I am so frustrated that we are still fighting to affirm women’s place in leadership. I’ve been thinking about this struggle in the context of church ministries (especially preaching) and social activism, seeing a stark contrast between the way institutional churches and universities promote and subvert women’s authority and the ways movements like Black Lives Matter do.
Particularly, I’ve been struck by the ways that more radical movements employ language and practices that are based in spirit more than hierarchical authority. I have found a theme emphasizing equality in humanity’s access to spirit in both historical and contemporary movements and writings about religious experience. I’m certainly not the first one to notice or discuss how appeals to Spirit have empowered those excluded from dominant systems of power to challenge constrictive social structures, but I would like to share how this dynamic has become more visible to me so that, together, we might find encouragement, inspiration, and food for thought.
In a recent article from U.S. Catholic, Common Law lawyer Karen Gargamelli and her newly founded lay community Benincasa are profiled. Established in New York’s Upper West Side, Benincasa, is named and patterned after 14th century mystic and theologian, Catherine of Siena. It was established as house/retreat center, the emphasis of which is placed on prayer and the pursuit of social justice.
While Gargamelli practiced housing law she found it difficult to incorporate an ethos of Christian justice and spirituality into a secular matrix of thought. At the same time, living alone in a studio apartment, Gargamelli also felt an alienation and lack of spiritual support from her local parish. “I have a sense that before my time parishes were places where people felt supported,” laments Gargamelli, “I don’t know that the parish is really a home base anymore.” Gargamelli cites the Church’s focus on sacraments, along with less emphasis on theological reflection/adult education, as perpetrators of her spiritual malaise. Continue reading “The Medieval Beguines: Models for Spiritual Agency Today by Cynthia Garrity Bond”
The solar eclipse has had me sensing deep alignment with earth, sea, and sky, with my sisters and brothers and Self. This, then, from my 1995 journal of my first Goddess Pilgrimage to Crete with Carol Christ, a trip still engraved in my heart:
June 3 – Yesterday, anointing us with rose, lavender, or olive oil, Jana said, “Your journey has begun.” But for me it is this morning, with the purchase of this journal at the biblio on the square across from the hotel, where I sit now in the lobby, traffic noise outside, our group gathering, preparing for our journey . . . happy to be here . . .
Bleeding at the home of the Panagia, the all holy, the sacred mother, sacred myrtle, ancient tree of Aphrodite, Mary, black-bent nuns: we tie ribbons to the tree, sing, “all manner of things shall be well. Blessed be, walk in beauty.” And I am utterly in tears as I walk on the grounds of this ancient place, the birds singing everywhere, yet there is quiet, stillness, an ancient peace . . . A pilgrimage, a shrine, a very holy place.
I’ve known for years and years that on my wife’s, Kim, bucket list was to see a total eclipse of the sun. She began over a year ago researching weather conditions and making reservations, researching camera equipment, buying the special eclipse lens so that she could shoot the sun.
By the time we left on our road trip to visit first our tribe of sister family in the Midwest at an annual gathering, and then to visit various friends, she had four reservations for the eclipse viewing—all in different states. She patiently explained to me (again) that she would be checking weather conditions and “chasing” the eclipse if need be. I understood, because as I said, I’d heard about the eclipse for a while (lol). I knew we’d be making friends with the NASA weather page which I checked continuously for the last two weeks. I would put in the different locations where Kim had made reservations over six months ago, cities near the center line of totality: Illinois, Nebraska, Missouri…then there were cloud predictions in all of those states and it seemed she should have stayed on the west coast and gone to Oregon or Wyoming. Continue reading “A Total Eclipse of My Heart by Marie Cartier”
“Drinking the water, I thought how earth and sky are generous with their gifts and how good it is to receive them. Most of us are taught, somehow, about giving and accepting human gifts, but not about opening ourselves and our bodies to welcome the sun, the land, the visions of sky and dreaming, not about standing in the rain ecstatic with what is offered.”
–Linda Hogan in Sisters of the Earth
The women have gathered in a large open living room, under high ceilings and banisters draped with goddess tapestries, their faces are turned towards me, waiting expectantly. We are here for our first overnight Red Tent Retreat, our women’s circle’s second only overnight ceremony in ten years. We are preparing to go on a pilgrimage. I tell them a synopsis version of Inanna’s descent into the underworld, her passage through seven gates and the requirement that at each gate she lie down something of herself, to give up or sacrifice something she holds dear, until she arrives naked and shaking in the depths of the underworld, with nothing left to offer, but her life.
In our own lives, I explain, we face Innana’s descents of our own. They may be as difficult as the death of an adult child, the loss of a baby, the diagnosis of significant illness, or a destroyed relationship. They may be as beautiful and yet soul-wrenchingly difficult as journeying through childbirth and walking through the underworld of postpartum with our newborns. They may be as seemingly every day as returning to school after a long absence. There is value in seeing our lives through this mythopoetic lens. When we story our realities, we find a connection to the experiences and courage of others, we find a pattern of our own lives, and we find a strength of purpose to go on. Continue reading “Sacred Water by Molly Remer”
In my lifetime of researching women’s ritual dances in Greece and the Balkans, I have often come across related practices of divination or healing. One of these is the custom of coffee divination, the art of interpreting patterns in the fine grounds left in the cup after drinking Greek or Turkish coffee. The practice is found in Greece, the Balkans, Asia Minor, the Caucasus and the Middle East, and all over the world where people from these regions have emigrated. It is practiced mainly by women, particularly older women.[1]
Kafemanteía is related to much older techniques of divination and ritual, including the libations or liquid offerings which were an integral part of prayer in ancient Greece.[2] Sometimes, after the libation was poured, ‘the empty cup was examined for signs of oracle.’[3] The Old Testament mentions Joseph’s skill in divination by use of a cup,[4] while Istustaya and Papaya, the spinning and weaving pre-Hittite goddesses of destiny, divined using bowls of liquid akin to vessels used for scrying in many cultures.[5] The humble coffee cup can thus be seen as belonging to a long tradition of ceremonial vessels used in divination.[6]
Female figure in stance of invocation, with miniature votive shrines, pillars and cups or bowls for offerings. 5000 BCE, Netafim spring, Eilat, Israel.
In antiquity, Joan Breton Connelly makes clear, ‘religious office presented the one arena in which Greek women assumed roles equal and comparable to those of men,’ a fact which despite abundant evidence ‘has, until recently, been ignored by modern commentators or, worse yet, denied’.[7] In ancient Germanic, Celtic, Canaanite, Mesopotamian, and Anatolian cultures, ‘it was primarily women who were regarded as able to interpret signs and omens and to foretell the future’.[8]
Women who read cups today tend to view their ability either as a divine gift or as a talent learned or inherited from their mother, grandmother or aunt. The concept of inherited oracular or shamanic talent is an ancient one, according to Barbara Tedlock, who suggests that intuition as an ‘unconscious cognitive process’ may be ‘genetically determined in its structure and function.’[9]
In her 2005 book The Woman in the Shaman’s Body, Tedlock describes what she calls ‘the primacy of women in shamanism’, stating that ‘women’s bodies and minds are particularly suited to tap into the power of the transcendental.’[10] Her assertions have important implications for the discussion of kafemanteía as a women’s art, but also reignite feminist controversy about biological ‘essentialism’ and ways that theories about differences between the sexes have been used to justify oppression based on gender.
As an in-depth discussion of essentialism is not possible here, I highly recommend Carol P. Christ’s excellent posts on the topic for those who wish to think more deeply about these questions. As Christ shows, the assumption that ‘if there are sex differences they must inevitably determine behaviour’ is a flawed syllogism. Christ invites us to discuss these issues in a more open-minded way: ‘I think our feminist conversations would be richer if we could find ways to talk about sex differences without immediately jumping to the conclusion that it is regressive or anti-feminist to do so.’[11] In our discussion of kafemanteía, I suggest we remain open to the possibility that neurological and biological differences may have significance, though not in a deterministic way. Men can also be readers of coffee grounds and tea leaves, but the fact remains that most readers of cups are women. Why might this be?
The social component of kafemanteía is very important, offering comfort and company to both reader and querent. According to neurologist Louann Brizendine, women have both a greater need and greater capacity for the positive emotional interaction of this social relationship. Neurologically, the female brain contains more mirror neurons than the male brain, giving women an advantage in establishing emotional connection and triggering production of the anti-stress hormone oxytocin.[12] Rather than ‘fight or flight,’ female stress responses follow a behavioural pattern known as ‘tend and befriend,’ based on the maintenance of social networks that increase bonding and decrease stress.
Reading the patterns
The intuitive response when reading the patterns in a cup often comes from what we call ‘gut feelings,’ which, as neuroscientific research reveals, ‘are not just free-floating emotional states but actual physical sensations that convey meaning to certain areas in the brain.’‘ [13] As Brizendine shows, areas of the brain that track gut feelings are larger, more sensitive, and more active in women’s brains; thus ‘the relationship between a woman’s gut feelings and her intuitive hunches is grounded in biology.’ [14] A further element to consider is the fact that neurological activity in most men is left-brain dominant, while women’s brain function tends towards a more even balance between left- and right-hemisphere activity.
Finally, Barbara Tedlock presents fascinating information on protein and collagen matrices embedded in connective tissues in the human body, ‘composed of liquid crystals and biopolymers that behave as electronic conductors, storing large amounts of cognitive information.’ [15] Given that these matrices can be seen as the biological structure in which ‘somatic consciousness’ resides, I would venture to ask whether the greater proportion of fat cells in women’s bodies may enable greater cellular conductivity for storing and transmitting intuitive and cognitive information. I would love to see further research in connection with the biological tendency of women to accumulate more fat cells post-menopause, and the image of the older wise woman or crone considered in many cultures to have oracular or divinatory powers.
I have had my cup read many times on my travels, and have often been astonished by the accuracy of information offered by the reader, including precise personal details which she could not have possibly known. This remains a mystery. Although I support further study into kafemanteía, I acknowledge that in essence it appears to defy conclusive rational explanation and therefore may remain permanently impenetrable to the scholarly mind. Perhaps all we can do is to simply increase our awareness of, and respect for, this living divinatory art, and the older women who keep it alive worldwide. I would be interested to hear from others about their experiences!
This post is drawn from a much longer article I have recently written, ‘Kafemanteía: coffee divination as women’s prophetic art in ancient and modern times.’ It appears in the current issue of Walking the Worlds 3:2 (2017): 52-68, available from www.walkingtheworlds.com
Laura Shannon has been researching and teaching traditional women’s ritual dances since 1987. She is considered one of the ‘grandmothers’ of the worldwide Sacred / Circle Dance movement and gives workshops regularly in over twenty countries worldwide. Laura holds an honours degree in Intercultural Studies (1986) and a diploma in Dance Movement Therapy (1990). She has also dedicated much time to primary research in Balkan and Greek villages, learning songs, dances, rituals and textile patterns which have been passed down for many generations, and which embody an age-old worldview of sustainability, community, and reverence for the earth. Laura’s essay ‘Women’s Ritual Dances: An Ancient Source of Healing in Our Times’, was published in Dancing on the Earth. Laura lives partly in Greece and partly in the Findhorn ecological community in Scotland
References:
Barber, Elizabeth Wayland. The Dancing Goddesses. New York: Norton, 2013.
Brizendine, Louann. The Female Brain. New York: Morgan Road Books, 2006.
Christ, Carol P. ‘What If There Are Sex Differences But Biology Is Not Destiny?’ FAR February 16, 2015.
Christ, Carol P. ‘Has the Vatican Discovered that Women Should Be Running the World?’ FAR February 9, 2015.
Connelly, Joan Breton. Portrait of a Priestess. Princeton: Princeton University Press, 2007.
Green, Marian. “Wise Women Counsellors: Popular Methods of Divination.” In World Atlas of Divination, edited by John Matthews, 81-87. Boston: Little, Brown, 1992.
Karcher, Stephen. The Illustrated Encyclopedia of Divination. Shaftesbury, Dorset: Element, 1997.
Miller, Guldjin. The Secret Art of Coffee Reading. Australia: Guldjin Miller, 2015.
Seremetakis, C. Nadia. The Last Word. Chicago: The University of Chicago Press, 1991.
Shannon, L. ‘Kafemanteía: coffee divination as women’s prophetic art in ancient and modern times.’ Walking the Worlds 3:2 (2017): 52-68
Stone, Merlin. “Inner Voice: Intuition.” In Merlin Stone Remembered, edited by David B. Axelrod, Carol F. Thomas, and Lenny Schneir. Woodbury, MN: Llewellyn Books, 2014.
Tedlock, Barbara. The Woman in the Shaman’s Body. New York: Bantam Dell, 2005.
Tedlock, Barbara. “Toward a Theory of Divinatory Practice.” Anthropology of Consciousness 17:2 (2006): 62-77.
Walker, Charles. The Encyclopedia of the Occult. New York: Crescent Books, 1995.
Winkelman, Michael. Shamanism: A Neural Ecology of Consciousness and Healing. Westport, Conn.: Bergin and Garvey, 2000: 243-44. Quoted in Tedlock (2006):70.
He said, “Look up.” So, I looked up, and I saw the most beautiful stars. They were like Hubble Space Telescope Images, but I could see them with my own unaided eyes. All the colors were there, close enough to touch, yet glittering and dancing against the black of space, each one twinkling its own unique light. I was kneeling in the dream, but the sight was so beautiful it knocked me backward, the backs of my thighs now folding onto my calves. I began to cry, and that is when I woke up.
Earlier in the dream, I had been visiting a friend. When I had meandered outside the walls of a weathered barn where I had been perusing the friend’s library, there were two gentlemen who greeted me, one rocking quietly in an old wooden chair and the other seated in a still chair beside him. “Hello,” the rocking one said, “I’m Hiram.” “Hiram,” I replied, pronouncing the name like high-rum. “That’s an interesting name.” “It’s pronounced ‘hear-em.’ Hear-em Edson,” he followed. Continue reading “Look Up by Natalie Weaver”
I have recently noticed an interesting thing: just like the Buddhist goal of ending suffering requires consideration of others, so often feminist change requires thinking about other women.
I often had conversations with people on both these subjects. I heard actual people say: “I do not want to end my suffering, the reason being…” And the reasons can differ. Some consider suffering to be part of genuine human experience, some find a spiritual advantage in having suffered. While some simply say that they are fine with their suffering; they are used to it; change would bring even more suffering. Continue reading “Ending Suffering for the Sake of Others by Oxana Poberejnaia”
I have recently watched one of these real life entertainment documentaries. This one was on plastic surgery. A woman went under the knife to enlarge her breasts. The female presenter, wearing sterile white, peeped into the operation theatre and, facing the camera, said excitedly: “This operation might be life-changing!”
I thought: “Yes, precisely.” The money that the patient spent on breast implants could have bought – what? A trip to a strange land. A course for her to improve her employment prospects or to broaden her horizons. Art supplies for her to create something. A water pump to provide clean water in a village somewhere in the world where children die from preventable diseases caused by dirty water. Part of a salary for a teacher who works in a school for girls somewhere in the world where girls need extra help getting education.
Life-changing.
What we choose to spend money, or indeed any resources (time, energy) on depends on our story of life. What is life for us: a race to the unattainable ideal of glossy magazine covers or a spiritual journey we share with every other creature on earth? Continue reading “Stories vs. What Is by Oxana Poberejnaia”
“Let the beauty we love Be what we do
There are hundreds of ways to kneel and kiss the Earth.”
–Rumi
Introductory note: At the end of 2016, my parents purchased a piece of land about one mile from where I already live (they live one mile further away than that). In addition to woodland and meadow, this land has two springs, three creeks, a cave, and ¼ mile of river access. While I have been deeply connected to the land of my birth, the Missouri Ozarks, for a long time, and have written about that connection in multiple past posts for FAR, this new-to-us land has offered a new opportunity: the chance to get to know another section of land “from scratch,” deeply, wildly and well, and to become wise stewards of it for the time in which it is in our care. It is also the first time I have been able to so closely and intimately observe the origin source of a body of water. Previously not giving it much thought, I now have the daily privilege of observing the source of the flow as I watch water emerge directly from the ground. First, there is simply none and then, suddenly, a deep blue pool constantly bubbling as water rises to the surface and flows away on its long, long journey to the sea. This essay is a series of three vignettes as I spend this year immersing myself in relationship with this land.
We walk along the nearly vertical hillside hanging onto small trees for support. Finally, though we almost miss it, we spy the opening to the cave nestled behind several mossy stones. The sun is still on the rise above the tree line and the rays filter through the trees so one ray is pointing directly at the cave entrance. We crawl inside, bumping our heads and scraping our backs as we wiggle into this womb in the earth. Once inside, the chamber enlarges so we can stand up. Unlike other caves we have experienced in this area, the only human signs we find are a single bottle cap, a glass bottle, and two sets of initials carved into a rock. In the dark silence we hear the sound of water dripping steadily. I make my way further into the cave, acutely aware that this is living cave and being careful not to step on the fresh, wet, cervix-shaped beginnings of new stalagmites on the floor. At the back of the cave, I find her. A Madonna-like stone column, glistening with water. In the silence of the cave, I quietly sing Ancient Mother to her, as tears well in my own eyes.
I am of this earth for this earth and by this earth.
We skirt carefully along the bank of the creek, making our way to the largest spring. Over three million gallons of water a day flow effortlessly from this small, deep pool nestled quietly in the middle of the woods. I am stunned by the magnitude of this flow as I stand there with my husband, my head resting on his shoulder, hawks wheeling overhead, redbud trees in full bloom. It has never seemed more clear to me how very “small” we are, but a blink of an eye to this spring and its countless years and countless gallons of water, not caring whether it is witnessed in its work or not, but simply, continually, creating and producing. I try to explain this feeling aloud, but words fail me. It is a humbling sensation, not a depressing one. The actual emergence of the water at this origin point of the river is nearly invisible, the continuous gentle, small popping of bubbles on its surface, the only sign that something significant is happening here that distinguishes this body of water from a pond or pool. Yet, those never-ending bubbles rapidly expand to a wide, swift-moving creek, which joins the river and another smaller spring-fed creek to continue to make their way southward across the state. We smell something sharp and see a dead armadillo by the roots of a giant sycamore. We hear a shrill cry and look up to see two bald eagles riding the currents of air high above us. We are so small. So many thousands of years of water have passed, but we are here right now.
Unfathomable eons
Glacier time
I am just a blink of an eye
But I can sit, and watch, and wonder.
We scramble along the uneven terrain on the rocky and wooded hillside, slipping, laughing, and looking. I am exhilarated by the simple thrill of exploring the world right here in front of me. We find tiny flowers. I kneel by the roots of fallen trees. We stop to admire moss on stones. We find gigantic black snake napping in the sun. A complete turtle shell. A shed antler. Each moment feels like a new opportunity to “kiss the earth.” I sing Reclaiming’s song-version of the Rumi quote over and over and as I kneel in each spot to see what it has to show me, in each, I kiss my fingers and press them to the earth. I see all the kissing going on around me…the sun filtering through branches, the fiddlehead ferns kneeling to kiss the earth, the roots wound through rocks, the trillium and bloodroot blooms pushing up between leaves, the water seeping out of the ground and flowing down the hill, the dogwood blossoms opening to the sun, the moss covering stones, the fallen trees stretched along the slope.
“And that is just the point…how the world, moist and beautiful, calls to each of us to make a new and serious response. That’s the big question, the one the world throws at you every morning. ‘Here you are, alive. Would you like to make a comment?’”
–Mary Oliver
We emerge from our walk to find morels growing alongside the path (morels are wild, edible mushrooms found for about two weeks in Missouri each spring and considered a delicacy by many). The afternoon suddenly becomes even more rewarding and we stoop and peer through fallen oak, sycamore, and elm leaves looking for the telltale conical form of these forest treats. We quickly discover that we must tune in and “listen” for the mushrooms, so to speak, or we’ll walk right by them, none the wiser. The moment I start thinking about anything else, I stop finding any. Once I settle into my body and the moment and really look at the world again, there another morel will be.
“I think this is how we’re supposed to be in the world … present and in awe.”
–Anne Lamott, Bird by Bird: Some Instructions on Writing and Life
Molly has been “gathering the women” to circle, sing, celebrate, and share since 2008. She plans and facilitates women’s circles, seasonal retreats and rituals, mother-daughter circles, family ceremonies, and red tent circles in rural Missouri and teaches online courses in Red Tent facilitation and Practical Priestessing. She is a priestess who holds MSW, M.Div, and D.Min degrees and finished her dissertation about contemporary priestessing in the U.S. Molly and her husband Mark co-create Story Goddesses, original goddess sculptures, ceremony kits, and jewelry at Brigid’s Grove. Molly is the author of Womanrunes, Earthprayer, and The Red Tent Resource Kit and she writes about thealogy, nature, practical priestessing, and the goddess at Brigid’s Grove.