Heat Wave by Marie Cartier

The heat wave was real. Suzie squinted into the afternoon light glinting off her pink ’69 VW. How was that still running, she thought, rebuilt and rebuilt? Work?

That’s how. And that’s how she’d keep running. Work. You just had to not freak out. You just had to not over heat.

But it was 125 degrees in Bakersfield. And she, like everyone else, had no air conditioning. And it wasn’t supposed to get better—it was supposed to get worse. She got in her VW and drove with the windows down—no AC– but a breeze was better than nothing. She pulled into the parking lot and waited for a spot to open up. She turned off her car to wait. Ten minutes but it was worth it. Six p.m. – it was a good time to have come. She walked out and got into the cart area.

Barely inside the supermarket she stood and let the air wash over her—air conditioning. Conditioning the air. The security guard asked if she was a buyer or a browser. Browsers could be in the front area with the carts, as long as there was room. Buyers could enter and walk up and down, and down and up—the breeze lifting the sweat from their skin.

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TRAVELOGUE INTO HISTORY: MY BIG FAT GREEK ODYSSEY (Part 2) by Sally Mansfield Abbott

Part 1 was posted yesterday. You can read it here.

Arriving in Heraklion on Crete, I was enlivened by the sea air and the informal “island” vibration. My sister and I made our way through its labyrinthine streets, following Daedalus, a pedestrian street named after the legendary creator of the labyrinth at Knossos, the prototype of the artist, who Joyce names as his stand-in in Portrait of the Artist as a Young Man and Ulysses. Our hotel was on Theotokopolous Street. (They’d call you El Greco too if your name was Domenikus Theotokopolous.) Nikos Kazantzakis was also from Heraklion, a city noted for its artists.

Knossos was a small, contained place circled by pine trees, unlike the sprawling sun-drenched expanse of a typical archeological site. There were restored ocher columns, four storeys to the palace, open courtyards for bull leaping, and cisterns that had been used for self-purification. Its red clay and turquoise frescoes were so familiar to me, with their vivid colors and playful lines that Matisse could have envied. No wonder it was the prototype of a work of art!

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TRAVELOGUE INTO HISTORY: MY BIG FAT GREEK ODYSSEY (Part 1) by Sally Mansfield Abbott

My sister and I arrived in Athens midafternoon on Lamas, the feast day of the first harvest. A blast of dry heat greeted us as we left the airport and surveyed the barren brown hills. It transported me to my childhood when I’d lived in distant and exotic climates, and I felt the old excitement of being abroad again.

Going to Greece had long been a dream of mine. It was a spiritual pilgrimage, a Hajj to be undertaken at least once in a lifetime. Greece figured prominently in the college classes on the Goddess I had taught for ten years, but I’d only known it through the books and slides I lectured from. I longed to see its sacred sites in person.

Our hotel was at the base of the Acropolis, within a block of the Acropolis Museum, a stunning work of modern architecture that quotes the structure of the Parthenon.  The Parthenon and Erechtheon had been stripped of their bas reliefs and engravings—even the famed Karatydids– were now housed in the museum, either already or soon to be replaced by copies on the temples.

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Sky Woman comes to Earth by Sara Wright

Every twig

is singing

a song of thanksgiving

to Sky Woman

who gifts

steady rain

 nourishing

earth’s parched body.

Cracked ground

softens

 soaks in minerals

and scent

 sensing wonder.

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Legacy of Carol P. Christ: Goddess as Love: From Experience To Thealogy

This was originally posted on September 24, 2012

If theology is rooted in experience, how do we move from experience to theology? In my life there have been a number of key moments of “revelation” that have shaped my thealogy. One of these was the moment of my mother’s death.

In 1991 my mother was diagnosed with cancer. While she was being treated, I realized that I had never loved anyone as much as I loved her. When I wrote that to her, she responded that “this was the nicest letter” she “had ever received” in her life and she invited me to come home to be with her and my Dad.

My mother died only a few weeks after I arrived, in her own bed as she wished. She was on an oxygen machine, and I heard her call out in the dark of early morning. When my Dad got to the room, he tried to turn up the oxygen, but it didn’t help. Then he called the doctor who reminded him that my mother did not want to go to the hospital under any circumstances.

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Rocked Back on Our Heels in Awe by Beth Bartlett

I wanted to know . . . why the most ordinary scrap of meadow

can rock us back on our heels in awe.[i]

– Robin Wall Kimmerer

Along the roadside, broad swaths of Queen Anne’s lace and chicory grace the landscape as far as I can see.  They take my breath away with their exquisite beauty. The delicate white petals of the Queen Anne’s lace paired with extraordinary blue of the chicory evoke not only awe, but tenderness, gratitude, and memories of my mother pointing out these favorite flowers every year as they came into their full flowering in the heart of summer in northern Michigan. How she loved the blue and white, made even more beautiful by their contrast with each other.

In a recent FAR post, Sara quoted Janet quoting Teresa of Avila: “If we learn to love the earth, we will find labyrinths, gardens, fountains and precious jewels! A whole new world will open itself to us. We will discover what it means to be truly alive.” My mother opened that world to us, teaching us to love and appreciate each wildflower as it came into its season. She taught us to love them as friends who came to live among us at different times of year, each with its special gifts. 

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What is Wrong with This Picture? Rewriting Eve by Caryn MacGrandle

One of my oldest friends who I met when I was eight years old reached out to me the other day saying that if there was ever anything she could do, please let her know. She lives in another state far away but is a subscriber to one of my blogs so she has been aware of the various things going on in my life (second divorce, so many changes and transitions in my life yet again, etc.)

Her note said if there was ever anything she could do to help, just let her know.

And I thought to myself: hmmmmmm.

You see I just put a new feature on my app where it emails local events to local users, and one of the first steps in getting this to work is having those local events on the app. So I asked her if she would mind helping me put local events on the app.

We had not actually talked in a long time, and when we had a zoom call to discuss this, I broke down crying.

I felt the pity from her. I also saw just how far I had departed from ‘normal.’ 

But I don’t want to be ‘normal’. 

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The Norns, Spiritual Mystery and Me, Part 2 by Janet Maika’i Rudolph

Part 1 was posted yesterday. You can read it here. The Norns were explaining the mess they had made when they got drunk at a Valhalla party.

The Norns looked at me with sadness. “We knocked over one of our looms/templates/arrangements” 

Their tone changed, they looked at each other and I thought I could see emotion churning. They were arguing and then they stopped. They turned toward me and looked sheepish, that is if divinities can look sheepish. “It was a disaster/calamity/debacle.”

“Tell me then,” I was growing impatient.

Verdandi: “Well you see the loom we knocked over was . . .”

“What?” I almost shouted at them.

Urd: “It was the loom holding the pattern from Salim/Jerusalem.”

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The Norns, Spiritual Mystery and Me, Part 1 by Janet Maika’i Rudolph

In 2020, I began writing my biography because some weird things were happening in my life including some which were time-bending. To help make sense of it, I wrote up “conversations” with the mythical characters of Persephone, Inanna and the Norns of the Norse. Throughout my bio, I speak to the Norns as an out loud meditation on the nature of time, fate and energy.

The three Norn sisters are Urd, Verdandi and Skuld. Their names come from Old Norse which is not a spoken language. The actual translation of their names is open to speculation. In general, here are their common meanings.

  • Urd – past
  • Verdandi – happening or present
  • Skuld – future or debt.

By mythological tradition, they show up at a child’s birth and then weave their “fateful” decisions about that child’s life into a tapestry. They are considered more powerful and fearsome than the gods because even the gods are ruled by the hands of fate (or Norns in this case). They were also treated as oracles where kings and warriors went to consult them much as was done in Delphi Greece.[1]

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RELIGION, GOD, CHURCH, THE STATE, AND ABORTION by Esther Nelson

The phrase, “separation of church and state,” crops up frequently in conversation these days. I hear it most often when someone wants to clinch their argument on a politicized subject. Lately, it’s been concerning one’s “right” to an abortion. “It doesn’t matter what your church says, we have separation of church and state in this country.” That phrase, though, is not in the Constitution. It was Thomas Jefferson (1743-1826) who paraphrased the Constitution in a letter to the Danbury Baptists, “…building a wall of separation between church and state.”

The first part of the 1st amendment states: “Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof….” All manner of questions have been raised with this statement. What does it mean to establish a religion?  What is religion? Is religion something intrinsically good? Most Americans think of religion in terms of God. What/who is God? 

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