Before Olga Eunice Quintero Smyth died on December 4, 2014 at age 101 and 10 months, I was tempted to believe she was immortal, literally. I knew Olga for forty-five years (from age 16 to 61). For thirty-five of those years she was my mother-in-law. Our history began when I was kicked out of high school and went to work at her free-wheeling school, her utter lack of any interest in reforming me a blast of fresh air. It ended with me sitting beside her as she was dying, softly singing “Row, Row, Row Your Boat.”
Olga was named for a Russian princess her mother encountered when she was a babe in her arms en route to Trinidad from her native Venezuela. Olga took for granted her descent from Incan royalty as well. Her mother moved the family to New York when she was eleven. A few years later, she won a scholarship to Mount Holyoke College. She married a classmate’s brother, Julian Smyth, great grandson to Nathaniel Hawthorne. If that weren’t enough, Olga claimed for Julian’s line direct descent from the first century Celtic Queen Boadicea. As long as she could speak, she spun tales. “Where in Africa was she born?” one of her nurses asked me. “What kind of a dancer was she?” Continue reading “My Immortal Mother-in-Law by Elizabeth Cunningham”

Two New Years’ Eves ago, I came to the realization that I did not need to watch the television countdown to ring in
When the wheel of the year turns towards fall, I always feel the call to retreat, to cocoon, to pull away. I also feel the urge for fall de-cluttering—my eyes cast about the house for things to unload, get rid of, to cast away. I also search my calendar for those things which can be eliminated, trimmed down, cut back on. I think it is the inexorable approach of the winter holiday season that prompts this desire to withdraw, as well as the natural rhythm of the earth which so clearly says: let things go, it is almost time to hibernate.



When I was about eight years old, I dreamed one night that I stood inside the workings of an immense instrument, so big it filled the sky. It was crafted of wood and gold, and although there was no obvious source of light, it was brightly illuminated. I could have confused it for the inner workings of a clock except that I could hear the sweet music it produced resonating throughout its cavernous hollows. It was curious to me that there seemed to be no atmosphere there either to breathe or to carry sound. Within it, I did not perceive any movement. And, there was no actual melody that it produced, which could be sung or repeated. There was only an enveloping harmonic thrumming. The sound was multiplicative and voluminous although not piercing. I understood it in the dream to be cosmic, structural, primordial, and generative. When I awoke, I had the feeling that I had seen something divine. It was not heaven. It was not God. It was more like the instrument of the universe, or the universal instrument, created as a first work among creation
Last Tuesday marked my fourth day home in over two months. I was researching over the summer in Europe. When I was not working, I was climbing up castle ruins or carrying groceries or creatively managing my children’s laundry with very modest facilities at my disposal. Unlike all of my other summer colleagues, I had elected to bring my children with me, so my summer was work intensive in both the professional and parental capacities.
