(Note: this story was inspired by a blog written by Carol P. Christ. But she’s not responsible for the nonsense I write.)
Once upon a time there was a woman named Carol who lived in the largest house on the Island of Crete and had the largest flower garden and the largest herd of cattle. Because of her riches, not to mention her common sense, she had been elected chief of the Council of Mothers, the government of the island. The Council had searched and searched for a proper title for their leader and finally, reluctantly, decided that Queen was as good as anything else…as long as everyone remained politically correct and understood that Queen was merely a handy title. Queen Carol had a husband named Minos who tried and tried to assume the title of King, but no one ever paid any attention to his pretensions. Because he had nothing else to do, he spent most of his time lounging in the front parlor and reading the Knossos Times-Myth-Dispatch.
“Look here,” he said one day, waving the newspaper at his wife. “The Greeks are ramping up for a war over in Troy. They’re calling for kings and armies to join them.”
Carol laid her feather duster aside for a minute. “Well, if you really want to,” she said, “you can go. It’ll be better for you than sitting around here all the time and complaining that you’re bored. But you’d better not come back here and set yourself up as a warrior king! None of those huge statues like they’ve built in Egypt. None of those huge temples with carvings of conquering armies on them, either. We mothers won’t stand for it!”
Continue reading “Knossos: The Truly True Story by Barbara Ardinger”

Kim Davis
Of the many things I have read recently, one thing stands out in my mind in high relief. It is the opening of Lucretius’ masterwork on Epicurean philosophy, De Rerum Natura (On the Nature of Things). Here Lucretius invokes Venus to help him craft this work, identifying her as the governor of all nature and the one through whose light all else comes into being. With her help, Lucretius trusts that he can write his truths with confidence and ability in defiance of dominant philosophical norms.


Justice as a lived and living experience is a poem. Is a song. And as a song it is filled with all manner of rhythm, of texture, and of sound via melody and lyric which affects us in an infinity of ways. The voice of poetry is the voice of The Song of Songs. It is a voice of invitation. Chapter Two of The Song of Songs is an invitation to strangers to Scripture. Strangers who want to feel a rhythm of joy, of loving embrace of tender and generous welcome. The gravity of the language is its graceful invitation to be seen, to be gazed at, to be heard.