Nature – Page 10 – Feminism and Religion

Seal – a Soulful Clown by Judith Shaw

Seal – ever curious – stands up in the water gazing about with her dark, soulful eyes before diving again into the enigmatic, mysterious sea. Seal initiates us into wonder by her extraordinary presence filled with playfulness, adaptability and deep emotions.

Mirror Reflections by Sara Wright

The Old Woman still lives in the Forest as she once did in fairy tales. She can present her dark side to those who are uninitiated (mirror mirror on the wall…) but she also offers gifts to those that visit her wild untrammeled places… After a week spent in a forest where a river snakes her way through thousands of acres and beavers act as transformers I wrote this poem because even with the astonishing autumn crimson, orange, and gold I was drawn repeatedly to the mirror reflections of trees, leaves, clouds and sky in the still pools. When I untangled the why I wrote this poem realizing that what caught me was the importance of having an accurate reflection from another, person, or aspect of nature in which to see the world and self as whole. Accurate reflections are intimately tied to relationships of all kinds.

Mirror Reflections

Relationship needs honest
Reflection – S/he knows a
Broken mirror won’t do.

Water is made of magic
  above and below
Sky blue, slate gray,
  piercing orange
  flames fly through
thin air –shafts of light
slice wavy ripples
embrace the river’s flow,
Sand hill cranes
and geese soar overhead…

Sequoias by Sara Wright

When I think about the burning trees I think about women because we are so closely related through myth and story as well as sharing DNA. What is happening to these trees once happened to us… I note that women who normally are not keyed into trees in general seem to be deeply moved by the burning of these ‘elders’. Is that because we feel the threat to the Tree of Life and all that entails manifesting as uncontrolled fire?

The Burning Times

I gaze out my window into the swamp maples that ‘normally’ would have caught fire by the end of September. Not crimson red but bittersweet orange. I note a brownish tinge on the edges of dying leaves. Some have let go, fluttering to the ground. I must find a way to emulate them. Yesterday in the woods I am straining to see brilliance that isn’t there except for an occasional flicker. I don’t realize until I get home that this lack of color is literally depressing a life force that I have identified with my entire life. Accepting these seasonal disruptions is so hard for me – so much harder than I ever imagined.

Avian Friendship by Sara Wright

The other night I had a dream about a strange green hooded figure that was guarding a green gate underground. She wasn’t human; she had a hooked bird’s beak (like many of Marija Gimbutas’s goddess figures). Something about the strange face reminded me of an American Indian. This creature was not friendly but she was not hostile either. Just really intent upon making it clear that you did not pass through the gate without her permission. The word Root kept reverberating out loud in this place… Root Woman? Strange that she was also a bird. Anyway, thinking about bird women prompted the following poem and brief reflection on my relationship with one kind of bird…

Rainbow Goddess by Sara Wright

Winged Iris flew over earth and sea.

Rainbows luminesced in her wake.

Messenger from the clouds,

she gathered up the rain,

Moving towards the Dark… “Elder”berry Musings…by Sara Wright

“I wake up under a tropical dome that has been with us most of August. The thick air feels like it is smothering me, and with emphysema that may not be my imagination. I can no longer walk or hike in this weather. Migraines and other peculiar headaches come and go – dizziness too – the former probably due to changes in pressure; As yet I have no diagnosis for the latter. I am feeling old because I am getting old. I move into my 77^th year trying to adjust to increasing physical limitations.”

On the first harvest moon that occurs in August, (according to ancient teaching by Northern Indigenous peoples) I harvested elderberries under a burning sun, sloshing through mud, thorny bushes and cattails to reach the clusters of ruby beads that would soon become a tincture that I knew would help me resist colds flu and perhaps also the Covid variants. The world health organization in Europe is presently researching elderberry because studies have indicated that it apparently block viruses from entering cells (it does with H1N1 virus), but I have been using this remedy for years and know that it mitigates the effects of colds and prevents flu, at least for me. While removing the berries from their tree – like stems my fingers were stained the most beautiful purple, reminding me of a story I had written when I turned 70 about becoming an old woman… In this tale, I imagined that an Elderberry woman came to guide me into the future.

Who is the Goddess? by Sara Wright

I have been re-reading Rebirth of the Goddess reflecting upon my own journey over these past 40 years, remembering how her image appeared to me as a bird goddess the day I first worked with river clay… When I discovered that some of the images I sculpted of bird goddesses mirrored those in Marijia Gimbutas’s The Language of the Goddess I entered an unknown realm. All I understood at the time was that I was being called by some unknown force. I had no idea that this power existed not only without, but within, and that someday I would be able to name both Nature and my Body as the source of that power. And come to understand that they are One.

Vigil by Sara Wright

The third day
dawns under a cloud.
Mourning doves
spread their wings
across leaden skies.
I am walking on air.
Two restless
nights – a huge
truck in the yard –
Blocked,
my stomach lurches.
I read Tributes
in a daze.
Fierce Little Flower
Warrior Woman
fights
a torrent of waves.
She is bridging
raging waters
forging a New Story.

“Weaving the Visions.”
Oh, now I remember
where it all
began.

She hugged a tree.
I plant a seed.
Listening to rounds of
“light and darkness”
I let my body lead.

A serpentine path
guides me
back to
Her Garden.
Cradled by Ancestors
Rooted in Body
I shed another
patriarchal skin.

A Mystical Journey: Psalm 93 by Janet Rudolph MaiKa’i

Sometimes I’m asked where I get my inspirations for verses to explore. In this case it was from the God Squad’s Rabbi Marc Gellman who discussed Psalm 93 in a recent column. In his analysis, he used Psalm 93 to wax poetic about how powerful god is outside of nature. In fact, he declared that the worship of nature is idolatry because it only points toward God but can’t completely match God’s majesty. Ahem and Excuse me! With my ire raised, I had to go and look at the Hebrew from my own Mystic Pagan perspective. Rabbi Gelman looks at these verses and his take-away is that “God is more powerful than even the most powerful storm.” Ahem and Excuse me again!

After delving into the Hebrew words, I see a whole other side to this powerful Psalm. I see the “power of God” [as he would say] or the “beauty of the divine [as I would say],” is that most awesome ability to midwife creation and birth. In other words, to make love manifest. I see in Psalm 93, an esoteric poem bursting with motion that begins by creating a place (Earth) for life to exist. This poem is filled with sound vibrations, thunderous surf, the movement of water and descriptions of thresholds. As the motion unfolds, one is invited to participate in the energies [powers] of the divine pouring out through these threshold gateways.

Women, Birds, and Feminism by Sara Wright

When I was about forty years old I discovered a clay deposit on a beach that I visited frequently. Intrigued, I sat down and began working with the river’s gift. I remember my astonishment when a beaked bird – woman emerged out of the clump of damp earth. I could feel a surge of fire pulsing through my body so I took the figure home and placed it on my bedside table, hoping to discern its message.

Shortly thereafter I discovered the work of Marija Gimbutas in the book The Language of the Goddess. There were a number of beaked goddesses pictured in this volume, some uncannily similar to mine. Had I tapped into the world of the ancient bird goddesses? I believed so. Although I had no idea what this might mean these images of Marija’s captured my imagination and kept me questioning. It wasn’t long before I also dreamed other bird goddess images and rendered each of them in clay…