This is the story of Tlachtga. Her name means “Earth Spear.” Her story gives us the name for a famous place in Ireland where to this day, the rites of Samhain are held in her honor. This location is called the “Hill of Ward” and it is near Tara. At this gathering Druids lit the bonfire on Samhain, from which embers were carried far and wide and were used to light the new fires for the new year. The location of the celebration was critical because they believed it to the place where this world and the Otherworld were the closest together.
Tlachtga is mentioned in two pieces of Irish literature, the Banshenchas, “the Lore of Women” and in the Dindsenchas, “the Lore of Places.” In translations by Christian monks, her story has been confused with biblical characters and Tlachtga has been all but forgotten.
From all of these stories of Tlachtga, the earliest we can find reveals her as a goddess (druid) who arrived with the Firbolgs, long before the Tuatha De Dannan and Milesians. She was the daughter of the Chief Druid, Mogh Ruith of Munster. His name means devotee of the wheel, which relates to the sun. Mogh Ruith, a blind man, taught his daughter Tlachtga all his skills. Together they worked with all the best masters of magical knowledge in Ireland and Scotland. from this we know she was a highly trained Druid in her own right.
In one story Mogh Ruith and Tlachtga constructed a fabulous flying wheel named Roath Ramach, a machine they used for sailing through the air. It was said to be made from two pillars of stone. She made the Rolling Wheel for Trian, the Stone in Forcathu and the Pillar in Cnamchaill (Cnamchaill means bone damage). These devices were feared by all and stories were told that any who touched them died, any who saw them were blinded, and any who heard them were deafened. The pillars themselves, represent lightning, which does tie in with the meaning of her name, Earth Spear. Lightning certainly could be seen as a spear thrown to the ground and it could also kill, deafen and blind those touched by it.
Tlachtga can be seen as a goddess of death and rebirth as well as the sun and lightning. Hers is a tragic story, for as she gave birth to three boys, her subsequent death gave power to the land in the process. Her sons, Doirb, Cumma and Muach became the rulers of Munster, Leinster and Connaught. It was said that as long as they were remembered, no one could claim the land. (spoken of in the poem below) However, as we know, that did not last forever. And who knows, it may well be because they were all but forgotten. So, it is that Tlachtga is intimately linked with the symbolic death and rebirth of the land at Samhain.
Tlachtga
For Trian – no honour -Tlachtga
Created the red mobile wheel,
With the great Mogh, and Simon she brought
Her wisdom, thus leaving the moving wheel.
Finished stone of Forcarthus she left and pillar of Cnamchaill.
Whoever sees it becomes blind.
Whoever hears it becomes deaf.
Anyone taking from the wheel will die.
[Missing lines in text…]
After the woman came from the east,
She gave birth to three sons in hard labour.
She died, the light & wise one.
This urgent unconceivable news was to be heard by all.
The son’s names were of great import…
Muach and Cumma and Doirb
Others [text missing again]
As long as Banba remembers the names of the
Three sons as the truthful story tells ………….
No catastrophe will befall its inhabitants.
The hill where Tlachtga is buried,
Surpasses all other women,
Remember the name it was given..
The Hill of Tlachtga.
Irish Manuscript Text
Translated by S. Geoghegan.
Tlachtga’s story is tragic. It is possible that she was once a Sun Goddess, highly revered for her fertility and the land. Tragically her story changed so thta now it is her tragic death that is remembered. For this reason, she is a goddess of birth and death, “The Hill of Ward” has been regarded by Druids for eons as the “Temple of Tlachtga.” It is here where the old fires of the Celtic Year are ritually smothered out and a new pure flame is lit for the year ahead.
May Tlachtga be remembered as brave, courageous, and wise, her brightness dimmed by the new patriarchal powers that had invaded the land. May her light of the new year carry you bravely into the dark months ahead and may her light stay kindled until we great the rising sun at its new birth.
Deanne Quarrie. D. Min. is a Priestess of the Goddess. She is the author of five books. She is the founder of the Apple Branch where she teaches courses in Feminist Dianic Witchcraft, Northern European Witchcraft and Druidism. She mentors those who wish to serve others in their communities. She is also an Adjunct Professor at Ocean Seminary College and is the founder of Global Goddess, a worldwide organization open to all women who honor some form of the divine feminine.
Friday night, I served as co-priestess in the opening rite which amazingly elevated every woman there. We called the Quarters, invoked the Elements and tied the Knot of Isis, with nine-foot-long, red sashes, on to bamboo poles cut with a cross bar, made to resemble ankhs. Each woman invoked her Element and the Power and Magic of Isis to guard and protect the space where we were gathered. We then called to Isis to join us. With doumbeks playing, Isis – yes, a real live Isis – walked into our Circle. She had two escorts who assisted Her up onto a platform where She spoke to everyone present.
She was dressed, as you can imagine, in Egyptian robes with Her regal crown of horns and sun. On Her arms were Her beautiful wings. They were made by sewing men’s ties together with the small ends flapping in the breeze at the back. They stretched from Her shoulders to Her finger tips. Every woman and maiden there was able to come forward to receive a blessing from Isis. Many were enfolded in Her wings. Our Isis was a beautiful African American woman with long black hair, braided in knots. She completely embodied the spirit of Isis. This was her first time to ever come to a Goddess festival and I am sure when she agreed to her role in the ritual she thought it was going to be like a theatrical performance but she truly aspected Isis. It was amazing. I talked to her later and she told me that she never anticipated the intense emotional experience she had.
My own part, in addition to what I did on-site, was to take all incoming email messages with questions and respond with answers. I organized the first Crone Camp ever. We offered a tent already in place as well as cots to sleep on. It was the first time since we moved from Stonehaven that beds were offered. Our Crone Guardians helped by erecting and taking down our large tent. They were also there to help when needed. I also got to be the one who took care of all the women seeking scholarships. I told everyone that I definitely had the best job in the Planning Circle as I got to speak to so many marvelous women! I came home with new friends and a happy glow from being surrounded by so much love.
We are closing in on the last of the season of abundance. Wherever we look we see Her harvest around us. Purple grapes hang from their vines. Branches hang heavy from the weight of fruit and sweet nuts. All the forces of life have done their work ~ the sun ~ the rain ~ the earth ~ the wind ~ all have added and blessed everything with fruitful abundance.
Over the years I have seen the image of the amulet called the Knot of Isis but in all honesty, never paid it much attention. I am on the organizing committee for our annual Goddess Festival here in Austin this year and we have chosen Isis as our Goddess to honor. The intent is to reclaim the Sacred Name of Isis and celebrate Her power, especially for women.
As a practicing witch, feminist, energy worker and a student of life, I am often puzzled as to why, in this day and age, we continue using the terms “masculine” and “feminine” as descriptive modifiers. What exactly does it mean when we call an energy masculine or feminine, anyway? While I understand that these are descriptors that generally address what are typical characteristics – why do we insist on being so vague, misunderstood and perhaps even, insulting, depending on who we are speaking to? 
This week I bought a pendant that caught my attention. It is Celtic knot work of horses, meant to represent Epona. This triggered my interest in Epona and off I went to learn more.
For the last year, I have been scheduled and planning a trip to Brazil, having been invited to speak, plus do a workshop at a conference in Sao Paulo and then two workshops in Brasilia. Four weeks ago, and three days after a Pertussis vaccine (needed before I could see my new great-granddaughter), I was hit with bronchitis which exacerbated an acute flare of my asthma. I was in the ER three weeks ago, but went home trusting that the steroids would work. They did not. So Sunday (the 15th), I once more bit the bullet and headed to the ER, now in a panic, unable to breathe. 
She Changes Everything She Touches and …
In January of 2013, I wrote an article 
Feminism and Religion 