Entering the archaeological site of Kato Zakros, which includes a Sacred Center and part of a town on a small hill above it, I felt too tired to continue with the others. As we passed a stone bench to the north and west of the open court, I lay down and closed my eyes. I don’t know if I actually slept, but when I opened my eyes, I was in a trance.
I could see the air vibrating, and as I looked up the hill, I could almost see women walking up and down the stepped paths. My eyes were fixed on the path where women I could not quite see with my eyes went about their daily tasks. After a while Cathleen joined me. “I don’t want to talk,” I said, “but if you sit quietly beside me, you will see women walking in the village. She sat down and said nothing, but smiled broadly and nodded when I asked her if she could see what I saw.
After a while, I moved and sat facing the Central Court. I could still see the vibrations of the air, and as I looked across the court, I felt a sense of anticipation. “The dance is about to begin,” I told Cathleen when she joined me a few minutes later. She nodded. It was an hour before sunset, and the ancient stones were bathed in the last light of day. Jana and Patricia were talking in the central shrine room, while the others leaned over the ancient cistern watching turtles and turtle babies dive into the water and emerge again. “The dance is about to begin,” I said again.

Cathleen exclaimed, “I see the path of the dance rising up in the court. It looks like the Processional Paths we saw at Knossos, Phaistos, and Malia. Do you see it?” Though I did not “see” it, I was moved to the court, where I could “feel” it. I raised my arms, bent at the elbows, and slowly wove my way back and forth across the court, following a snakelike path I could feel with my feet. As I neared the center of the court, I almost lost my footing. Turning to face Cathleen, I gazed at her solemnly, sending energy through my palms. Cathleen raised her arms in greeting. I turned again, continuing to trace the snakelike path, back and forth, across the court. When I reached the south end of the court, I turned again to greet Cathleen and Robin who was sitting next to her. “The path you followed was exactly the path I saw,” Cathleen cried out with astonishment. “You were meant to stop at the center.” “It was an ancient path,” I said solemnly.
Jana and Patricia, who must have been watching, entered from the northwest entrance to the court. Jana was leading, arms upraised, tracing another path, walking with the same slow rhythm in which I had been led. I turned and slowly walked towards Jana until I could sense the energy flowing between our palms, then we softly touched our upraised hands. Carol, Patricia, Cathleen, and Robin formed a circle around us, and stood, arms upraised one in each of the four directions. Sensing that we were meant to share the blessing with the others, Jana and I turned, walking slowly towards the women standing in the north and south, feeling the energy, then touching their palms. Back to the center, we turned to the east and the west, completing the ceremony. As we turned to face each other again, I whispered to Jana, “We were called to this dance. It was an initiation.”
. . .
[A few days later] thinking of the snakelike path I had traced on the ancient stones, my eyes fixed on the gold snake bracelet on my right arm. I reviewed the many meanings the symbol of the snake held in ancient cultures. Goddess temples were used for storing grain, the harvest returned to She who presided over it. Snakes were guardians of the temples, eating the mice and rats that came to take the grain. The coiled snake and the snake biting its tail are symbols of wholeness. Snakes shedding their skins are images of rebirth and regeneration. Snakes hibernate under the earth and are reborn. But there was more: the rhythm of the snake in movement. I picked up a pen and wrote: “a serpentine path.”
These words described our initiation in the dance at Zakros: the serpentine path is the path of life, a snakelike, meandering path, winding in and out, up and down, with no beginning and no end, into the darkness, into the light. There is no goal, only the journey.
A cycle was coming to completion in my life. Through hard work and amazing grace, I found my way back to the Goddess, to myself. The mystery that was revealed to me as my mother died was unfolding in my life. Love had never abandoned me and never would. The Goddess would be with me at every turn in the path, and in that knowledge. I could give up control and open myself to life.
***
This is an excerpt from A Serpentine Path, Carol P. Christ’s newly released, moving memoir of transformation. Order it now in paperback or on Kindle. Carol’s other new book written with Judith Plaskow is Goddess and God in the World: Conversations in Embodied Theology. Carol also wrote the first Goddess feminist theology, Rebirth of the Goddess.
Join Carol on a Goddess Pilgrimage to Crete in 2017. Save $200.
Read two more the chapters in the book: Mysteries and Dionysian Rites.
Thanks to Judith Shaw for the cover art “Downward Serpent.”
If the paperback is unavailable on Amazon, you can order it from Barnes and Noble.

In the middle of the night in waking sleep, I asked my great-great grandmother
Why bother? It’s a legitimate question. My oldest son, almost 12, announced that he is depressed. He’s got good reasons for it, so I don’t try to talk him out of it. My youngest, almost 8, told me yesterday that life was simpler when he was in my belly. Now, he says school is torture. They won’t just teach something and move on. They have to do “activities,” he says, he’s onto the racket that is known as busy work.
I am writing this blog on New Year’s Day, so Happy New Year! Today I say these words as both a statement of hope and as invocation. Happy New Year: may it be! My twin sister told me that our horoscope said that 2017 would be a party: we should throw our energies into anything and everything we want to see happen in our worlds because it can and will happen this year—may it be! Because it certainly doesn’t feel like a time for flourishing. I echo the introductory sentiments of
In early December 2016 I visited central Williamsburg in Brooklyn, New York, where my 2x great-grandparents
living with your feelings, touching the earth, and embracing the fullness of your humanity.”
In this building I write, work, create, and hold small rituals with a circle of friends. I call it my Tiny Temple and it is the proverbial, “room of one’s own” described by Virginia Woolf in 1929. Having a dedicated work and ceremony space in the midst of a home-based life, which includes a home business shared with my husband, and four homeschooled children, has changed my life profoundly. In the tiny temple, I feel most wholly myself: connected, powerful, free, authentic, and completely alive.
“We may need to be cured by flowers. 

Embodiment is a feminist principle which has, as its basis, two fundamental criteria. First, humans require their bodies to live. We must acknowledge that our existence is tied to our bodies. This fact grounds us in this world. Here, and not in some other-worldly place, we live out our lives. We are dependent on our bodies and what the world provides for our survival. In other words, humans are inseparable and interconnected to this world. Humans are not above nature as the Western hierarchical dualist mindset would suggest.
There are days I find myself so overwhelmed with sadness concerning the state of our world that I break down crying. Last week, I saw an episode of Mars, a scripted documentary shown on the National Geographic channel about human colonization of the red planet in 2033. One of the astronauts “interviewed” prior to leaving was asked why she was taking such a risk to inhabit Mars. She said something like, “We will give everything for this.” Why not give everything for Earth?
This month I turn one as a mother. My daughter, consequently, is also turning one—a first birthday I am excitedly planning. Specifically, I want to make Hazel a rainbow cake with lots of colored layers and white frosting. I’m not even sure she’ll be able to eat the cake (avoiding lots of sugar for a one-year-old and all), but among those family pictures I treasure, my mother held a cake for her little ones. I want to be like my mother. I am going to make a cake.
Never has it been more difficult for me to affirm that “love trumps hate” as during this unprecedented United States election season. After watching the Republican Convention last July in mute horror, I took to bed for several days, overwhelmed by the presentiment that everyone–blacks, women, Jews, Latinos, Muslims, queers– other than a certain breed of white American males was doomed to shameless malignment and persecution. The palpable hatred in Donald Trump’s acceptance speech seared me, arousing my ancestral memory of various persecutions of Jews, Muslims, and others–not something I usually think about or choose to foreground. For several months now, I have been haunted (and almost paralyzed) by fear.
Hence Ani Tuzman’s