross

From my earliest memories, I saw things that others didn’t see and knew things I had no business knowing. But at the time, I didn’t realize that others didn’t witness the dance of light around their bodies or the life forms at the base of trees. I didn’t know that the insights I had into people’s emotions were not universally shared. My curiosity led me to ask questions about these things… until my grandmother, Savta (Heb), took me into the kitchen (where everything important happened), closed the doors, and told me never to talk about these things with anyone except her. And so, my training began.

Savta was gifted in ways different from mine. She had grown up in a circle of women and their daughters, a circle where women educated each other, shared their unique gifts and insights, and passed down a legacy of wisdom.

The wisdom she shared with me was as ancient as the land on which we lived. We began with reverence for the Earth and all her elements—pre-patriarchal Goddess wisdom. We explored what it means to be intimately connected to all aspects of Creation, understanding that we are interdependent. Harm to a tree, an insect, or the water harms us. We learned that the respect we wish to receive from others must first be shown by us. I learned to never pick up a beautiful stone that caught my attention without first asking permission to remove it from its resting place. When harvesting fruit from one of the many trees in my grandparent’ yard, I expressed deep gratitude to the mother-tree whose body nurtured that fruit to ripeness.

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Changing Woman’s Light, part 1 by Sara Wright     

Born of Stone and Trees
Birthing a People
from a Mountain
of Light
I hold slivers of her body
touch numinous fragments
worked by Peoples
who honor and
live the Great Round
Pungent scent of
red pine and
spruce,
luminescent
lemony cottonwood
cobalt sky
steep gorges, sand
flakes of pink,  rust
a splash of bittersweet
translucent charcoal
flint
spiny cactus
juniper serpents
twisted into
fantastic shapes
a peak that pierces sky
flat topped
on one side
I belong to Her
and She to me
Mother of all
Creation.

Changing Woman’s Mountain

I have written before about Changing Woman’s Mountain located near Abiquiu New Mexico. Most call this mountain Cerro Pedernales and an image of the flat side of this mountain, her mesa, was made famous by artist Georgia O’Keefe.

 Astonished by my first glimpse I climbed a long serpentine road that wound around steep gorges, rivulets of water, open meadows and unbroken stretches of lush fragrant green forests to reach the backside of this mountain.  I couldn’t get over the fact that one side was a mesa and other was a peak that pierced the sky like a sword.

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The Flesh and the Fruit by Vanya Leilani, PhD: Book Review by Janet Maika’i Rudolph

Subtitle: Remembering Eve and the Power of Creative Transgression

I have learned that every good story of spirit has many layers of meaning and pathways of understanding. Dr Leilani has found particularly relevant and even beautiful aspects of the biblical story of Eve. She uses Eve’s actions as a template of her own spiritual journey. Her pathway begins in obedience (listening to the voice of authority), travels through transgressive acts (eating of the fruit), and finally results in a self-knowing that had not been possible at the beginning of her journey.  In this book we follow along on her quest to learn about herself with Eve as her inspiration.

This is a luscious book. Vanya Leilani’s insights are not only profound but are written with a poetic sensibility. I found myself speaking some of her passages out loud because the vibration of her words are powerful and feel so sensuous on the tongue. I wanted to take them into my body, as well as read them on the page.

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Love Without Want by Arianne MacBean

I have only felt love without want twice in my life. The first time was when I was invited to my therapist’s funeral. The summons arrived without surprise. Strangely, my therapist and I had talked about it, before dying any time soon was a thing either of us thought would occur. After my own mother had just received her second breast cancer diagnosis, I impulsively asked my therapist during our session, “How will I know if something happens to you? Will someone call?” Someone would call. I was on a list – a list of people to call if my therapist died.

In session, we talked through how her unexpected disappearance might go – playacting for therapeutical reasons, but not knowing we were setting the stage for a true and imminent exit. She asked me if I would like to come to her funeral. There was no hesitation. Yes. I had been seeing her for twelve years. She had gotten me through life, she had gotten me through me. Of course, I wanted to go to her funeral. Then, we talked about what would happen if I died. I asked her if she would come to my funeral. Yes. I asked her if she would give the eulogy. She laughed, “That might be a little weird.” Just two months later, she received her own gut-wrenchingly aggressive cancer diagnosis. We needed no list. She told me herself. The funeral was planned and when it arrived, I sat in the back row not knowing anyone there, listening to stories about a woman I didn’t know but knew. Because as much as I didn’t know anything about her, I knew her so fully through the way she loved me. The funeral invitation, her last selfless gift.

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