Earth’s Mystery School by Molly Remer

“Earth is a mystery school complete with initiations and discoveries that you only experience by september-2015-123living with your feelings, touching the earth, and embracing the fullness of your humanity.”

–Queen Guenivere

(awakewoman)

On Samhain morning, I wake early and mist is rising out of the forest and dancing through the field and out of the trees. I have a moment of sheer awe to see it…the veil was literally thin.

Over the weekend, I visit the nearby river to connect in personal ceremony in appreciation before the park closes for the year and also symbolically to those at Standing Rock. This river eventually meets the Missouri River. I run my hands through the water. I anoint my brow, neck, and hands. I whisper my prayers into the ripples. I sing: “I am water. I am water…I am flowing like the water, like the water I am flowing, like the water.”october-2016-065

I am hurrying outside to get some work done. I feel tight and hurried with the length of my to-do list and my superhuman plans for the day. The bright red flame of a bloom on my pineapple sage plant catches my eye and then…the perfection of a bright yellow butterfly alighting on one slender stamen. My breath catches and I stop in wonder. I smell the flower and it smells of pineapple, just as the leaves do. I can hardly believe this treasure and the tightness melts into nothing. The rest of the day is full of joy.

I am once again healed by flowers.

About twenty feet outside my house, there is a small building with a little porch and a peaked roof. Inside, there is red carpet and a purple wall, goddess tapestries draped from floor to ceiling, and goddess sculptures in abundance. march-2016-002In this building I write, work, create, and hold small rituals with a circle of friends. I call it my Tiny Temple and it is the proverbial, “room of one’s own” described by Virginia Woolf in 1929. Having a dedicated work and ceremony space in the midst of a home-based life, which includes a home business shared with my husband, and four homeschooled children, has changed my life profoundly. In the tiny temple, I feel most wholly myself: connected, powerful, free, authentic, and completely alive.

One morning, as I walk to the temple, this beautiful rose makes me drop to my knees with delight. Yes. This right here. This is a beautiful moment. As I kneel beside the rose, the Body Prayer song* wells out of me until I have tears in my eyes.

september-2016-077  “We may need to be cured by flowers. 

We may need to strip naked and let the petals fall on our shoulders, down our bellies, against our thighs. We may need to lie naked in fields of wildflowers. We may need to walk naked through beauty. We may need to walk naked through color. We may need to walk naked through scent. We may need to walk naked through sex and death. We may need to feel beauty on our skin. We may need to walk the pollen path, among the flowers that are everywhere. 

We can still smell our grandmother’s garden. Our grandmother is still alive.”

–Sharman Apt Russell, in Sisters of the Earth

I create personal ritual almost every day in my tiny temple, sometimes simple, sometimes elaborate, sometimes tearful, sometimes joyful, sometimes hurried, sometimes leisurely, sometimes distracted, sometimes astonished at the wonder of it all. The week of my rose worship experience, I smudge the temple with sage I grew in the flowerboxes by my front porch. I ring my bell 13 times. I sing “I Am Fire.” I lay out cards and tiny goddesses and create a mandala out of fallen leaves. I leave an offering of flowers from the herbs and let rose petals drop from my fingers. Ritual captivates all the senses…in this sacred space, I invoke my own senses of smell, touch, sight, sound, and wonder and the result is magic.

“Through ceremony we learn how to give back. When we sing, we give energy through our voice; when we drum, we allow the earth’s heartbeat to join with our own; when we dance, we bring the energy of earth and sky together in our bodies and give it out; when we pray, we give energy through our hearts; when we look upon our relations, we give blessings through our eyes. When we put all these activities together, we have a ceremony, one of the most powerful forms of gift-giving we humans possess.”

–Sun Bear and Wabun Wind

May we each be healed by flowers, time to ourselves to sit on the earth and sing, and the simple, every day beauties and miracles that surround us each day.

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Notes:

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Molly has been “gathering the women” to circle, sing, celebrate, and share since 2008. She plans and facilitates women’s circles, seasonal retreats and rituals, mother-daughter circles, family ceremonies, and red tent circles in rural Missouri and teaches online courses in Red Tent facilitation and Practical Priestessing. She is a priestess who holds MSW, M.Div, and D.Min degrees and finished her dissertation about contemporary priestessing in the U.S. Molly and her husband Mark co-create Story Goddesses, original goddess sculptures, ceremony kits, and jewelry at Brigid’s Grove. Molly is the author of Womanrunes, Earthprayer, and The Red Tent Resource Kit and she writes about thealogy, nature, practical priestessing, and the goddess at Brigid’s Grove. 

The Bird Goddess by Judith Shaw

Judith Shaw photoBirds soaring high above the earth reaching for the heavens have long inspired humans as links to the divine realm. Birds fulfill various functions in world cultures and religions – from playing a central role in creation, to birth, to healing, to death; from messenger to trickster to oracle. Some birds are associated with shape shifting and transformation.

In the very ancient days, when humans had first learned how to sow, how to reap, and how to herd, the Bird Goddess was worshiped. Marija Gimbutas’  groundbreaking archeological work uncovered a culture in which the Bird Goddess and the Snake Goddess, sometimes depicted individually but often together, were supreme. She is the Gimbutas Bird GoddessDivine embodied in the feminine. Continue reading “The Bird Goddess by Judith Shaw”

Tailtiu, Celtic Earth Goddess of Endurance by Judith Shaw

Judith Shaw photoThe Celts were fascinated by the number three – triple designs, images and triadic ideas. The Goddesses and Gods who related to the mysterious rather than the mundane nature of life were always worshiped in threes. Unlike the Greek triple goddesses who represent the maiden, mother and crone, the Celtic triadic deities reveal the mysterious, unexplainable aspect of nature and human existence. These triple Goddesses are doorways into the unknown and unknowable.

A Celtic Triad, painting by Judith ShawGuardians of the Triad, painting by Judith Shaw

Tailtiu is part of one of the Celtic primary triads. This triad of Anu, Danu, and Tailtiu is one of sovereignty reminding us of the cyclical nature of reality and the mysteries of the deep heart which transforms the ordinary into bright gold. They represent three different aspects of theTialtiu, Celtic Earth Goddess painting by Judith Shaw cycle of birth, death and rebirth. Anu is the source, Danu is the movement and Tailtiu is the endurance inherent in this cycle. Continue reading “Tailtiu, Celtic Earth Goddess of Endurance by Judith Shaw”

Elen of the Ways by Judith Shaw

Judith Shaw photo

Dawn follows darkness; shining day gives way to starry night – cycles of change and flow.

Elen of the Ways is She who guides us on these paths of change.

Continue reading “Elen of the Ways by Judith Shaw”

To Every Season by Deanne Quarrie

Deanne QuarrieWe are closing in on the last of the season of abundance. Wherever we look we see Her harvest around us. Purple grapes hang from their vines. Branches hang heavy from the weight of fruit and sweet nuts. All the forces of life have done their work ~ the sun ~ the rain ~ the earth ~ the wind ~ all have added and blessed everything with fruitful abundance.

We have reached the time of the harvest. The shadows of the day are lengthening and our growing season is drawing to a close. We reach out claiming our rich rewards ~ our bountiful harvest. Continue reading “To Every Season by Deanne Quarrie”

Killing Us Slowly by Judith Shaw

Judith Shaw photoKilling us slowly with your rules.
Killing us slowly with your technology.
Killing us slowly with your bureaucracy.
Killing us slowly…….

Continue reading “Killing Us Slowly by Judith Shaw”

Boann, Celtic Goddess of Inspiration and Creativity by Judith Shaw

Judith Shaw photoBoann, Celtic Goddess of Poetry, Fertility, Inspiration, Knowledge and Creativity was one of the Tuatha De Danann (People of Danu). She was associated with the 70 mile long river Boyne in Northeast Ireland and its source, the Well of Segais.  Some bards say that long, long ago when the world was young and wild places were everywhere, Boann initiated that spring by walking counter-clockwise around stones found there, causing the water from under the earth to spring forth with great strength and rush down to the sea. The pool formed by the spring was encircled by nine sacred hazelnut trees, whose nuts could impart knowledge when eaten. The salmon of wisdom swam in the waters of this hidden pool from which the river Boyne flows.

Continue reading “Boann, Celtic Goddess of Inspiration and Creativity by Judith Shaw”

Epona – Goddess of the Land by Deanne Quarrie

celtic-horseDeanne QuarrieThis week I bought a pendant that caught my attention.  It is Celtic knot work of horses, meant to represent Epona.  This triggered my interest in Epona and off I went to learn more.

Epona is a goddess from Gaul.  Sadly, any information about her from those early days of worship are lost to us. This is the case of the most ancient deities from that region and time in history. It is thought that she was picked up in Gaul by the conscripted soldiers of the Roman Army who saw a depiction of her upon her horse and they adopted her. Since this army rode across the land on horseback, she was the perfect deity to pay homage to and so, she traveled with them. She soon made it to Rome and is one of only a few deities, not originally Roman, to be worshiped in the Roman Empire. Continue reading “Epona – Goddess of the Land by Deanne Quarrie”

Olwen, Welsh Flower and Sun Goddess by Judith Shaw

Judith Shaw photoOlwen (pronounced OHL-wen ), Welsh Flower and Sun Goddess is most probably an ancient Goddess whose original stories and power have been lost to us. Her name means “Golden Wheel,” making Her the opposite of the powerful Sky Goddess, Arianrhod who was known as “Silver Wheel.”  Wherever Olwen walked four white trefoil clover flowers sprung up with each step, thus earning Her the nickname “Lady of the White Tracks.” She was known as the “White Lady of the Day” or “Flower-bringing Golden Wheel of Summer.”

Continue reading “Olwen, Welsh Flower and Sun Goddess by Judith Shaw”

Facing the Moon Alone by Molly Remer

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“When all is said and done I think every Witch should, at some time, face the moon alone, feet planted on the ground, with only his or her voice chanting in the starry night.”

–Laurie Cabot, Power of the Witch

I will never forget the first time I heard someone recite the Charge of the Goddess from memory. Bare-breasted, she strode around the fire in sacred circle at a large goddess festival in Kansas, delivering the words with power, grace, and confident resonance. I thought: I will do that someday.

In February of this year, we took a family trip to Dauphin Island. While there, the afternoon of the full moon, I February 2016 148
decided that the time had come. I was going to memorize the Charge of the Goddess. First, I thought I would only memorize it a piece at a time. It seemed “too big” to do in a single sitting. I had it printed out on a piece of paper that rapidly became damp with the salty sea air. I drew a labyrinth in the sand with my toes, set one of my goddess sculptures at its entrance, and drew a Womanrunes card.

One stanza at a time, slowly I began to repeat the poem* aloud:

hear ye, the words of the star goddess
the dust of whose feet are the hosts of heaven..
.

Over and over, I said the words, letting them twine around my tongue and in the air, experimenting with cadence and rhythm. After I could reliably repeat one section, I’d move to the next, letting it build in my memory until I could put the two together confidently and then moving to the next.

I am the beauty of the green earth
the white moon amongst the stars..

I stared into the waves, listening to them rise and fall along with my words. My three older children dug in the sand. February 2016 073
My husband fished. My toddler toddled around and then came to sit on my lap and nursed to sleep for nap time:

before my face
beloved of all…

I whispered into his damp hair. I felt in an altered state of consciousness. The words began to wind their way through me, becoming a part of me, embedded in me. I danced with them as I have never danced with another piece of writing. I felt them merging with me. I sang them aloud. I stated them fast and slow and I built, adding the next line and then the next…

for behold, all acts of love and pleasure
all my rituals.

I turned over hard thealogical questions as the words spun their magic through the air. What does it really mean that “all your learning and seeking shall avail you not, lest your know the mystery.” Do I really feel the goddess within? Do I find her within myself or is she only outside and if she is only outside, does she really exist at all? Tears came to my eyes: do I even like myself?

Two hours passed. My baby awoke and returned to digging in the sand. My husband packed up his fishing gear. The sky began to darken and spit rain. I stood and danced the words into the sand with my feet.

let your divine innermost self
be enfolded
in the rapture
of the infinite

I felt rapturous. I felt triumphant. I had done it. Faster and faster my feet stamped the sand as I called the words into the waves. I spun in circles with my toddler chanting and laughing and offering my devotion before the sea, beneath the moon.

the mystery of the waters
the desire in human hearts…

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*I used Shekhinah Mountainwater’s adaptation of the Charge, originally by Doreen Valiente, as included in the book Ariadne’s Thread. Molly 180

Molly has been “gathering the women” to circle, sing, celebrate, and share since 2008. She plans and facilitates women’s circles, seasonal retreats and rituals, mother-daughter circles, family ceremonies, and red tent circles in rural Missouri and teaches online courses in Red Tent facilitation and Practical Priestessing. She is a priestess who holds MSW and M.Div degrees and recently finished her dissertation about contemporary priestessing in the U.S. Molly and her husband Mark co-create original goddess sculptures, ceremony kits, and jewelry at Brigid’s Grove. Molly is the author of Womanrunes, Earthprayer, and The Red Tent Resource Kit. She writes about thealogy, nature, practical priestessing, and the goddess at her Woodspriestess blog.