Content Warning: Child abuse, domestic violence.
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Safer at home is what we are told to do in these United States right now,
and the idea is you will not be able
to spread the virus, or catch the virus, if you are home.
I was never safer at home growing up
and sure, people talk about that—safer at home—
but it’s not safe for everyone, especially if you don’t have a home,
and certainly not one you are safe in.
I think of the girl I pass sometimes, walking my dog at night.
She puts herself in a green bag and curls around the meter block to be invisible and sleeps.
She pulls the bag over her head and draws the cord. I was afraid it was a large animal dropped off
until I got closer and saw it was a woman, the top of her head visible beneath the closed bag.
I must understand that she has no home, and she came from one at some time– that was not safe.
Do you remember the little boy? So cute—with a little man’s hat and
a twinkle in his eye, eight years old. His parents beat him repeatedly because he didn’t put his toys away correctly, and because they thought he was gay. He was eight. Continue reading “Poem: “Safer at Home in these United States” by Marie Cartier”

This month more than most, I feel like I have so much to say that I don’t really know where to begin. It doesn’t help that next door they are remodelling
For the past four Sunday afternoons, I’ve walked along Monument Avenue in Richmond, Virginia, to observe firsthand the changes happening to the statues of Confederate generals placed there a century or so ago. I focus here on the Robert E. Lee statue. Robert E. Lee (1807-1870) “…was an American Confederate general best known as a commander of the Confederate States Army during the American Civil War” (Wikipedia). These days, Lee’s statue seems to be home base for activists who are working diligently to keep protests and demonstrations ongoing, yet peaceful.
The meaning we derive from stories—especially religious stories we’ve heard and become familiar with since infancy—shape how we perceive and understand the world. Our beliefs are an amalgam of “my story” (my individual life experience in a specific context) shaped by another story. Who I am is heavily informed by particular narratives and their (often) codified interpretation.
I am an annoying feminist. I annoy pretty much everyone about it, because I’m never NOT applying a feminist lens to every aspect of life: science (looking at you,
I contemplated doing a post on the current rising issues of the Coronavirus but as so much of life has been stopped, altered, and/or rearranged, that I figured I would embody the proverbial statement of “Just Keep Calm and Carry On.” So, this month’s post is a mixture of observation/product review on recent Holocaust narratives, especially found in movies, TV shows, and books.

I had never imagined visiting Eastern Europe, a place toward which I felt no attraction, or, if anything, a deep aversion. To my mind, these were the killing fields, where six million Jews, Roma, political prisoners, homosexuals, and others were massacred by the Nazis during World War II. As a bisexual Jew, a dark-skinned Middle Easterner sometimes taken for a gypsy, why would I want to go there?
Va’etchanan (Deuteronomy 3:23-7:11) gives us pause for thought in its contradictions. First, the