Today, August 1, 2020, is Lammas, the Celtic festival of late summer, the ‘feast of bread’, time of harvest and of golden grain. Here in the UK, Lammas arrives just as we are emerging from our coronavirus lockdown. It’s hard to feel a personal sense of ‘harvest’ when most people’s lives have been on hold since the spring.
Confined to our homes, many people could throw themselves into tending their own gardens (if they had one), but most of us could not cultivate the symbolic gardens of our lives and work in the way that we wanted. Many have faced deep loss, the withering of seeds planted in the past which could not now come to fruition.
Despite the tragic times, the earth continues to dance to the sacred rhythms of sun and moon. The trees are full of fruit, the fields are full of grain. Although I too have had my share of sorrow and grief in recent months, today I feel moved by the season to look at what we can harvest from our experience of the coronavirus pandemic.
The fierce light of the white star pierced her thick white fur as the mother froze. She was trying to imagine how her cubs could make the jump from one jagged ice flow to another in the cracked deep blue waters.
When I moved to Maine from New Orleans 15 years ago, I was delighted to discover how many birch trees were on the property where I lived with my new partner. Previously I had had little contact with these beautiful white trees, other than in pictures and stories. The name always evoked images of birch bark canoes and messages to fate scrawled with bits of burnt wood.
About six months ago I was hired to write a curriculum for a Jewish organization on biblical women in ancient and contemporary midrash. Midrash—the ancient process of creative interpretation of sacred text that began two thousand years ago and continues to this day—has been one of my fields of expertise, and women in midrash is a particular specialty. I knew the first lesson I wrote would be on Eve (Chava in Hebrew), the first woman of Genesis. Yet as I began to write lessons, I started with Sarah and Hagar, then proceeded to Rebekah and Lot’s wife, Rachel and Leah, even Asnat (Joseph’s wife) and Naamah (Noah’s wife). It became clear over the months that I was avoiding Eve. Whenever I began to think about beginning “her” lesson, I grew anxious and immediately began to think of something else. Only when I had already written six of my ten lessons did I finally, reluctantly, begin to research ancient legends and modern feminist poems on the first foremother of the Bible.
It’s July which means we have collectively endured 7 months of uncertainty, turmoil, darkness, and light. America, we are still battling all aspects of the virus: rising numbers of infected, those that deny its existence, those refusing to wear masks to help to stop the spread, and everyone else doing their duty by staying at home, washing their hands, and wearing masks. Yet, something else has added to the mix and the COVID19 pandemic; social media. Social media has taken on a whole new level for activism and resistance.
— for Alex, a nurse I met who is also a poet, and all nurses
Hello FAR friends,
When I wrote Murder at the Rummage Sale, my agent warned: “You have to have a sequel in mind!” I was supposed to write a second domestic cozy, same setting, same characters, different victim. But what came to mind was a memory. When I was a troubled teen visiting England, my uncle gave me a map and let me go sightseeing in London on my own. It was early winter 1968, the war in Vietnam was raging. I did not want to be an American; so I faked an accent, wore an eccentric hat, and called myself Eliza Doolittle. When a man picked me up, I did not know how to break out of character. I ended up drunk in his flat. I just managed to fight off rape. The man must have figured out that I didn’t add up and could land him in trouble. He took me back to my uncle’s office. The kernel for All the Perils of this Night is: what if he hadn’t? What if, like so many others, I had been trafficked? I couldn’t shake that “what if.” So I wrote the standalone sequel, no domestic cozy but what I would call a numinous thriller. 
I was released from a national hospital in Crete on Friday afternoon after a seven day stay. During that time, I had over fifteen tests, including several ultrasounds, two CTs, a colonoscopy, a gastroscopy, and an excruciating forty-five minute MRI.
I hardly knew you.
