One of my goals for the summer is to paint more. I find I can often say or think by a picture something that I am trying to work through in a formal, discursive way. Art functions as a methodological tool for my theology insofar as it helps me to articulate in one language something that I am trying to say in another. As my teaching career has lengthened, I’ve become more confident using images I have created to communicate my ideas. This no doubt has something to do with the liberty one gains in teaching as a performance exercise, combined with avoidance of repetition, and the desire to engage as well as to be entertained in one’s own right. Even more than just working out an idea, sometimes I also find making images to be a therapeutic tool. I can laugh, mourn, gripe, or celebrate through an image, and sometimes, I can even protest by one.
One area in which I feel inclined to protest is in those figures I describe as “storied women.” To me, this term refers to those outstanding figures in history or myth whose lives are rendered into legend, usually for a didactic or moral purpose. While occasionally such rendering is heroic, as in the cases of Esther or Joan of Arc, the story-ing is usually typological and flat. The woman(en) is used as a secondary element in a story, often for the purposes of advancing a primary narrative about men. Tamar, for example, is treated as a figure in and around whose body the action, succession, and political positioning of David’s sons are enacted. Bathsheba is also an exemplar of the storied women in the poet-king’s court, standing as one of the definitional temptresses of biblical history. Continue reading “Storied Women by Natalie Weaver”


Thus through an enormous network of mythological narrative, every aspect of culture is cloaked in the relationship of ruler and ruled, creator and created. . . . [Sumerian] legend endows the Sumerian ruler-gods with creative power; their subjects are recreated as servants. . . . [This new narrative was] deployed with the purpose of conditioning the mind anew.(20, italics added)
A few days ago I watched the movie
I am grateful to the Interfaith Group of Feminist Theologians and Women of Faith for remembering my spiritual affiliation and giving me the opportunity to lead this service in this fully of blessings month of Ramadan and share with you a reflection in the form of a sermon or khutba. Perhaps you know that in orthodox Islam, tradition, without any theological basis, still forbids women to speak or lead rituals. So, this is a joyful occasion for me and I want to start with my usual invocation:
The White House Summit on Women was held this week on Tuesday, June 14, 2016 and it was a great privilege to be among those invited to participate in this inaugural event. There was an incredible line up of speakers and so much was shared. It proved to be an overwhelming day – in a very good way. Topics addressed included violence against women, economic empowerment, and education. In addition to the main event, there were breakout sessions on a myriad of topics presented by the most preeminent authorities in their fields. I walked away from the day with a sense of urgency to find news ways to engage gender issues and social policy. However, I also wondered how to bring religion into the dialogue and give greater attention to its impact on women’s issues in the US.
‘Someone needs to gather the stories, to keep the cauldron,’ said the late Goddess feminist artist 
