Our first ritual on the Goddess Pilgrimage to Crete is a death ritual in which we honor the memory of those who have gone before us. Like so many things on the pilgrimage, the death ritual evolved. I did not consciously plan to begin with death. Rather, the death ritual inserted itself at the beginning of the tour. Now I understand that the timing is right.
As we begin our pilgrimage, seeking new insight about the meaning of our lives, about the meaning of life and death, we pause to remember those who have gone before us.
Before the ritual begins, I discuss the communal burials in round tombs of the ancient Cretans, sharing my belief that the purpose of their rituals was not to secure immortality or eternal life for the individual, but rather to affirm and ensure the regeneration of life in the community and in nature. I add that though I have no desire for personal life after death, I care deeply about the continued flourishing of life for human and other than human beings.
My mother and I have always been very interested in our personal connection to the spirit realm. This connection, for us, is an important one. We pay attention to the signs and messages that remind us of our continued connection to those we love who no longer occupy our own physical time and space. Each cardinal, butterfly, and ceaselessly repetitive number (310 in our case) promises the continuation of relationship with the ones we miss so dearly.
A few years ago my mother and I were able to see a live show at the Chicago Theater featuring Long Island Medium Teresa Caputo. Even with hundreds of people in the audience, specific moments of Caputo’s readings spoke to images and memories that resonated and connected to our experiences. The show allowed us to once again be reminded of the continued connection between us and those special ones who we love and miss. Continue reading “Remembering My Saints by Katie M. Deaver”
Public Art displays like the image above, a dragon that appears to be moving through the sand dunes of Borrego Springs, California offer tremendous insight into the time and era of the society when it was created, the surrounding community, the patron of the work and of course, the artist. In the case of this artwork and several other similar sculptures found in the barren but beautiful landscape within the Anza-Borrego Desert State Park the subject matter supports the wildness of the region and invites the viewer to consider the area before the impacts of modern civilization. In this case, it isn’t difficult to imagine such an untamed time as there are miles and miles of sandstone, treeless mountains and desert brush with very few people anywhere to be found. Also in this case, the artwork is absolutely appropriate for the environment in which it is placed.
“If private art suggests an intimate exchange, public art gathers a congregation. While I have observed that all art is to some degree public, pubic art merits its name in virtue of the fact that the creation of a public is its point of departure. Public art presupposes the public sphere and produces a public in relation to that concept. Unlike popular or mass art, it does not assume a preexistent generic audience to be entertained or instructed but sets out to forge a specific public by means of an aesthetic interaction.” (Hein, pg. 49)
She studies, and disputes, and teaches,
and thus she serves her Faith;
for how could God, who gave her reason, want her ignorant?
—Sor Juana Inés de la Cruz, Villancico, or, “Carol”, in celebration of St. Catherine of Alexandria (1692)
The reason for this blog, and for writing it on this day, is to celebrate and remember the life and legacy of Sor Juana Inés de la Cruz.
In 1994, I was exposed, by chance, to the life and writings of 17th century Novohispana feminist Sor Juana Inés de la Cruz. I am the product of twelve years of Catholic education, eight years of which were in an all-women setting. Again, by chance, I learned about Sor Juana in a liberation theology class while studying feminist theology at Harvard Divinity School. In this class, I learned about Sor Juana’s bold advocacy of the right of women to be educated. This spurred me to learn more about this Catholic Latina theologian whom I would later discover was the last great author of El Siglo de Oro (Spain’s Golden Age), recognized in her era as an esteemed poet, mathematician, astronomer, and more. This was the beginning of my life-long passion to reclaim the legacy of Sor Juana and her-story within the Christian, non-Christian Western tradition, and in Spanish and Mexican history. Continue reading “Remembering Sor Juana Inés de la Cruz’s Life and Legacy: Champion of Universal, and Non-Human Rights November 12, 1648/51 – April 17, 1695 by Theresa A. Yugar”
The biblical traditions of Miriam the prophetess have captured the imaginations of Bible-readers throughout the ages. Miriam, Moses’ sister, watches over Moses in his cradle (Exodus 2), and leads the Hebrew women in dance at the shore of the Sea of Reeds to celebrate redemption (Exodus 15). Rabbinic lore identifies Miriam with Puah, the midwife who saved Hebrew babies from Pharaoh, and depicts her as the herald of Moses’ birth (Exodus Rabbah 1:13; Babylonian Talmud, Sotah 12a). Contemporary Jewish feminists have established traditions of singing to Miriam the prophetess on Saturday night, parallel to the tradition of singing to Elijah the prophet at that time. It has also become popular among some feminist/egalitarian Jews to place a cup of Miriam on the seder table at the time of Passover. This cup is usually filled with water in order to recall the ancient legend that a well of water followed Miriam through the wilderness, quenching the thirst of the wandering people (cf: Babylonian Talmud, Taanit 9a). It was even said that healing herbs grew near this well, so that Miriam’s prophetic power became a source of healing.
The veneration of Miriam is especially deep in Sephardic Jewish traditions—those Jewish traditions stemming from the Spanish Jewish diaspora, which may be found everywhere from North Africa to Holland to Greece and Bulgaria. Sephardic women used incantations along with various rituals involving salt, herbs, and other substances, as healing for various ailments and troubles; women skilled in these practices were called precanteras or precantadoras. Some of their healing incantations invoke Miriam as the ancestress of all women healers, as in the following prayer:
In the middle of the night in waking sleep, I asked my great-great grandmother Annie Corliss to tell me the story of how she met and married James Inglis. This story came through me in a place I have come to call the Dreamtime. The Aboriginal term feels right. As I understand it, this is not a place where the dead speak to the living but rather a space where boundaries blur as the ancestors speak in us.
Annie Corliss’s Story: As It Might Have Been
My mother decided to come to America after my father died. My brother Hudson was 7 and my brother Hugh was a baby. I was 13. Mother had a little money, and she said we would have a better life in America. We left Ireland on a boat that took us to Liverpool. There we boarded the big ship Continent that took us to America. The trip took about 6 weeks. While we were at sea, first Hudson, and then Hugh died. Their bodies were wrapped in the blankets that had covered them in the filthy cabins on the ship. The priest said a few words of blessing, and they were dumped into the cold angry sea. Every day, another body was thrown overboard, sometimes two. So much grief, so many tears in the night. After Hudson died, Mother wouldn’t let go of Hugh, so afraid was she of losing him. After he died, she would not stop crying. I kept telling her she still had me. She didn’t care anymore. “America is cursed,” she kept repeating. (1) Continue reading “As It Might Have Been: Ancestor Stories in the Dreamtime by Carol P. Christ”
During my ancestor research, I have seen the word “tenement”—with the implication of poverty, filth, and disease–handwritten onto more than one death certificate. Last month, I visited the Lower East Side where my Irish 2x great-grandmother Annie Corliss lived in the tenements near the docks with her husband the Scottish seaman James Inglis and their nine children.
Though the tenements where they lived in the vicinity of Cherry Street a block from the East River have been torn down to build public housing, my newly discovered third cousin Hattie Murphy still lives in the area. She arranged for me to visit the “Irish Outsiders” house in the Tenement Museum on nearby Orchard Street in order to gain an understanding the conditions of life in the tenements in the middle of the nineteenth century.
Tenement housing, which was a euphemism for apartment living in crowded and impoverished conditions, was often built on 25 x 100 foot lots that had been intended for single family homes. These several story buildings with four windows on the front of each floor were divided into small three-room apartments eight to a floor, each with one window facing the street or the back alley.
Buildings like this may look charming from the outside, until you imagine living your whole life in a small apartment set behind only one of these windows.
In the apartment we visited, the window was in the sitting room in the front, the bedroom was in the back, and the kitchen was in the center. The kitchen included a coal stove that was the only heating for the house. Laundry hung above the stove, and, as our guide explained, dirty diapers with only “number one” were simply pinned up to dry. Coal dust hung in the air and fell upon everything. Even in the summer when the windows were open, fresh air rarely reached to the kitchen, let alone to the bedroom in the back. Our guide remarked that the smells of cooking, coal, babies, and unwashed bodies would have been overpowering. Despite their poverty, the women purchased pretty dishes, often chipped, at second hand stores, and proudly displayed them.
This photo shows the communal staircase, the open door of the apartment, kitchen and bedroom. The window inside the apartment was added to improve air circulation due to health regulations. Blue Willow pattern dishes on display upper left.
Our visit began in the back “garden” where there were four toilets for twenty-two families. I shuddered to imagine trying to clean them or to run down to use them in the middle of the night. There was a pump for fresh water. The guide handed around a bucket filled with pebbles to give us an idea of the weight the housewives and their children had to lug up flights of stairs numerous times each day. No wonder baths were infrequent. I remember an older Greek friend telling me how they used to wash with a cloth from the waist up one day and from the waist down the next. Annie’s family may not even have managed that.
Outdoor toilets in the back “garden” serving twenty-two families.
Our tour included a description of a sick and dying baby and a funeral with the baby’s body laid out in the sitting room. My 2x great-grandmother gave birth to nine children of whom, unusually, the first eight lived to adulthood. Annie must have understood that hygiene is heath. Her days would have been spent fighting to keep her house and her children as clean as she could.
Boy washing in tenement kitchen. The sink doubled as a work space.
The bedroom in the apartment we visited had a small double bed pushed up against two walls, with just enough room to walk past it to get to a small closet and a few trunks crammed in the space against the back wall. When James the seaman was home, this would have been the marital bed, but when he was gone, the younger children slept with their mother, while the older ones wrapped themselves in sheets and blankets near the stove or in the sitting room.
Annie, at the time of her marriage
Anne, age 20, and James “Ingles,” mariner, age 25, husband and wife, living in the area of the docks, appear on the 1855 New York State census. In fact, Annie was perhaps 15, while James was 17. I suspected this was an unusually young age to marry, and research proved me right. The average age for Irish marriages at the time was 20 for the bride and 25 for the groom. Annie would have had every reason to lie about her age for reasons of propriety.
Documents I have only recently found show that Ann “Carless,” age 13 arrived in New York with her mother Mary on January 16, 1854. Her two younger brothers, one 7 and the other an infant, died on the ship. As I could not find Ann’s mother Mary after that, I assume she died soon after arriving, leaving her young daughter on her own.
Annie lived her whole life in America in tenements in the the unsavory area near the docks—filled with bars, drunken sailors, prostitution, and crime. She died at the age of forty-five of a stroke, leaving her husband and eight children. Because of her, I am here.
In early December 2016 I visited central Williamsburg in Brooklyn, New York, where my 2x great-grandparents Thomas and Anna Maria Christ and their son George and his family, including my father’s father Irving John, lived for over fifty years. I had compiled a list of all the known addresses of the family in Williamsburg from census and death records. The family lived in a several block square area surrounding Most Holy Trinity Roman Catholic Church on Montrose Street for all that time.
Most of the buildings at the addresses where the family lived had been torn down and replaced with housing projects in the mid-twentieth century. Some of the remaining ones are being torn down today, as this area of Williamsburg is being gentrified. Still, enough of the old buildings remain to give a sense of what the neighborhood was like in the 1800s. Continue reading “Ancestor Connection in Williamsburg, Brooklyn by Carol P. Christ”
In the past week I visited Cherry Ridge, Honesdale, Wayne, Pennsylvania in the Pokonos, where I was welcomed by my third cousin Marcia Perry Gager whose family never left the place where our ancestors settled. Marcia and I have been corresponding about our family’s history since Ancesty.com connected us about three years ago. During that time, together with another cousin, Debra Ball, we have managed to decipher the complicated history of Henry Iloff, his two wives, and their eighteen children.
My visit to Honesdale began at John’s Evangelical (formerly German) Lutheran Church. Following a last-minute discovery that the baptism, marriage, and funeral records of the church were not in the Wayne County Historical Musem archives as I had been led to believe, I made a call to the “emergency number” of Pastor Richard Mowery the day before our scheduled visit, not knowing how he would respond to this “not-really-emergency” invasion of his personal space. Continue reading “Down on the Farm by Carol P. Christ”
Continued from Part 1 and Part 2 When Bess was in her fifties, walking past the quarry at sunset—called daylight gate in her dialect—a beautiful young man emerged from the stone pit, his hair golden and shining, his coat half black, half brown. He introduced himself to her as Tibb and promised to be her familiar spirit, her otherworldly companion who would be the power behind her every spell.
Maureen Stopforth who runs the Witches Galore gift shop in Newchurch has warned visitors of a malign energy rising from the quarry but I sense nothing evil, merely a yearning that draws me in deeper until, near the back of the old stone pit, I find a man’s face carved in the rock—the handiwork of some fanciful Victorian who wished to pay tribute to Bess’s Tibb.
Attending a Halloween ghost walk, I bristle as the guide glibly describes Tibb as the “devil in disguise.” From my research, I learned that the devil, as such, appeared to be a minor figure in British witchcraft. Instead the familiar spirit took center stage—the cunning person’s spirit helper who could shape shift between human and animal form. Bess described how her Tibb could appear as a hare, a black cat, or a brown dog. In traditional English folk magic, it seemed that no cunning man or cunning woman could work magic without the aid of their familiar. Continue reading “Mother Demdike, Ancestor of My Heart, Part 3 by Mary Sharratt”
Our first ritual on the Goddess Pilgrimage to Crete is a death ritual in which we honor the memory of those who have gone before us. Like so many things on the pilgrimage, the death ritual evolved. I did not consciously plan to begin with death. Rather, the death ritual inserted itself at the beginning of the tour. Now I understand that the timing is right.
The reason for this blog, and for writing it on this day, is to celebrate and remember the life and legacy of Sor Juana Inés de la Cruz.
In the middle of the night in waking sleep, I asked my great-great grandmother 
During my ancestor research, I have seen the word “tenement”—with the implication of poverty, filth, and disease–handwritten onto more than one death certificate. Last month, I visited the Lower East Side where my Irish 2x great-grandmother Annie Corliss lived in the tenements near the docks with her husband the Scottish seaman James Inglis and their nine children.
In early December 2016 I visited central Williamsburg in Brooklyn, New York, where my 2x great-grandparents 
In the past week I visited Cherry Ridge, Honesdale, Wayne, Pennsylvania in the Pokonos, where I was welcomed by my third cousin Marcia Perry Gager whose family never left the place where our ancestors settled. Marcia and I have been corresponding about our family’s history since Ancesty.com connected us about three years ago. During that time, together with another cousin, Debra Ball, we have managed to decipher the complicated history of 
Continued from 
Feminism and Religion 