Feminist Sparks – Page 2 – Feminism and Religion

Why Celebrating the 9th Anniversary of the Goddess Feminist Activist Spirituality Movement? (Part 2) by Helen Hye-Sook Hwang

As I noted in Part 1, this year marks the 9^th anniversary of the first volume of She Rises trilogy, a collective writing project, which was first published in 2015 by Mago Books. Entitled Why Goddess Feminism, Activism and Spirituality?, the 93 contributors trumpeted the onset of the Goddess Feminist Activist Spirituality. It was followed by the second volume, How… Goddess Feminism, Activism, and Spirituality?, with 96 contributors, in the following year, and the third one, What… Goddess Feminism, Activism, and Spirituality?, in 2019. The 9^th anniversary of the first volume provided a new momentum for all contributors of the trilogy to come together as a virtual group, which we named “She Rises…” This group allows the authors of all three volumes to gather together for the first time, while inviting newcomers from outside the She Rises trilogy.

Judy Chicago, Feminist Trailblazer by Joyce Zonana and Janet Maika’i Rudolph

“Instead of looking to the male world for approval, I had to learn to rely on my own instincts. In some strange way, the rejections I faced strengthened me, but only because they forced me to learn to live as I saw fit and to use my values and judgment as my guides.”
The Flowering: The Autobiography of Judy Chicago

Janet: I live near New York City and am fortunate to be close to many museums. The New Museum has been showing an exhibit by Judy Chicago that takes up the entire facility of four floors. And it is remarkable. Not only is the breadth of her work astounding but so are the stories of how she has had to fight to be accepted in a man’s world of art. Joyce Zonana first recommended that I go. This blogpost came about as part of a discussion between the two of us.

Let Your Voice Be Heard • Let Your Heart Be Inspired! by Dale Allen

I was honored to be a part of a special project for the Parliament of the World’s Religions Women’s Task Force: conducting interviews inside the first-ever Women’s Village in Chicago at the Parliament Convening. I had been on a team of women led by Sande Hart with Pat Fero. We met online over the course of nearly a year to plan the Women’s Village. It was a very special endeavor, and our group efforts produced a beautiful, calming, nurturing, sacred and inspiring space.

The McCormick Center is America’s largest convention center, and yet we were able to create serenity. The tapestries of Women’s Woven Voices provided a colorful and meaningful enclosure for our space. A fountain cascaded a peaceful hum. Majestic staffs created by Erin Beatty stood as sentries; keepers of ancient feminine power. A great Mother Tree crafted by Elisa Guyton and Leah Myers spread her paper branches outward and received the written prayers and blessing posted there by attendees. The crown-making table was always busy with women talking and crafting exquisite headpieces. The Red Tent room was a tranquil place of mediation, rest, and a variety of spirit-nourishing workshops and presentations.

The Great Mother Tree crafted by Elisa Guyton and Leah Myers, close up with written prayers and blessings.

Prophetic Publishing, Feminist Publishing: 2024 Goals by Dr. Angela Yarber

Queer Chicana feminist author, Gloria Anzaldúa, once claimed, “The world I create in my writing compensates for what the real world does not give me.” I’ve long connected with the revolutionary Anzaldúa, believing in the prophetic power of the written word to create new worlds, worlds big and wide and just and beautiful enough for all people. Worlds where the perspectives of the marginalized are brought to the center.

This is what I aim to do as a publisher and writer myself. It was a meandering path to get here, but on the cusp of a new year, I find myself finally in place with my calling and vocation where all my skills as an activist, writer, professor, artist, and pastoral presence are coming together.

The Blue Beetle: “¡No contaban con mi astucia!” by Yara González-Justiniano

Literally, you did not count on my astuteness. Or in other words, you underestimated my intelligence. It is the perpetual trick of arrogance that white supremacy and classism plays on racially and ethnically minoritized people and the joke/yoke these people carry. It is the most frequent microaggression I experience in academia in the supposed –– disque–– compliment of “you are so articulate!”

El Chapulín Colorado (The Red Grasshopper) is a Mexican comedic superhero character created by artist Roberto Gómez Bolaños, better known as Chespirito (little Shakespeare), in the 1970s. Whenever Chapulín untangles a mess, whether on purpose or by chance, he says “¡No contaban con mi astucia!” The movie Blue Beetle, which pays homage to this beloved character across Latin America and Latinx people is ––entre otras cosas–– exactly that, astute! Puerto Rican director, Angel Manuel Soto, and Mexican writer, Gareth Dunnet-Alcocer, take the DC comic book story of Jaime Reyes’s Blue Beetle (2006) and transform it into a film that, more than responds to a Latino superhero gap, it takes representation, impact, and issues of capitalism seriously. The truck, the heart-shaped shield, the tools, and the crickets playing in the background of the outdoor scenes ––to name a few–– are an extension of the characters’ parallelisms and the possibilities of what it means to have higher numbers of representation in mass media-produced films with integrity and astucia. ¡Awiwi!

Durga Rising: Feminism as Fierce Compassion By Beth Bartlett

In her FAR post earlier this year,[i] “Why Feminism Needs the Fierce Goddesses,” Susan Foster argues that a “flagging” feminist movement needs the revitalizing energy of the “fierce goddesses” of ancient times to challenge the patriarchal forces that seem to be on the rise as increasingly we find women’s lives and freedoms constrained. She writes, “the dark goddesses of ancient times have been submerged in our psyches, but they serve as a repository of fierce energy, of female rage against injustice.” She continues, “It’s important and healthy for us as women to reclaim our anger, using it to protect ourselves and fight for our rights in systems that are oppressive.”

Reading this, I immediately thought of Beverly Wildung Harrison’s, “The Power of Anger in the Work of Love,” and China Galland’s, The Bond Between Women: A Journey to Fierce Compassion. Anger as the work of love; fierce compassion. In this time of mass shootings, insurrection, the ongoing assault on women, LGBTQ, and BIPOC peoples, when rage seems so easily fueled by hate, envy, and greed, it is the rage based in love and compassion that is most needed. This is the rage of the fierce dark goddesses who are moved to act against injustice, the rage of the feminism I love. With its source in love and compassion, it is a rage that rebels in the best sense of the word – that at once refuses injustice and affirms dignity and respect, that speaks truth to power, that is grounded in solidarity and friendship, and values the immanence of the earth, the water, the body, and the divine spark in all beings.[ii]

The Return of the Goddess to Our Human Consciousness by Caryn MacGrandle

*One of the over 700 granodiorite statues made of the Goddess Sekhmet almost 3500 years ago, “the Lady of the Place of the Beginning of Time.”*

Molly Remer of Brigid’s Grove, a fellow contributor here at Feminism and Religion recently wrote on the Mother Well section of the divine feminine app: “I feel like Inanna & Enheduanna are all around in recent months!”

Yes. I do as well.

A year or two ago, I read a book by Lauren Sleeman entitled ‘Behold’. The premise of the book has remained with me: a telling of the Goddesses, in particular Lilith, the Great Mother and Crone of the Cosmos, and Hekate, Goddess of the Dark Moon and the Mysteries of Life, who have been silently watching and waiting these past few thousand years to return to our human consciousness.

The Norns, Spiritual Mystery and Me, Part 2 by Janet Maika’i Rudolph

Part 1 was posted yesterday. You can read it here. The Norns were explaining the mess they had made when they got drunk at a Valhalla party.

The Norns looked at me with sadness. “We knocked over one of our looms/templates/arrangements”

Their tone changed, they looked at each other and I thought I could see emotion churning. They were arguing and then they stopped. They turned toward me and looked sheepish, that is if divinities can look sheepish. “It was a disaster/calamity/debacle.”

“Tell me then,” I was growing impatient.

Verdandi: “Well you see the loom we knocked over was . . .”

“What?” I almost shouted at them.

Urd: “It was the loom holding the pattern from Salim/Jerusalem.”

Symbols of Hope – Event in Support of Ukrainian Refugees

Womanspirit Ireland has organized an event for this coming Sunday, May 22nd, to exchange cultural themes with Ukrainian Refugees and to raise funds for the 30,000 refugees who have already arrived in Ireland, and the many more expected. All donations will go to the group: “IrelandforUkraine” to maximize the funding for Ukrainians in Ireland and those still in Ukraine.

FAR is happy to note that one our regular contributors, Laura Shannon, is part of the program. The event will include stories, songs, poetry, beautiful Ukrainian embroideries, rich with symbols, and an opportunity to reflect on the brokenness of the situation that brings folks at this time.

Behold! The Treasures of Eden by Janet Maika’i Rudolph

The place and purpose of the Garden of Eden is a topic of endless fascination and interpretation. This blogpost looks at two biblical passages and the word eden itself to see what we can learn about its meanings. At its most basic, Eden is a garden of treasure and delight.

As I’ve written before, the written form of Ancient Hebrew words comes from the hieroglyphic tradition of Egypt. The pictures of the letters form a picture puzzle or rebus. The word roots are generally two or three letters. I use script called Semitic Early for my baseline of study.