Last week, Amina Wadud wrote an important post, “Justice for Mike Brown,” discussing Mike Brown’s death in light of Brown vs. The Board of Education, Plessy vs. Ferguson and the injustice faced by African American Communities, particularly in the US legal/ criminal justice system. She highlights the dehumanizing practices that lead us to criminalize black bodies, beginning in childhood.
Considering her post and many, many other articles and news reports over the past several months, and particularly this last week, since the Grand Jury failed to indict Darren Wilson, I felt compelled to speak about a certain quality of kyriarchal oppression: that of rendering the oppressed “unbelievable.” I will not recount the details of the case here (please see the link above for links to court documents through NPR), nor will I try to “speak for” African American communities– nor can I. However, I think it is important that we bloggers and readers at feminismandreligion.com continue to consider the recent verdict and the critical justice issues it raises, as well as remember the tragedy of Mike Brown’s death, and so many men and women like him.
Actor and activist Jessie Williams, who many know from the popular TV show Grey’s Anatomy, gave a passionate and salient interview on CNN’s “State of the Union,” back in August after Michael Brown was killed. You can watch most of the interview with Williams, LZ Granderson and Tara Wall here; you can watch here for the clip I mention below. Like Wadud, he too discusses the criminalization of black bodies, drawing from the everyday experience of Black men in the United States to make his case. At the end of the interview, Williams powerfully asserts, “We’re not making this up.” Continue reading “On Believability, Oppression and Ferguson by Sara Frykenberg”



In addition to teaching Gender and Women’s Studies, I have also been the screenwriting professor at University of California Irvine since 1992. I have used the screenplay for this movie (adapted from Prejean’s book and direct interviews) almost since it was published. It’s a great example of how research, interview, and authenticity can make a movie work—rather than “making it up.” Even the title was new to most of America- “Dead man walking!” refers to the last walk an inmate makes as he (or she) walks to his (or her) death.

I’ve been thinking a lot about what it means to be a male feminist lately. As the only man to be a permanent blogger on this very site until my colleague and friend 


