Tag: Sara Wright

Emergence: Poem to a Plant Goddess by Sara Wright

 

Her name is Datura.

Delicate fluted deep-throated trumpets open to

humming honey bees and summer rains.

She communicates through scent.

 

 In the fall I collect her sharp-needled pods.

They rattle like dry bones.

I chill them.

In the spring I coax seeds to sprout

wrapping each in papery white cloth,

sing love songs  –  siren calls

to rouse each root from winter’s sleep.

 

I am patient…

 a woman in waiting for the heat of the sun

to unfurl the mystery of becoming

 that is re-acted in spring.

 

Only seeds know when to swell and burst.

Continue reading “Emergence: Poem to a Plant Goddess by Sara Wright”

Nichos Embody Natural Grace by Sara Wright

A ‘Nicho‘, is a three-dimensional or recessed area used to honor an important figure, saint, or loved one. Nichos originated as an adaptation of the Roman Catholic ‘retablo‘, painting of a patron saint on wood or tin.

When I was a little girl my parents spent a year in Europe and my mother brought me home a small Greek Orthodox retablo of the Virgin and Child made of silver. It had two small arched doors with tiny nobs that opened onto an etched picture of the Madonna and Child. I placed the retablo on a table next to my bed where it remained throughout my childhood. I opened and closed ornate silvery doors frequently drawn in by something that at the time I couldn’t name. When I became an adult this small silver story moved from night table to table in each house I lived in for about 45 years. Continue reading “Nichos Embody Natural Grace by Sara Wright”

 Witches in the Weeds by Sara Wright

In folklore Old women are believed to control all aspects of Nature – Fire, Earth, Air and Water, but in myth and story they have a special relationship with water.

The title “witches in the weeds” emerged after I did some research on the Datura plant. This plant is usually associated with old women and sorcery in myth and story. For example, in European mythology, the dark goddesses, Hecate, and Baba Yaga are associated with Datura. Datura is considered to be a ‘witch weed’ and is categorized as a poison along with deadly nightshade, henbane and mandrake. The seeds and flowers have a history of creating visions, delirious states, and causing death. Datura thrives in wilderness areas. Old women, dark goddesses and Datura have a lot in common.

Women and birds have been associated since Neolithic times. Scholar and mytho-archeologist Marija Gimbutas unearthed many bird-women sculptures that were fashioned out of clay in “Old Europe”. Old women in particular are most often associated with owls, herons, crows, ravens, and black birds of all kinds. It is probably the relationship between women and birds that is one of the roots behind the belief that old women can fly. The other root behind flight can probably be found in the relationship between women healers and the plants they used. Plants like Datura contain alkaloid properties (scopolamine, hyoscyamine, and atropine) that are capable of producing visions of flight and are used by folk healers and medicine women and men. Continue reading ” Witches in the Weeds by Sara Wright”

Querying in the Context of Religion and Science by Sara Wright

How do we respect materialistic/mechanistic science – the myth of our time – when it continues to use non-human sentient beings for it’s own gain?

How do we respect religions for the harm or damage that these beliefs may cause for animals, plants and people who live on the Earth?

These are important questions, and for me the two are intimately related. Science and religion are two lenses humans use to perceive the world. Continue reading “Querying in the Context of Religion and Science by Sara Wright”

Stories the Stones Tell by Sara Wright

A couple of days ago I was climbing a mesa with my friend Iren who is “a guide to the wild places” – those places off the beaten track where stories are told by the stones and the Earth that supports them.

As a severely directionally dyslexic person who cannot tell her left from right navigating this hidden world would be impossible without Iren’s deep knowledge of this land, her expertise, her extraordinary sensitivity and her love for Nature. No words can ever express my gratitude for this friendship without which I would feel bereft.

As we climbed through mountains of human garbage and four wheeler tracks we discovered potsherds at our feet. Picking up the predominantly black and white pieces for inspection I found myself wondering about the women (and children) who gathered the clay, shaped it into pots, and fired the vessels to store food. There are so many untold women’s stories hidden in these clay fragments… Continue reading “Stories the Stones Tell by Sara Wright”