“Drinking the water, I thought how earth and sky are generous with their gifts and how good it is to receive them. Most of us are taught, somehow, about giving and accepting human gifts, but not about opening ourselves and our bodies to welcome the sun, the land, the visions of sky and dreaming, not about standing in the rain ecstatic with what is offered.”
–Linda Hogan in Sisters of the Earth
The women have gathered in a large open living room, under high ceilings and banisters draped with goddess
tapestries, their faces are turned towards me, waiting expectantly. We are here for our first overnight Red Tent Retreat, our women’s circle’s second only overnight ceremony in ten years. We are preparing to go on a pilgrimage. I tell them a synopsis version of Inanna’s descent into the underworld, her passage through seven gates and the requirement that at each gate she lie down something of herself, to give up or sacrifice something she holds dear, until she arrives naked and shaking in the depths of the underworld, with nothing left to offer, but her life.
In our own lives, I explain, we face Innana’s descents of our own. They may be as difficult as the death of an adult child, the loss of a baby, the diagnosis of significant illness, or a destroyed relationship. They may be as beautiful and yet soul-wrenchingly difficult as journeying through childbirth and walking through the underworld of postpartum with our newborns. They may be as seemingly every day as returning to school after a long absence. There is value in seeing our lives through this mythopoetic lens. When we story our realities, we find a connection to the experiences and courage of others, we find a pattern of our own lives, and we find a strength of purpose to go on. Continue reading “Sacred Water by Molly Remer”

He said, “Look up.” So, I looked up, and I saw the most beautiful stars. They were like Hubble Space Telescope Images, but I could see them with my own unaided eyes. All the colors were there, close enough to touch, yet glittering and dancing against the black of space, each one twinkling its own unique light. I was kneeling in the dream, but the sight was so beautiful it knocked me backward, the backs of my thighs now folding onto my calves. I began to cry, and that is when I woke up.
I saw an interesting headline the other day entitled: “Olympic Gymnast Hits Back at Body-Shaming.” I immediately thought, “Wow not again.” The fact that body-shaming is even an expression is a disheartening commentary on the society we live in today. Women’s bodies have long been the subject of casual objectification in our culture and in the media. The fact that people think it’s ok to comment on a woman’s body, in whatever fashion pleases them, blows my mind. Not only is it disrespectful, but it comes from the problematic way society equates a woman’s worth with her beauty.
A topic that continually perplexes me, both personally and professionally, concerns the connection, or harmonization if you will, between our cognitive capacities and our physical expression and comfort, between thinking and feeling. Yoga, dance, working out, meditating, and other modalities which explicitly bring body and mind together often achieve their goal at the point of practice, and while these disciplines have residual effects, how do they have staying power?
This earth is my sister; I love her daily grace, her silent daring, and how loved I am how we admire the strength in each other, all that we have suffered, all that we have lost, all that we know. We are stunned by this beauty, and I do not forget: what she is to me, what I am to her.
Parvati is a gentle mother goddess. But as Kali, she also wields enormous power. The daughter of Himavan, the king of the Himalayas, consort of Lord Shiva, and mother of Ganesha, the Elephant-Headed Lord, Parvati is the embodiment of all the energy in the universe. Her seat is on a lion or a tiger. In the words of a hymn to this goddess, she is “the auspiciousness of all that is auspicious.”
I just finished reading for review
In her 1975 manifesto, “