Winter Solstice: Can We Celebrate the Restful, Welcoming Darkness?

The days are slowly winding down toward Winter Solstice in the northern hemisphere, the longest night of the year. Today the sun rose at 7:20 and will set at 5:08 in Crete. In Sweden, the sun will rise at 9:25 and set at 2:12. Though I light candles in the darkness of morning and have lights on my tree, I am not celebrating the “return of the light,” but rather welcoming the restful dark.

In The Spiral Dance, Starhawk writes that Winter Solstice is about the rebirth of the sun. This interpretation has taken hold. For most pagans, Summer Solstice also is a celebration of the sun on the longest day. Few are those mark it as the time of the dying of the sun or the rebirth of night.

In our culture we have learned to celebrate the light and to avoid and disparage the darkness. We have inherited this habit of mind from the Indo-Europeans who, as Marija Gimbutas wrote, celebrated the shining light of the sun as reflected in their shining bronze weapons. When the Indo-Europeans rewrote the myths of the land that came to be called Greece, they placed the “Olympian” deities on Mount Olympus while relegating many of the oldest female deities to the underworld, which became a fearful place. New Age spiritualities follow this pattern, celebrating “light and love.” This habit of mind reinforces racism. Continue reading “Winter Solstice: Can We Celebrate the Restful, Welcoming Darkness?”

Maternal Gift Economy: Webinar Gifts by Carol P. Christ

In the 1960s and 1970s, American-born Genevieve Vaughan was living in Rome with her husband, philosopher Ferruccio Rossi-Landi, and their three daughters. When Rossi-Landi, using Marxist models, began to write about language as a form of “exchange,” Vaughan was inspired to articulate her alternative theory based on the idea that language was developed and is learned through the gifts of the mother to the child. From that beginning, Vaughn developed an alternative theory of culture based on what she calls the “gift economy.”

We are born into a Gift Economy practiced by those who mother us, enabling us to survive. The economy of exchange, quid pro quo, separates us from each other and makes us adversarial, while gift giving and receiving creates mutuality and trust.

According to Vaughan, the “exchange economy” is based in the gift economy, while at the same time it denies the gifts it has received from mothers and mothering figures and disparages mothers and their work. Mothers rear children who enter into the exchange economy, but these children would not be alive to enter the exchange economy unless they had first been nurtured by the freely given gifts of mother. Vaughan writes that prior to patriarchy, cultures and societies valued the gifts of mothers and were organized around the principle of gift-giving. Vaughan states that gift-giving economies are based in the idea of meeting the needs of others, while exchange economies are focused on the enrichment of the individual self. She believes that re-valuing and re-instating the gift economy is the only path to creating and restoring peace and justice in the world. Continue reading “Maternal Gift Economy: Webinar Gifts by Carol P. Christ”

Altars Everywhere, Part 1 by Carol P. Christ

In a recent blog, Carolyn Boyd invited us to reflect on how our women’s spiritual power is activated through symbols that help us to remember and manifest the “deep well” of our inner knowing. According to historian of religion Mircea Eliade, the sacred and the profane were not separated in premodern cultures because all of life was considered to be sacred. Many in the Women’s Spirituality and Goddess communities have advocated this earlier more wholistic understanding. Although it is not always easy to overcome the dualism between sacred and profane, we attempt to do so.

One of the symptoms of my chemotherapy is neurasthenia or partial numbness in my right foot. When it first occurred, I fell three times in my apartment because I was not lifting my foot automatically. I became afraid to move without holding onto the walls or furniture. I resisted my friends’ advice to get a walker, but finally agreed that I needed some form of physical support. I arranged for my friend Eirini Kouraki to have a rubber tip added to the shepherd’s cane I sometimes use walking in the mountains. When she brought it too me, I decorated it with three ribbons I saved from rituals at the Holy Myrtle Tree at the Paliani monastery in Crete. The most recent were brown, the color of the earth, and red, the strong energy I will need to heal. I added a light green-blue ribbon, representing the calm and clear optimism I feel as I face a crisis of life and death. The ribbons remind me of the healing power of the Holy Tree that I have called upon many times, turning a symbol of my infirmity into a symbol of healing and hope.

In the past weeks as my cancer treatment continues, I have been feeling strong enough to finish unpacking (with the help of Vera, my cleaning lady) and organizing my new home in Crete. As I rediscover sacred objects, I create altars. Altars are physical reminders of our spiritual beliefs. Creating and tending them helps to create the embodied knowing that brings the spirit into our daily lives.

The living area of my new apartment has 3 glass shelving units. In one of them, I created a triple altar with images of the Goddess and female power from ancient Crete. Because the apartment is sleek and modern yet welcoming to my antique furniture, I kept the altar minimal.

On the top shelf I placed three pre-palatial “pitcher” Goddesses, two with breasts from which liquid pours and one that is holding a water jug from which liquid can also be poured. These images, dated before 2000 BCE, express the Old European insight that the Goddess represents the powers of birth, death, and regeneration in all of life. Though they have human qualities, they are more than human. The Goddess from Malia who sits in the center of this altar has a beaked face and wings and her triangular shape evokes the mountains from which water flows to villages and fields. These images remind me that the Goddess is the Source of Life, provider of gift of life that is our embodied being and the gifts of life—including food and water–that nourish us daily.

The second shelf holds one of the oldest images from ancient Crete, the Neolithic Goddess from Ierapetra. She is seated on massive buttocks, securely rooted in the earth. Her face is beaked, symbolizing her connection to the birds that fly in the air. Her body is decorated with lines identified by archaeologist Marija Gimbutas as the flowing water that nourishes all of life. Her body too is shaped like the mountain. She represents the never-ending powers of birth, death, and regeneration in all of nature.

In front of the Neolithic Goddess I placed a twig from Paliani with a dark blue ribbon reminding me that my friend Tina Nevans is sending the healing energy of the Blue Buddha to me in her daily meditations, as well as several handsewn triangles holding leaves from the Holy Myrtle tree, and a crystal extracted from the Trapeza Cave, found on the path outside of it. To Her right is a small image of the long-necked turtle Goddess from Myrtos who holds a pitcher recalling women’s daily visits to water sources, and a small copy of a Kamares ware pitcher used to pour libations in the Sacred Centers. To the left are a bronze copy of a labrys, originally the double sacred female triangle transformed into wings and also a happy little bull who reminds us that animals experience the joy of life.

On the lower shelf, copies of dancing women from post-Minoan Paliakastro symbolize the transmission of Old European values of community, lack of hierarchy, and most of all, celebration of the joy of life as Laura Shannon has written. The dancing women are surrounded by images of later Mycenaean Goddesses and of Aphrodite who was worshiped at the Minoan site of Kato Symi in classical times, and a small reproduction of the Neolithic Goddess from Catal Huyuk, who reminds us that Crete was settled c.7000 BCE by farmers from Anatolia.

In the hallway I placed a copy of a drawing of the Holy Myrtle Tree of the monastery of Paliani created by one of the nuns. According to the story told, the area where the monastery was later built was burned in a fire but a small myrtle bush survived. It was watered by girls who saw the image of the Panagia (Mary the Mother of Jesus) in its charred branches. So, the monastery which was known as ancient in 668 CE was built. The monastery is a sacred place for the surrounding villages. The sacred tree and the icon of the Panagia in the church are said to have performed many miracles. Below the drawing of the Sacred Myrle Tree is a small image of a face in a twig from tree given to me by German artist Carla Randel.

On a small table under the drawing, I placed an image of Aphrodite who was earlier associated with myrtle trees, along with a candle, a star, a blue glass paperweight, and a triton shell, symbolizing Aphrodite as the morning and evening star, and her relation to the sea.

When I light candles in translucent glass holders on the altar with the pitcher Goddesses as the day dawns and in the evening as day turns to night, and when I gaze at my other altars, I remember that I am always surrounded by the nurturing love of the Goddess. This love takes root in my body, and I am inspired to share it with others.

To be continued.

Covid in Greece by Carol P. Christ

Greece is on nationwide lockdown due to a surge in Covid cases in the fall. What does this mean? For three weeks until December 1, we can leave home only for essential reasons which include: going to a nearby supermarket; visiting the doctor or pharmacy; going to banks or public utility offices; helping someone in need; traveling to work if working from home is not possible; attending a funeral; traveling to see children when parents are separated; leaving home for physical exercise or to care for pets or strays. Masks must be worn at all times outside the house; SMS must be sent to a national number listing the reason for leaving home or a paper must be carried with the same information; a special document is required for work listing hours; the fine for violation is 300 euros and police are enforcing this, particularly in the cities. Restaurants and bars are closed; only a few categories of shops are open. A curfew from 12 am to 5 am was extended to begin at 9 pm; this is because young people have been congregating outside in groups. Travel in Greece is restricted; visits to second homes are not allowed. Primary schools are open, but secondary schools are using internet. Similar restrictions were in place in March and April in Greece and the country had one of the lowest virus rates in the world until recently. The hope is that the lockdown will stem the spread of the virus and that the restrictions will be lifted before the holidays.

This situation contrasts with the United States where the President has refused to acknowledge the extent of the health crisis or to take measures to restrict the spread of the Covid virus. Continue reading “Covid in Greece by Carol P. Christ”

Dancing for Forgiveness and Reconciliation – Part Two By Laura Shannon

In Part One of this article, I described dancing Jewish, Romani, and Armenian dances for forgiveness and reconciliation with groups in Germany and all over the world. I also offered danced rituals of remembrance at former concentration camps and other places scarred by the atrocities of war.
I went to camps including Dachau and Auschwitz, to genocide memorials and sites of massacre throughout Eastern Europe, in Australia, and the Americas. At first, my prayers were private: I brought flowers, lit candles, danced my grief, and spent time in meditation. I tried to visualise the prisoners in those places, sending them my deep sorrow and regret back through time. I wanted to let them know that they are remembered and mourned by people from their future. My prayers contained a fervent apology as well as a soul commitment to do my part in this lifetime to overcome prejudice and stand for peace.
In time I invited others to dance with me for healing and peace. We danced at former camps in Germany, including Bad Gandersheim, a subcamp of Buchenwald, and on many occasions in Steyerberg, a former prison camp and forced-labour munitions factory which is now the site of an intentional community called Lebensgarten (‘Garden of Life’), a centre for permaculture, non-violent communication, and other ecologically and spiritually oriented ways of living.

Continue reading “Dancing for Forgiveness and Reconciliation – Part Two By Laura Shannon”

Dancing for Forgiveness and Reconciliation – Part One By Laura Shannon

Armenian Candle Dance with Laura Shannon, Findhorn 2015 (photo: Hugo Klip)
When I first began researching traditional circle dances in the mid-1980s, I was amazed to find that the peoples who have suffered the worst of human experience – oppression, exile, genocide, war – also produce the most vibrant and joyful music and dance. Armenian, Jewish, Kurdish, and Romani (Gypsy) dances, in particular, were passionate affirmations of life, despite the horrors these peoples have gone through in their history. The dances seemed to hold clues to the mystery of moving on with life after trauma.
This was something I was desperate to learn how to do. Barely 20 at the time, I was struggling to keep my dignity and optimism while growing up female in a woman-hating world. The trauma of a violent rape on my 18th birthday had robbed me of my joy for life – but I could experience joy again in those dances.
Early on in my research and teaching, therefore, alongside the women’s dances which were always my main interest, I began to focus on the traditional dances of persecuted peoples, which I called Dances of Exile and Homecoming. These songs and dances seemed to have an inherently therapeutic potential, profoundly moving for people from any background and any culture.

Continue reading “Dancing for Forgiveness and Reconciliation – Part One By Laura Shannon”

Patriarchy as a System of Male Dominance Created at the Intersection of the Control of Women, Private Property, and War by Carol P. Christ

 

Recently feminist scholar Vicki Noble said this is the best definition of patriarchy she has read–but she hadn’t known of it earlier! I am am republishing it now in hopes that all of you will share it on your social media so that it becomes more widely known. Thanks!

Patriarchy is often defined as a system of male dominance. This definition does not illuminate, but rather obscures, the complex set of factors that function together in the patriarchal system.  We need more complex definition if we are to understand and challenge the the patriarchal system in all of its aspects.

Patriarchy is a system of male dominance, rooted in the ethos of war which legitimates violence, sanctified by religious symbols, in which men dominate women through the control of female sexuality, with the intent of passing property to male heirs, and in which men who are heroes of war are told to kill men, and are permitted to rape women, to seize land and treasures, to exploit resources, and to own or otherwise dominate conquered people.* Continue reading “Patriarchy as a System of Male Dominance Created at the Intersection of the Control of Women, Private Property, and War by Carol P. Christ”

With Beauty Around Me by Carol P. Christ

With Beauty Around Me by Carol P. Christ

 

When I moved from Lesbos to Crete, I decided to take some 30 large and medium-sized handmade terra cotta pots acquired over the years along with me. As I had been living part-time in Crete for several years, most of the plants had died, but I managed to salvage freesia bulbs, chives, and cuttings from nutmeg-scented geraniums.

My friend Mavroudis helped me empty the soil into feed bags provided by a neighbor who keeps sheep. I decided to move the dirt too, as I didn’t fancy carrying numerous bags up to my apartment. The movers were not too happy about this, and by the time they were deposited higgledy-piggledy on my balconies in Crete, several of the pots were broken and the bags were leaking.

I mended the broken pots with trusty epoxy glue before I got sick, which was lucky, because, since then, I would not have been able to do it. A few weeks after arriving, I felt tired and had trouble eating. I was diagnosed with cancer and began chemo-therapy. I have little physical energy and spend much of my days resting in bed or sleeping. There are still many boxes to unpack and they can wait, but I felt the need to tend the balconies. Continue reading “With Beauty Around Me by Carol P. Christ”

What’s Changed? by Elise M. Edwards

An image of Elise Edwards smiling outdoorsFriends, it has been a few months since I’ve posted in this community.  I’m amazed at how much our world has changed since then.  Here in the northern hemisphere, spring came and went.  It felt like a tide of turmoil rolled in, leaving debris all along the shore and now we are trying to clean it up while keeping our eyes on the sea for more dangerous waves that are coming.

The issues we now face began before March, but for many of us, that was when the COVID-19 pandemic began to alter our patterns of daily existence. In-person instruction at my university and most schools was suspended and spring semester courses shifted online.  In March and April, we quarantined, self-isolated, and sheltered in place.  While a gradual re-opening of businesses and services has occurred in the months since then, I don’t know anyone who has resumed daily life as it was before. The virus continues to spread and the death toll rises.

Continue reading “What’s Changed? by Elise M. Edwards”

Judaism or Christianity: Which Tradition Is More Open to Feminist Change? by Carol P. Christ

Jill Hammer’s recent post on midrash surrounding the Biblical figure of Eve (Hava in Hebrew) sparked me to muse again about the fact that, despite its patriarchal roots and overlay, Judaism is a much more flexible tradition than Christianity and, therefore, much more open to feminist change.

Part of this is due to the fact that Judaism is midrashic while Christianity has been and remains a doctrinal tradition. Midrash is a form of Biblical interpretation that includes retelling the story to fill in the blanks and to answer contemporary questions left unanswered in the original text. Jews consider the Torah (the 5 books of Moses) to be the “Word of God” though opinions vary as to what this means. In the rabbinical tradition, the Torah is interpreted through the Talmud which is an extensive collection of discussions and disputes that draw on Biblical texts in relation to contemporary (to the rabbis) questions. Midrash included in the Mishnah (a collection of teachings that preceded the Talmud) and the Talmud are considered part of the “oral Torah.” which is also “the Word of God.”

The Talmud is considered to be authoritative, but it includes conflicting interpretations that were never resolved into a single definitive view. Though different Jewish groups have declared certain views to be normative, other groups have disagreed. There is no central authority (such as a Pope or council) to resolve these disputes. Though some Jewish groups disagree strongly with the beliefs or practices of others, in Judaism as a whole an attitude of “live and let live” leads to inclusion rather than exclusion. Indeed. The Talmud records that in the midst of a particularly vehement dispute between two rabbis, a voice intervened, stating: “These and these are the words of the Living God.” (Quoted by Judith Plaskow in Goddess and God in the World.) Continue reading “Judaism or Christianity: Which Tradition Is More Open to Feminist Change? by Carol P. Christ”