Artist Debra Fritts
When I asked Debra about this circle she said “the circle around the eye is symbolic of the moon, a nightly ritual of seeing the moon.” Curiously, women as ‘seers’ have an intimate relationship with the moon. Both eyes seem to be able to stare directly through the mask. The woman’s lips are parted; she is breathing but there is no sense that she is about to speak.
The length of the woman’s neck is accentuated by its distinct slate blue tones. This neck seems especially vulnerable – stretched perhaps to endurance. Suddenly it occurs to me that it is also a neck, like a chicken’s neck, that is ready for the chopping block. Has this woman lost her voice? Her ability to breathe? Is there a threat of being separated from her body? The suggestion of a body ends at the woman’s shoulders so we are left wondering…
Since our feelings and emotions reside in our bodies the suggestion here is that this woman may be without access to her body on an instinctual level. If so she is unable to protect herself. Blue is a color that is sometimes associated with death. In some Native traditions, like that of the Zuni and the Lakota Sioux blue is the color of the Underworld. Particularly touching is the pale four petaled flower to the lower right of the left half of the relief, a flower without a stem or root, or is this a wheel of some kind, one that is in motion – whirling – chaos? To my mind a number of aspects of this portrayal speak to the presence of death. Continue reading “The Mask and the Mirror – Part 2 by Sara Wright”



It should have been a wonderful journey, organized by three dear friends who run a yoga center in Costa Rica. I would be traveling with my husband, these friends, and thirteen other like-minded folk to the
Roughly 3 ½ years ago 
According to Barbara Alice Mann, author of
Strawberries shaped my view of a world full of gifts simply scattered at your feet. A gift comes to you through no action of your own, free, having moved toward you without your beckoning. It is not a reward, you cannot earn it, or call it to you, or even deserve it. And yet it appears.
As so many of us recoil in horror at the Trump administration’s cruel attempts to enforce an impenetrable border between the U.S. and Mexico, I find myself struggling to understand what he and his supporters mean by “borders,” and why they are so invested in maintaining them. The administration’s vicious immigration policy, recently epitomized in a brief tweet on June 19th, 2018—Juneteenth, the day in 1865 when slaves were finally freed throughout the U.S. at the end of the Civil War—“If you don’t have Borders, you don’t have a Country” has sent me back to