The story of how Cerridwen, the witch goddess, brews a magic potion full of awen (inspiration) which is then accidentally imbibed by the boy Gwion Bach, is well loved across the Western world, especially by neo-Druids. Gwion Bach is then reborn as Taliesin, the greatest bard in Britain. It is a typical heroes tale, with Cerridwen as the muse and initiatrix.
Or is it? This tale has always left a funny taste in my mouth, and when I recently read The Broken Cauldron by Lorna Smithers, I understood why. In the oldest version we have of this tale, Gwion Bach doesn’t accidentally taste the awen. He steals it.
Modern science has proven what ancient myth has long told us about our Earth — billions of years ago our world was a water world. It’s not surprising then to find water-based creation stories and goddess mermaids in the myths of our ancient ancestors.
Artists tend to develop their own visual language over the course of a career, returning again and again to certain motifs. That’s certainly the case for me with trees, women and goddesses, doorways and passages, ancient symbols, flowers, and animals — in particular birds — emerging again and again.
In Part One of this review (posted yesterday), we learned how Janet descended into the Underworld, like Inanna and Persephone, after child abuse and rape, and how she began a decades-long journey back to our own world, healed and empowered. To learn more about her return from the Underworld and how she became the shaman and author she is today, I invite you to join the journey in Part Two as we continue to explore “Signposts” that marked her ascent.
Signpost #3. Be aware, be free, be focused, be here, be loved, be strong, be healed.
Janet’s teachers at the Mystery School had brought together shamanic traditions from throughout then world. Among them was Huna, or Hawaiian Adventure Shamanism as practiced by Serge Kahili King. A summary of Huna is shown in a mantra: Be aware, be free, be focused, be here, be loved, be strong, be healed (114) and “focus on the gifts that come to us through adversity” (116).
Many neopagans and modern Goddess worshipers mistakenly equate the triadic nature of some Celtic Goddesses with the Triple Goddess concept first popularized by Robert Graves in his book, The White Goddess. Graves stated that Goddesses were frequently found in triplets as Maiden, Mother and Crone. But there is nothing found in the ancient stories of Celtic Goddesses to indicate that the Triple Goddesses were known as Maiden, Mother and Crone.
From the Great Unknown, oil on canvas, 34″x36″ by Judith Shaw
From the mists of Welsh mythology Celtic Goddess Branwen provides important wisdom for our modern world. Themes of the destructiveness caused by viewing those different from us with distrust and fear are found in her story. Vengeance is revealed as a downward spiral of pain and suffering. She illustrates the healing role empathy, compassion and forgiveness can play in a world gone mad with war. Her story reveals the importance of restorative justice and the many factors at play preventing its application.
Branwen was the sister of the giant, King Bran of the Isle of the Mighty. She was loved by her people for her gentleness, compassion and beauty. In the tradition of the Old Tribes of the British Isle — most likely a hold-over from the days before kings, when Goddess was supreme — her son would become king upon the death of King Bran.
Cover designed by Rebekkah Dreskin ~ http://www.blameitonrebekkah.com Front cover art “Bee Goddess of Rhodes Banner” by Lydia Ruyle. Bee goddess logo by Sid Reger
Maternal Thinking: Gifts, Mothers’ Bodies, and Earth, the fourth book of proceedings of conferences held by the Association for the Study of Women and Mythology (ASWM), is an instructional guide to saving ourselves and our planet. Many pre-historic, and even contemporary cultures, especially Indigenous communities, feature “Maternal Thinking.” Such cultures perceive that societies are successful when they center qualities associated with mothering: care, nurturance, cooperation, and meeting everyone’s basic needs while respecting the Earth and reciprocating nature’s generosity. Some 5000 years ago, Maternal Thinking was superseded in many societies by a perspective valuing instead competition, exploitation, and domination, and we and our planet are now facing the catastrophic consequences.
The fifteen contributors and four editors represent myriad disciplines and life experiences. They are academic researchers in wide-ranging fields, artists, activists, a storyteller, a therapist, scientists, educators, and more. This diversity reflects the expansiveness of the book’s vision, including many layers and facets of “mothering,” and the need for as many voices as possible to be heeded if we are to envision and birth a peaceful, just, equitable, compassionate, and environmentally balanced Earth.
The wheel of the year continues turning and once again we find ourselves at the transition point from winter’s deep sleep to the first awakenings of spring. It is marked by an ancient Celtic festival called Imbolc, also known as Imbolg or Brigid’s day. It is believed to have been celebrated long before the Celts arrived in Ireland and Scotland, probably as far back as Neolithic times.
As much as I wanted to finish my fairytale project in time for the winter holidays, the muse had a different idea. Perhaps the energy of winter was what I needed in order to finish the grand finale painting for the tale. It depicts a night sky filled with magic and wonder.
How quickly the wheel of the year turns. Once again we have reached the dark and cold of the Winter Solstice, which occured on December 21st this year. Winter Solstice is an astronomical moment – the exact moment when our hemisphere tilts as far away from the sun as possible. But for the ten days after, the increase in daylight each day is only a few seconds So I think of this time as the Winter Solstice Season.
Feminism and Religion 