The Unelected and Unaccountable Men Who Decide Our Fate by Laura Shannon

Bas relief of Atropos, shears in hand, cutting the thread of life
Bas relief of Atropos, shears in hand, cutting the thread of life

In Greek myth, the Fates, the Moirai, are three sisters – Clotho, Lachesis, and Atropos –  who spin, measure and cut the thread of life for every person born. Their rule is law; even the gods, so the legend has it, have no power to bargain with the one who cuts the thread and ends the life. Her name, Atropos, means ‘she who cannot be turned’.

In Greece today, others are making the life-or-death decisions. It is not the three sisters of ancient folklore, but a bunch of men in suits now wielding the power to uplift or cast down an entire nation and its millions of citizens. I would like to shine a little light on just two of these groups of (mainly) men who have had the most impact on the recent decisions to bring Greece to the brink of bankruptcy, default and catastrophe. Continue reading “The Unelected and Unaccountable Men Who Decide Our Fate by Laura Shannon”

Rosmerta, the Great Provider – a Celtic Goddess of Abundance by Judith Shaw

judith Shaw photoAs we near August 2, known to the ancient Celts as Lughnasadh or Lammas, examples of abundance are everywhere.  Gardens and farms are in full bloom with some crops ready for harvest and others very near.  Lambs born in spring are now reaching maturity. Days are still long and we are full of energy. It is a perfect time to remember the Celtic Goddess, Rosmerta.

Rosmerta,  a goddess loved by both Celtic and Roman Gauls was known as ”The Great Provider”. She is a goddess of fertility and wealth. She was worshipped in South-western Britain, Gaul, and along the Rhone and the Rhine rivers.

Continue reading “Rosmerta, the Great Provider – a Celtic Goddess of Abundance by Judith Shaw”

MASKS OF THE GODDESS: Bringing the Divine Feminine to Life by Lauren Raine

lauren_RaineL05_web

“What the audience saw when a dancer looked through the eyes of the mask was the Goddess Herself, an ancient and yet utterly contemporary presence, looking across time, across the miles.”

Diane Darling,  Playwright

In Salt Lake City in  October  at the Parliament of World Religions a group of women and men will be  will be literally  “bringing the Goddess to life”.  Goddess Alive!” is produced and written by M. Macha NightMare (Aline O’Brien), with Mary Kay Landon.  Participants will use my “Masks of the Goddess” Collection to create a ritual theatre event honoring the many faces of the Divine Feminine throughout the world.

The Masks of the Goddess Project began in 1998, and since then the ever-evolving, multi-cultural collection of masks have travelled around the U.S. to different communities for dance, storytelling, exhibit, and personal invocation, always collaborative.

OLYMPUS DIGITAL CAMERA

Continue reading “MASKS OF THE GODDESS: Bringing the Divine Feminine to Life by Lauren Raine”

Kali Ma by Jassy Watson

IMG_3813The creative ‘Wisdom of the Goddess’ Journey Within Program I am facilitating has moved into its’ second trimester, ‘Transformation’. It is winter here in the South; a time to release what no longer serves us and look at the shadow aspects of ourselves. I decided that the goddess Kali Ma, often referred to as the “Dark Mother” was most suitable to explore at this stage. Kali Ma is the Hindu goddess of creation, preservation, and destruction and is better known for her destroyer aspect. She serves as the archetypal image of the birth-and-death Mother, simultaneously the womb and tomb, the giver of life as well as the taker. She is the primordial female principle of manifestation and embodies shakti – feminine energy, creativity and fertility.

Kali is a warrior and is usually depicted with her tongue protruding, brandishing a sword in one hand a decapitated head of a demon in the other. She wears a necklace and belt of skulls, and she drips with blood. The demons she slays however, are the demons of the ego and the attributes of ignorance. Kali is the enlightening force that dismantles preconceived notions, frees you from conditioned beliefs, false personal identities, and anything else that keeps you from recognizing your true identity. In other words, part of what Kali represents is the power to release that which is true in you. Even in destruction, She reminds us that good really can come of bad situations. If you find your hopes and dreams have been crushed, Kali can change the cycle and produce life out of nothingness. Where there is sorrow, She dances to bring joy. Where there is fear, She dances in courage. Continue reading “Kali Ma by Jassy Watson”

Sappho, Frankincense, and Female Spirituality by Stuart Dean

Frankincense

White Howjary Frankincense (photo: Trygve Harris (www.enfleurage.com))

Sappho is the first Greek author to attest to the usage of frankincense.  The word she uses to refer to it (libanos) is what comparative linguists call a ‘loan word,’ in this case from ancient South Arabic (the root meaning of which is ‘white’), the language spoken in the only region in the world still now, as then, where the trees grow that produce the resin that is frankincense (the finest being White Howjary from near Salalah Oman).

This was long before Amazon Same-Day Prime: that frankincense even made it to where Sappho was is astonishing given the thousands of miles of desert terrain that had to be covered.  That fact plus the fact that Sappho chose to use the Arabic word for frankincense suggests it must have been of special importance to her.  How important can be seen in the power she attributes to it.  In one prayer poem (S.2, composite translation and very brief notes here) she completes a stanza by referring to frankincense burning from Aphrodite’s altars; she completes the very next stanza with a reference to ‘sleep falling.’  The parallelism implies a reciprocity: the smoke goes up, the sleep comes down and a stanza later, there is Aphrodite. Continue reading “Sappho, Frankincense, and Female Spirituality by Stuart Dean”

All Hail a New Priestess! by Marie Cartier

ordination photo
“All hail- the new priestess!” they all shouted at the end.  I was recently ordained near Midsummer Eve (June 20, 2015) as a priestess with the Temple of Isis, Los Angeles and Fellowship of Isis. As befits feminism and religion — I felt it important to share the document read by my scribe – the person who did a lengthy interview and wrote up a summary of why I should be accepted into ordination. I am sharing this with her permission with the Feminism and Religion community. Why do we choose the paths we choose? Why did I choose this Goddess path? The document that explores those reasons follows:

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

June 20th 2015 – 4:00 p.m.
Ordination of Dr. Marie Cartier into the Fellowship of Isis,
Temple of Isis Los Angeles and the Temple of Isis Long Beach.

Our dear sister has reached a point in her life that our ancient mothers of old have been preparing for her and she is ready to be dedicated to and be an emissary of the Goddesses.  She is ready to take on the responsibilities of Priestess and is very honored and proud to be accepted by her Priestess Sisters who she dearly loves and admires. 

Dr. Marie Cartier is a scholar, visual/performance artist, queer activist, writer and theologian. She has been active in many movements for social change. Marie teaches at UC Irvine in the Film & Media Studies Department and CSU Northridge in Gender and Women’s Studies and Queer Studies. She received her Ph.D. in Religion from Claremont Graduate University, 2010, in Women Studies in Religion, with an emphasis on theology, ethics, and culture. She published in 2013 through Routledge the book Baby, You Are My Religion: Women, Gay Bars and Theology Before Stonewall and created the concept of “theelogy” a religion of friendship for people in exile, particularly lesbians prior to 1975. Continue reading “All Hail a New Priestess! by Marie Cartier”

Grainne – Sun Goddess/Winter Queen by Judith Shaw

judith Shaw photoIn the ancient Celtic world the Goddess was the One who expressed Herself through the many.  Grainne is such a one. She is both Winter Queen/Dark Goddess, nurturing seeds through winter, and Solar Sun Goddess, welcoming the rebirth of spring.  She is Aine’s sister or another aspect of Aine. She, like Aine, was honored at the summer solstice and the first grain harvest of early August with bonfires and torchlit processions on top of her sacred hill at Leinster, Ireland.  Remnants of these festivals are still found in folk ritual today.

Continue reading “Grainne – Sun Goddess/Winter Queen by Judith Shaw”

Stoneflower by Molly

Molly 180

Like flower growing from rock
the world is full of tiny, perfect mysteries.
Secrets of heart and soul and landscape
guarded tenderly
taking root in hard crevices
stretching forth
in impossible silence.

Sleeping
resting
waiting
watching
knowing
that all one needs
is a crack in stone
and a seed of possibility…

One spring evening during my year-long woodspriestess experiment , I went for a walk through the woods with my husband and daughter and we discovered something that delighted and thrilled me. It was rock with a small, perfect flower growing out of it and it was a powerful symbol of what I learned from my time in the woods. Continue reading “Stoneflower by Molly”

Book review: Merlin Stone Remembered: Her Life and Works by Barbara Ardinger

Barbara ArdingerWhen Merlin Stone’s book, When God Was a Woman, was published in 1976, it was a lightning bolt of feminist scholarship that told the world that before there was a Judeo-Christian god there were goddesses, and before there were goddesses, there was the Goddess. If you’re reading this review and you have not read When God Was a Woman, buy the book. Right now. As you sink into Stone’s book, try to imagine what it was like before we knew about Isis or Inanna or Astarte, before we knew that the tree in the Garden of Eden was probably a sacred fig and that the serpent was a symbol or aspect of the Goddess and that people (mostly women) who ate figs or worked with serpents were honored priestesses and prophets. Just imagine! The work of the second wave feminists added to the work of scholars like Merlin Stone and Marija Gimbutas, but it didn’t begin until the second half of the 20th century. Before that? All there was, was God the Father, maker of heaven and earth. Yes, Merlin Stone hurled lightning bolts into our hearts and minds and bookshelves.

Merline StoneMerlin Stone Remembered is a new book edited by Dr. Carol F. Thomas, Dr. David B. Axelrod, and Stone’s life partner Leonard Schneir, with an introduction by Gloria Orenstein, professor emerita, USC. Orenstein opens the book by putting Stone’s work in context. Before the 60s and 70s, she writes, no one was ever taught anything about the matristic cultures. Yes, a few books had been written. She cites G. Rachel Levy’s The Gate of Horn (published in England in 1948, republished in the U.S. in 1963), Helen Diner’s Mothers and Amazons (1973), and Elizabeth Gould Davis’ The First Sex (1971). These books gave us some of our foundational myths, but, Orenstein writes, “we can see that although there was some writing that had already attempted to reconstruct a history of women …, much more expertise and authority were needed” (p. 8). “Once Merlin Stone provided us with her careful scholarship and a truly feminist (not biased, patriarchal) accounting of ancient Goddess cultures, I and all who found Merlin’s work were finally able to understand our herstory…” (p. 9).

Continue reading “Book review: Merlin Stone Remembered: Her Life and Works by Barbara Ardinger”

‘Anjea’ – A Prayer in Paint for the the Protection of this Ancient Sacred Land by Jassy Watson

JassyANJEA is an Australian Aboriginal fertility Goddess. She is an animistic spirit known to the tribesman of the Pennefather River, Queensland, Australia that is located on the Western Cape York Peninsula.

 Not much is known about this Goddess or spirit. I happened to come across her when researching Australian Aboriginal Mother Earth Goddesses. I followed up with numerous inquiries including a member of our local indigenous community and spoke to a curator at an Aboriginal art gallery, and no one had heard of her. Continue reading “‘Anjea’ – A Prayer in Paint for the the Protection of this Ancient Sacred Land by Jassy Watson”