This is the 4th in a series of blog posts about finding goddesses in the bible who had been hidden away through translation or denigration or other means. In my last blog post I discussed Lilith as a Great Goddess symbolized by both tree and bird. You can see it here.
Today I continue with the topic of trees along with an examination of reversals and how many of beautiful, female pagan symbols were changed or removed from the texts. Perhaps the most obvious and pernicious has been that Eve “caused the fall” of humankind through a sinful act. Thus, the logic goes, it was Her action that has created the “grand curse” that we have labored under ever since. As I wrote in my last blog post, Lilith is another example, being portrayed as a demon in order to denigrate her Great Goddess roots. Lilith originally embodied both bird and tree energies. In my last blog post I showed one image of the Goddess in the tree which was a common theme in ancient Levantine cultures. The image today shows the goddess breast in the tree, which is identified as Isis suckling the future pharaoh Tutmose III. These images show the “Goddess in the Tree” as freely bestowing Her gifts and nurturing (not cursing) humankind. Continue reading “Yes, there are Goddesses in the Bible, Part 4 by Janet MaiKa’i Rudolph”

This blog post is the 3rd in a series of looking for female deities in the bible who have been translated out of easy reach or otherwise hidden within its words. In my last blog post I discussed bird imagery and the bible. It is 

Two recent posts,
Amongst Celtic peoples, the capacity to speak poetically was a divine attribute, regarded as a transformative power of the Deity, who was named by those peoples as the Great Goddess Brigid: She was a poet, a Matron of Poetry (along with her capacities of smithcraft and healing). And at Delphi in Greece, the oracular priestesses delivered their prophecies in poetic form: Phemonoe invented the poetic meter, the hexameter. And from Sumeria, humans have the first Western written records of literature, which is poetry written by the High Priestess of Inanna, Enheduanna in approximately 2300 B.C.E.. Poetry has been recognised as a powerful modality: Barbara Mor and Monica Sjoo described “poetic thinking” as an wholistic mode, wherein “paradox and ambiguity … can be felt and synthesized. The most ancient becomes the most modern; for in the holographic universe, each ‘subjective’ part contains the ‘objective’ whole, and chronological time is just one aspect of a simultaneous universe” (