Do You Know Why We Are Marching? by Marcia Mount Shoop

When we got into the car to go, I asked my twelve-year-old daughter, “Do you know why we are marching today?”

“To protest Donald Trump?” she replied.

I explained that some people may be going for that reason, but that was not the reason I was going.

“Are there any positive reasons you can think of for why we are marching?” I asked her.

She went on to name several things Donald Trump had said about women. “I guess those are all still anti-Trump things,” she said.

“I am marching because I am a mother, I am a sister, I am a daughter, I am a wife, and I am a survivor. That’s what I am saying if anyone asks me,” I told her.

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I had already thought through this question. As a pastor of a church with people who have diverse political affiliations I am committed to being able to minister to everyone in my congregation. I have served churches in which my political views are in the minority and I have served churches in which my political views are in the majority. Both have challenging aspects, but nothing that I have experienced previously in terms of partisanship feels like it relates to what is happening in the United States right now. Those old partisan dynamics were difficult to navigate—it took discipline, but not one ounce of moral compromise.

The decision to march was not a partisan one, it was a moral one, and it was a spiritual one. If I didn’t march it I would be listening to a frightening interlocutor—and his name is despair.

Party affiliations are not creating the alienation at the root of what is happening. The challenges are much more painful—and if I stay silent or still in the face of this situation I would not be doing my job as a pastor or a mother. Continue reading “Do You Know Why We Are Marching? by Marcia Mount Shoop”

“Girl . . . You’re Gonna Make It” by Carol P. Christ

https://vimeo.com/82884853

Why did this song,* this program, this woman mean so much to Oprah and  Michelle, to you, to me?

Because Mary Tyler Moore was one of our first role models of cheerful independent womanhood.

Why does this song still bring tears to my eyes?

Because I had never learned that a girl could make it on her own.

Because I feared that I couldn’t and hoped that I would.

And guess what, I did.

Lots of us did.

With help from our friends.

Mary showed us that too.

The Mary Tyler Moore Show was broadcast on Saturday nights.

Many of us were home alone, watching faithfully.

We do not forget.

*The above version of the song is from the first season, the words “you’re gonna make it after all” were changed to “you’re gonna make it on your own” in season two.

***

a-serpentine-path-amazon-coverGoddess and God in the World final cover designBe among the first to order A Serpentine Path, Carol P. Christ’s moving memoir of transformation. Carol’s other new book written with Judith Plaskow is Goddess and God in the World: Conversations in Embodied Theology.

Carol is a leading feminist theologian and historian of religion who wrote the first Goddess feminist theology, Rebirth of the Goddess as with Judith Plaskow co-edited the path-breaking Womanspirit Rising and Weaving the Visions.

Join Carol on a Goddess Pilgrimage to Crete in 2017. Save $200.

 

 

 

Photo Report from the Woman’s March, Los Angeles by Marie Cartier

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All Photos by Marie Cartier

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We Are Seeds

Continue reading “Photo Report from the Woman’s March, Los Angeles by Marie Cartier”

Way Too Nice by Esther Nelson

esther-nelsonWhat an honor to have taken part in the Women’s March (Washington DC) last Saturday, January 21, 2017!  The event made visible the enormous number of people willing to give their time and effort to stand up and march for justice in the areas of women’s reproduction, immigration, race relations, LGBTQIA, the environment, and health care.  The most frequently-used chants that I heard during the march were: “Black Lives Matter” and the call and response “My body, my choice. Her body, her choice.”

There were “sister marches” in many cities across the U.S. as well as in cities and countries throughout the world.  And the marches (as far as I know) were all peaceful.  No arrests. Continue reading “Way Too Nice by Esther Nelson”

Triple Goddesses in the Celtic World by Judith Shaw

Judith Shaw photoMany neopagans and modern Goddess worshipers mistakenly equate the triadic nature of some Celtic Goddesses with the Triple Goddess concept first popularized by Robert Graves in his book, The White Goddess. Graves stated that Goddesses were frequently found in triplets as Maiden, Mother and Crone. But there is nothing found in the ancient stories of Celtic Goddesses to indicate that they were known as Maiden, Mother and Crone. 

Continue reading “Triple Goddesses in the Celtic World by Judith Shaw”

A Serpentine Path: The Dance Is About To Begin by Carol P. Christ

carol-p-christ-photo-michael-bakasEntering the archaeological site of Kato Zakros, which includes a Sacred Center and part of a town on a small hill above it, I felt too tired to continue with the others. As we passed a stone bench to the north and west of the open court, I lay down and closed my eyes. I don’t know if I actually slept, but when I opened my eyes, I was in a trance.

I could see the air vibrating, and as I looked up the hill, I could almost see women walking up and down the stepped paths. My eyes were fixed on the path where women I could not quite see with my eyes went about their daily tasks. After a while Cathleen joined me. “I don’t want to talk,” I said, “but if you sit quietly beside me, you will see women walking in the village. She sat down and said nothing, but smiled broadly and nodded when I asked her if she could see what I saw.

After a while, I moved and sat facing the Central Court. I could still see the vibrations of the air, and as I looked across the court, I felt a sense of anticipation. “The dance is about to begin,” I told Cathleen when she joined me a few minutes later. She nodded. It was an hour before sunset, and the ancient stones were bathed in the last light of day. Jana and Patricia were talking in the central shrine room, while the others leaned over the ancient cistern watching turtles and turtle babies dive into the water and emerge again. “The dance is about to begin,” I said again.

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Cathleen exclaimed, “I see the path of the dance rising up in the court. It looks like the Processional Paths we saw at Knossos, Phaistos, and Malia. Do you see it?” Though I did not “see” it, I was moved to the court, where I could “feel” it. I raised my arms, bent at the elbows, and slowly wove my way back and forth across the court, following a snakelike path I could feel with my feet. As I neared the center of the court, I almost lost my footing. Turning to face Cathleen, I gazed at her solemnly, sending energy through my palms. Cathleen raised her arms in greeting. I turned again, continuing to trace the snakelike path, back and forth, across the court. When I reached the south end of the court, I turned again to greet Cathleen and Robin who was sitting next to her. “The path you followed was exactly the path I saw,” Cathleen cried out with astonishment. “You were meant to stop at the center.” “It was an ancient path,” I said solemnly. 

Jana and Patricia, who must have been watching, entered from the northwest entrance to the court. Jana was leading, arms upraised, tracing another path, walking with the same slow rhythm in which I had been led. I turned and slowly walked towards Jana until I could sense the energy flowing between our palms, then we softly touched our upraised hands. Carol, Patricia, Cathleen, and Robin formed a circle around us, and stood, arms upraised one in each of the four directions. Sensing that we were meant to share the blessing with the others, Jana and I turned, walking slowly towards the women standing in the north and south, feeling the energy, then touching their palms. Back to the center, we turned to the east and the west, completing the ceremony. As we turned to face each other again, I whispered to Jana, “We were called to this dance. It was an initiation.”

. . .

[A few days later] thinking of the snakelike path I had traced on the ancient stones, my eyes fixed on the gold snake bracelet on my right arm. I reviewed the many meanings the symbol of the snake held in ancient cultures. Goddess temples were used for storing grain, the harvest returned to She who presided over it. Snakes were guardians of the temples, eating the mice and rats that came to take the grain. The coiled snake and the snake biting its tail are symbols of wholeness. Snakes shedding their skins are images of rebirth and regeneration. Snakes hibernate under the earth and are reborn. But there was more: the rhythm of the snake in movement. I picked up a pen and wrote: “a serpentine path.”

These words described our initiation in the dance at Zakros: the serpentine path is the path of life, a snakelike, meandering path, winding in and out, up and down, with no beginning and no end, into the darkness, into the light. There is no goal, only the journey.

A cycle was coming to completion in my life. Through hard work and amazing grace, I found my way back to the Goddess, to myself. The mystery that was revealed to me as my mother died was unfolding in my life. Love had never abandoned me and never would. The Goddess would be with me at every turn in the path, and in that knowledge. I could give up control and open myself to life.

***

a-serpentine-path-amazon-coverThis is an excerpt from A Serpentine Path, Carol P. Christ’s newly released, moving memoir of transformation. Order it now in paperback or on Kindle. Carol’s other new book written with Judith Plaskow is Goddess and God in the World: Conversations in Embodied Theology. Carol also wrote the first Goddess feminist theology, Rebirth of the Goddess.

Join Carol on a Goddess Pilgrimage to Crete in 2017. Save $200.

Read two more the chapters in the book: Mysteries and Dionysian Rites.

Thanks to Judith Shaw for the cover art “Downward Serpent.”

If the paperback is unavailable on Amazon, you can order it from Barnes and Noble.

 

Alice Paul & the Women Who Will Keep Marching by Kay Bee

Hedwig Reicher as Columbia on the steps of the Treasury Building in Washington, DC, March 3, 1913.
Hedwig Reicher as Columbia on the steps of the Treasury Building in Washington, DC, March 3, 1913.

The day before Woodrow Wilson’s inauguration, the 1913 Women’s Suffrage Parade took place in Washington, D.C. to demand the attention of the incoming administration and advance the cause of suffrage. Organized primarily by Alice Paul, 8,000 women marched on Washington on March 3, 1913.

Alice Paul is an often overlooked figure in American suffragette history. She’s no longer as common a name as Susan B. Anthony or Elizabeth Cady Stanton. Her early feminist contemporaries weren’t always very fond of her, for that matter. Many found her “too radical,” especially after her return from training with the British suffragettes, where she was arrested multiple times. But Alice Paul knew how to get things done. Continue reading “Alice Paul & the Women Who Will Keep Marching by Kay Bee”

Encountering Spirit: A Ritual of Blessing for an Abortion Clinic by Katey Zeh

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Photo Credit: Helen Parshall

For the last year I have had the honor of serving as Chair of the Board of Directors for the Religious Coalition for Reproductive Choice (RCRC). This leadership role often requires great personal and professional sacrifices and yet blesses me tenfold in return. At this moment in history I can think of no more important organization to offer my time and gifts than on behalf of RCRC.

Last week RCRC partnered with Planned Parenthood of Metropolitan Washington (PPMW) to hold an Interfaith Unity Ceremony to honor their brand new health center in southeast D.C. I had the privilege of joining more than sixty clergy, justice leaders, and clinic staff as were led by the Reverend Doctors Dennis and Christine Wiley, co-pastors of the Covenant Baptist United Church of Christ, through an interfaith service of blessing. There was drumming from the all female percussion band Balatá, testimonies from providers and patients, poetry, liturgical dance, a Hindu chant, and a ritual of healing from the shame and stigma surrounding abortion.

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Photo Credit: Helen Parshall

At one point during the service a colleague of mine turned to me and whispered, “I’ve got goose bumps. Something is happening here, isn’t it?” I said, “Yes, Spirit is here.”

Many might find an encounter with the sacred at a Planned Parenthood surprising to say the least. It might have been for me had I not experienced something quite similar ten years ago. At the time I was a seminary student at Yale, and I had recently participated in RCRC’s pastoral care training on how to walk alongside women making decisions about their unplanned pregnancies. Before I offered any kind of counseling I wanted to see for myself what went on in abortion clinic. After taking a tour of the local Planned Parenthood health center I was so moved by the love and kindness of the doctors and support staff that I decided to volunteer on days when abortions were provided. Through that experience I felt the holy nudge to dedicate my ministry to supporting the work of abortion providers like Planned Parenthood and standing up for the rights and dignity of those who need access to safe, legal abortion care.

Now, almost a decade later, I found myself back in a health center. That time of being amongst my people, surrounded by words and sounds of truth affirming the sacred decisions of women about their bodies and lives, felt like I had tasted my first bite of food after a long, difficult fast. I didn’t realize how much over these last few months I had been starving for hope, love, and life-giving energy until that ritual of blessing held within the walls of the Planned Parenthood health center.

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Photo Credit: Helen Parshall

Later that night on my drive back to the airport I found myself repeating the same simple prayer, “Thank you, thank you, thank you.” I felt an overwhelming sense of gratitude for the way that ritual had restored my spirit and affirmed my call to ministry. For the first time I felt prepared to take on the heavy burden of the next four years. I am ready. Are you?

Katey Zeh, M.Div is a thought leader, strategist, and connector who inspires intentionalKatey Headshot communities to create a more just, compassionate world through building connection, sacred truth telling, and striving for the common good.  She has written for outlets including Huffington Post, Sojourners, Religion Dispatches, Response magazine, the Good Mother Project, the Journal for Feminist Studies in Religion, and the United Methodist News Service. Her book Women Rising will be published by the FAR Press in 2017.  Find her on Twitter at @kateyzeh or on her website kateyzeh.com

 

 

 

The Power of Silence by Mary Sharratt

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In darkest midwinter, in the hectic rush of the holiday season and its often anticlimactic aftermath, I find myself craving silence and solitude. I’m in hibernation mode and want to curl up in a cave like a bear and sleep. But our modern culture is all about doingness rather than beingness. About action. And noise. Lots of noise. First the giddy celebrations and consumerist frenzy of the December holidays and then the rigorous Puritanical expectations of New Year’s resolutions. Leaping into a better, more virtuous, and hard-working self with both feet.

But are we going against nature in our mad pursuit of busyness and self improvement in this dark ebb of the year? Why not lie fallow and bask in a day or two of silence, or whatever retreat from the maddening world we can manage? After all, January is a traditional detox month, and silent meditation is the ultimate mental and spiritual detox technique.

Over the holidays, while traveling in the Azores with my husband, I went on a two week social media, internet, and news fast in an attempt to recover from my post US election trauma. Once I returned home, I embraced my silent meditation practice and allowed myself to rest in retreat mode until January 6, the traditional Twelfth Day of Christmas, when Yuletide ends. Continue reading “The Power of Silence by Mary Sharratt”

The Chandravati Ramayana: A Story of Two Women by Vibha Shetiya

vibpicAlthough “the” Ramayana is a fluid narrative, scholarship has traditionally recognized the Sanskrit Valmiki Ramayana as the most authoritative of Ramayanas. But recent studies have brought to light the hundreds of regional stories of Rama and Sita which are more popular with the masses. These would include Krittibasa’s Ramayana in Bengal, Kamban’s Tamil Iramavataram in South India, notably in the state of Tamil Nadu, Tulsidas’s Ramcharitamanas among the Hindi-speaking belt of northern India, and so on. But even here, a pattern seems to emerge; all the above-mentioned authors are male. Within this scenario, a rather unique text stands out, and that is Chandravati’s sixteenth century Bengali Ramayana, for its author was a woman. Even more fascinating is the double-toned nature of the narrative – through Chandravati’s own voice and through the voice of its tragic heroine, Sita.

Chandravati (ca.1550-1600) was born in a village in eastern Bengal, today in Bangladesh. It is impossible to ignore the tragedy of her own life which perhaps played a role in her re-fashioning a well-loved epic; her Ramayana is built on a recurring theme that defines women’s lives – the theme of sorrow. Born the daughter of a poor fisherman, legend has it that on the eve of her wedding, her fiancé ditched her for another woman. A devastated Chandravati vows to never marry, instead becoming a devotee of Shiva, and at the urging of her father, takes to re-writing the Ramayana. But rather than simply recount the traditional tale, Chandravati, through the Ramayanathat symbol of Hindu patriarchy – turns the story into one lamenting the pitiful lives of women by centering it on Sita. That it is a story by a woman and for women is evident in the fact that Chandravati addresses her narrative with the vocative, “Suno Sakhijana!” or “Listen, my girlfriends!” rather than to members of the court as was the traditional salutation for stories involving mythological characters. Continue reading “The Chandravati Ramayana: A Story of Two Women by Vibha Shetiya”