Christianity – Page 36 – Feminism and Religion

Thanks for Coming (Out): Sexuality, Sports, and Spirituality by John Erickson

I have to be honest, Jason Collins’ admission that he was a homosexual, albeit brave, upset me. While coming out is an completely unique experience to every individual that does it, Jason Collins’ story was just another example of the rampant sexist and heteropatriarachal world that privileges male bodies and sexualities over women’s similar experiences. While I applaud Jason’s story and it’s timing, the first thing I asked to my colleagues was: Where was the hubbub over Sheryl Swoopes or Martina Navratilova?

Like marking off items on a proverbial checklist, closeted LGBTQ individuals who exist within and outside of the world of professional sports, can recount the numerous things they struggle with in terms of their sexuality. From fearing of the actual coming out process, dressing in their car or at home to avoid the subtle glances and whispers of individuals in the locker room, to wondering what coming out would mean not only for their game but also for their social and, if they choose, spiritual lives, closeted and out LGBTQ individuals within the multi-billion dollar professional sports industry must grapple with that age old question: what does it mean to be gay and open about it?

I have to be honest, Jason Collins’ admission that he is a homosexual, albeit brave, upset me. While I understand that coming out is an completely unique experience to every individual who does it, for me Jason Collins’ story was also an example of the rampant sexist and heteropatriarachal world that privileges male bodies and sexualities over those of women. While I applaud Jason’s story and the timing, the first thing I asked to my colleagues was: where was the same hubbub over Sheryl Swoopes or Martina Navratilova? Continue reading “Thanks for Coming (Out): Sexuality, Sports, and Spirituality by John Erickson”

Review of “The Book of Mormon” by Ivy Helman

My friend and I won two tickets to “The Book of Mormon” showing as part of Broadway in Boston. Having known nothing about the musical, we were curious and excited to be going. Nearly two weeks later, we are still discussing how we feel about the production. We agree that overall we like it and there are some very funny parts, but we are also troubled and disgusted by it on a number of levels. Moreover, the fact that we like it makes us quite uncomfortable.

As a Broadway production, the cast was amazing! The songs were creative. Characters were dynamic and showed marked growth. “Spooky Mormon Hell Dream” was outright brilliant with its use of humor, satire and fear to explain the Mormon preoccupation with hell as punishment for immorality and/or disbelief. Continue reading “Review of “The Book of Mormon” by Ivy Helman”

Painting Isadora Duncan By Angela Yarber

A dancing woman stands center stage, her arms outstretched in natural, free, and unbound movement, as her heart cries out to us…

In May of 1877 a dancing, feminist, revolutionary was born. She was not constrained by the corsets, morals, or traditions of her time. Barefoot, clad in flowing garments, with a diaphanous scarf in hand, she stepped onto the stage and rocked the world: the world of dance, the world of women, and the world of religion.

Born in San Francisco as Dora Angela Duncan and known to us as Isadora Duncan, or Holy Isadora. This wild woman rejected the rigidity of ballet, conventional roles for women, and traditional religion. After feeling constrained by the pointe shoes, corsets, and unyielding technique of American ballet, Duncan left for Europe, intent on revolutionizing the world through dance. She claimed, “I have come to bring about a great renaissance of religion through the dance, to bring the knowledge of the beauty and holiness of the human body … (Duncan quoted by Terry Walter in Isadora Duncan).” Continue reading “Painting Isadora Duncan By Angela Yarber”

Lust in the Heart by Linn Marie Tonstad

Love the sinner, hate the sin. We are all familiar with the bludgeon this statement represents in Christian circles. It functions as a way to maintain one’s goodness and Christlikeness (supposedly!), while simultaneously condemning and persecuting those who find themselves drawn to live lives outside the constraints of heteronormativity in all its variations. The statement hardly needs to be deconstructed – it proves its own emptiness in relation to the way sexuality is understood as identity in the contemporary context. (There are Foucaultian reasons to be unhappy with this understanding of sexuality – one of the disciplinary functions of power on his account is the desire to find a name that will express one’s true identity – but we’ll save that for another day.)

Instead, I think we should consider a much more fundamental contradiction in the way Christian churches today speak and think about sexuality. In many mainline congregations in the US-European context, the debate has been framed around celibacy versus “practice” for persons identifying as gay and lesbian. Excluding the fringe ex-gay movement and its horrors, there are three typical positions that churches take up. One, celibate gays and lesbians may participate fully in church life. Two, married and monogamous gays and lesbians may participate fully in church life. Three, neither marriage nor monogamy are required for gays and lesbians (or anyone else) – the latter is perhaps not a frequent position for churches to take, at least officially, other than in the MCC. For most mainline denominations, the fault line lies between those who assert the ‘vocation’ of celibacy for gay and lesbian persons, and those who permit marriage. Continue reading “Lust in the Heart by Linn Marie Tonstad”

A Calling, A Vocation by Elise M. Edwards

In my previous post The Feminist Influence, I began discussing what a feminist perspective might bring to a theological study of architecture. I asserted that a feminist perspective on the ethical function of architecture offers at least two contributions: (1) it provokes questioning about what flourishing is for all peoples and the Earth, and (2) it provokes examination of systems of power and privilege and how they are constructed into our built landscape. I think a feminist vision of architecture could help all of us (even those of us who are not design professionals) promote design that respects and responds to our environment, addressing the harm we have done. I do want to give some thought, though, to what it means especially for architects and other design professionals. Continue reading “A Calling, A Vocation by Elise M. Edwards”

What About Contraception in Pope Francis’s Promise to the Poor? by Dawn DiPrince

Pope Francis, at nearly every opportunity – including the choice of his name, has symbolically expressed a commitment to the poor. In just a little over a month, he has declined the customary gold papal cross, the ermine-trimmed red velvet cape, and the showy red loafers worn by his predecessor. He has refused the palatial papal penthouse apartment and is currently living in a two-room suite among the Vatican’s cardinals.

In additional to a more austere lifestyle, Pope Francis has spoken out about the world’s poor. His namesake is St. Francis of Assisi, who famously worked for the poor and for peace. The Pope claims he was inspired to take the name Francis when remembering a friend’s urging to “not forget the poor.” More to the point, Pope Francis has stated that he wants “a Church which is poor and for the poor!” Continue reading “What About Contraception in Pope Francis’s Promise to the Poor? by Dawn DiPrince”

Why are We Troubled by a Homeless Jesus? by Michele Stopera Freyhauf

There are standard depictions of Jesus that show a Caucasian male with blue eyes (some pictures have the occasional brown eyes), shoulder length brown hair, and usually wearing a tunic with sandals. Jesus’ demeanor is usually victorious, prayerful, inviting, and even reflects humility. Our culture creates an unrealistic depiction of Jesus so that in the United States (at least), we see a savior as a white male representative of the power structures that permeate every facet of life.

There are some variations of this image. The most common is this same image with dark skin. A depiction that makes Jesus more tangible to people of color. If we can accept this variation of Jesus, then why would we be upset when images become more culturally tangible, send a message that encapsulates Jesus’ ministry, or make us stop and think – challenging us to take our rose colored glasses off. When an artist creates an image of Jesus that is different than the standard described above, controversy occurs at varying levels. The artwork is removed or de-commissioned, protests occur, and in extreme cases, the artist will even receive death threats. Here is a small sampling of images:

Jesus in Jeans (Peter Royle) picture courtesy of Wikipedia http://en.wikipedia.org/wiki/File:Jesus-in-Jeans-by-Peter-Royle.

chocolatejesus — Sweet Jesus (Cosimo Cavallar) picture from Cavallaro’s website (http://www.cosimocavallaro.com/html/chocolate_page.html

T Edwina Sandys: http://www.naplesnews.com/news/2008/mar/06/my-life-so-far-edwina-sandys-69-artist/

Continue reading “Why are We Troubled by a Homeless Jesus? by Michele Stopera Freyhauf”

I Dream of Pope Francis by Gina Messina-Dysert

It was just last week that I received an email from Pope Francis. He wrote me having seen my interview with Tavis Smiley and said he sympathized with my appeal for a Church that serves the needs of the people. Pope Francis requested that I come to the Vatican to meet with him to discuss the papacy and his efforts to redirect the Church’s attention. Of course, I immediately accepted and began to create my agenda for our meeting: women’s ordination, same-sex marriage, reproductive justice, and…my alarm went off. It was just a dream. Sigh…

Totally disappointed at the realization of its ridiculousness, I wondered why Pope Francis had invaded my dreams. Could it have been prophetic as my good friend and colleague (jokingly) suggested? Or perhaps I’m narcissistic enough to fantasize that I have such wisdom to share. Either way, no other pope has ever occupied my thoughts in such a way. Continue reading “I Dream of Pope Francis by Gina Messina-Dysert”

Painting Jarena Lee By Angela Yarber

When we gender the pulpit in the direction of justice, we ordain her spirit with gratitude for the many miles she walked and the countless sermons she preached.

This month I celebrate the release of my second book, The Gendered Pulpit: Sex, Body, and Desire in Preaching and Worship. As I celebrate the privilege I have as queer feminist to stand behind the pulpit each Sunday—to gender the space in the direction of justice—I must also recall the myriad holy women who have gone before me. I think of many of my Holy Women Icons with a folk feminist twist: Virginia Woolf , the Shulamite, Mary Daly, Baby Suggs, Pachamama and Gaia, Frida Kahlo, Salome, Guadalupe and Mary, Fatima, Sojourner Truth, Saraswati, and so many others. And this month I think specifically of my sister preachers, those who raised their voices in bold proclamations when the road was long and unimaginably difficult. I think of preachers like Jarena Lee.

Lee spent thirty years as an itinerant preacher and was the first black woman to be licensed to preach through the African Methodist Episcopal (AME) church. Despite the fact that the AME issued a definitive ruling that women were not permitted to preach in 1852, Lee spent the bulk of her adult life preaching. Jarena Lee’s struggle to preach is a familiar story in nineteenth-century American Protestantism, even though the Second Awakening ushered in a period of intense religious revival; with camp meetings around every corner, there was an unprecedented opportunity for women to preach. Like Jarena Lee, though, they weren’t paid, ordained, or protected. Continue reading “Painting Jarena Lee By Angela Yarber”

Orientations: Body, Space, Authority by Linn Marie Tonstad

In her book Queer Phenomenology, Sara Ahmed investigates how we orient ourselves in space with respect to tables – the tables around which we sit, at which we eat with friends and families of choice and birth, and at which we write. She describes moving into a new place and arranging the furniture. “After the kitchen, the room I hope to inhabit is always the study. Or the place that I have decided is the place where I will write. There, that will be my desk. Or it could just be the writing table. It is here that I will gather my thoughts. It is here that I will write, and even write about writing. … Making a place feel like home, or becoming at home in a space, is for me about being at my table. I think fondly of Virginia Woolf’s A Room of One’s Own. How important it is, especially for women, to claim that space, to take up that space through what one does with one’s body. And so when I am at my table, I am also claiming that space, I am becoming a writer by taking up that space.” (11) Ahmed goes on to discuss how certain possibilities are opened up, and others foreclosed, by the way we orient ourselves (or find ourselves oriented) to others and to objects. She describes the bodily postures that result from orienting oneself to the writing table – the way one might hunch over one’s computer, or find oneself with ink-stained fingers.

In a very different context, the queer theologian Marcella Althaus-Reid describes a scene from her childhood in Argentina. She kneels in front of a priest for confession. But instead of kneeling to the side, aslant, as she ‘ought’ to have done, being a girl, she kneels directly in front of the priest, as if she were a boy. Kneeling here too is a form of orientation, a form of direction, a bodily habit of becoming. “Kneeling is troublesome and it has a theological referent in the church’s also troubled waters of sexuality and power. A whole symbolic sexual order is obviously manifested in kneelings as positions of subordination and sites of possible homo- and hetero- seductions, because these are theologically distributed around the axis of the priesthood’s male genitalia. The priest’s penis carries the sacred connotations of the phallus as a transcendental signifier of the theological discourses to everyday Christianity, and kneeling is a liturgical positing designed to centralise and highlight this.” (The Queer God, 11) To kneel in the right (gendered) position in relation to the priest is also to kneel in the right relation to God. Continue reading “Orientations: Body, Space, Authority by Linn Marie Tonstad”