About six months ago I was hired to write a curriculum for a Jewish organization on biblical women in ancient and contemporary midrash. Midrash—the ancient process of creative interpretation of sacred text that began two thousand years ago and continues to this day—has been one of my fields of expertise, and women in midrash is a particular specialty. I knew the first lesson I wrote would be on Eve (Chava in Hebrew), the first woman of Genesis. Yet as I began to write lessons, I started with Sarah and Hagar, then proceeded to Rebekah and Lot’s wife, Rachel and Leah, even Asnat (Joseph’s wife) and Naamah (Noah’s wife). It became clear over the months that I was avoiding Eve. Whenever I began to think about beginning “her” lesson, I grew anxious and immediately began to think of something else. Only when I had already written six of my ten lessons did I finally, reluctantly, begin to research ancient legends and modern feminist poems on the first foremother of the Bible.
Why was I avoiding Eve? In part, because she seemed like such a huge topic. Generations of Jews (and, of course, Christians) have had a great deal to say about Eve, her creation, the fruit of knowledge, the serpent, Eve’s relationship with Adam, and more. How would I encapsulate it all? And then there was Lilith, Eve’s alter ego, and all of the legends about her. Choosing a handful of midrashim out of this vast corpus seemed impossible. Plus, there was a whole literature about the relationship between Eve and ancient Near Eastern myth I wanted to allude to—Eve as a kind of human version of the Goddess with her Tree. How to choose what to put in and what to leave out? Continue reading “Eve, Revisited by Jill Hammer”

A few weeks ago a Slovak journalist reached out to me about the new Netflix four-part series entitled Unorthodox. In the email, the journalist wrote that they had read about my work as a Jewish feminist and wanted some insight into the new series. Their main question was: how accurate is the portrayal of the Satmar community?
In my last 
I contemplated doing a post on the current rising issues of the Coronavirus but as so much of life has been stopped, altered, and/or rearranged, that I figured I would embody the proverbial statement of “Just Keep Calm and Carry On.” So, this month’s post is a mixture of observation/product review on recent Holocaust narratives, especially found in movies, TV shows, and books.
The Tanakh, Jewish scriptures, predominately call the deity king and lord and use the masculine pronoun. These images evoke a certain level of power. Just how powerful the deity is in then multiplied when “he” is addressed as “G-d of Gods,” “Lord of Lords,” judge, almighty, all-powerful, and warrior-like with vengeance, fury and flaring nostrils. Events like war, army invasion, disease, drought, and famine are often described as divine punishments for wrongs done throughout the Tanakh.
I have always had a particular fascination with women warriors—particularly ancient and medieval ones. Joan of Arc was a favorite, as was Artemis, Greek goddess of the hunt. My father had a sword from Spain hanging on his wall in his study and I used to stare at it with curiosity and longing—and once even took it off the wall when a babysitter’s boyfriend scared me. Later on, I learned about the women warriors of Dahomey in West Africa, Mu Lan Hua of China, and the Scythian women who were the real-life inspiration for the legend of the Amazon. The story of Durga, the warrior goddess of India who combats demonic forces and destroys illusion, also compelled me. I think, having felt under siege from relatives and schoolmates early in my life, the image of the woman warrior made me feel safer, even if in real life, my college karate class made me feel uncomfortable.
This week’s Torah portion, or parshah, is Shemot (Exodus 1:1-6:1). This parshah sets the scene for the liberation of the Israelites from slavery both by introducing main characters and elaborating on just how difficult life was for the Isrealites under Pharoah’s rule. The parshah contains many noteworthy aspects: the death of Joseph and the multiplication of the Isrealites in Egypt; the increasing wrath of the Egptians; the birth and adoption of Moses; Moses’ encounter with the Divine in the form of a burning, yet unconsumed, bush; the revelation of the divine name, G-d’s plan for Moses’ role in the liberation of the Israelites from slavery; Moses’ attempts to get out of his assigned role; and Moses’ first confrontation with Pharoah.