Goddess Spirituality – Page 27 – Feminism and Religion

Can Good Theology Change the World? Part 2 by Carol P. Christ

Carol P. Christ by Michael Bakas high resoultion In the first blog in this series, I argued that one of the hallmarks of a good theology is recognizing that the source of authority must be located in individuals and communities who interpret texts and traditions as they encounter divinity anew in the present. In our new book Goddess and God World, Judith Plaskow and I suggest that a second hallmark of good theology is the “turn to the world.” What we mean by this is not only that divinity is immanent in the world, but also that the purpose of human life is to be found in this world—not the next.

The God of traditional theologies is pictured as an old man with a long white beard who rules the world from heaven. It is commonly assumed by those familiar with this picture that the purpose and meaning of human life is not to be found in this world—but rather in heaven. This assumption is increasingly being challenged. Many people no longer believe in life after death. The purpose of morality is increasingly being understood as improving the conditions for the flourishing of human and other forms of life—not on gaining the approval of a God who has the power to assign individuals to heaven or hell in the next world. Continue reading “Can Good Theology Change the World? Part 2 by Carol P. Christ”

The Blood of Isis by Deanne Quarrie

Deanne Quarrie tyet1 Over the years I have seen the image of the amulet called the Knot of Isis but in all honesty, never paid it much attention. I am on the organizing committee for our annual Goddess Festival here in Austin this year and we have chosen Isis as our Goddess to honor. The intent is to reclaim the Sacred Name of Isis and celebrate Her power, especially for women.

I was supposed to go to Brazil this summer to speak. One thing that was to have happened on my trip was to be my ordination as a Priestess in the Fellowship of Isis. However, because I became very ill and was hospitalized, I had to cancel my trip. In preparation for this ordination, I created an altar for Her and began to get to know Her. I have always had special affinity for Hathor and Sekhmet or as I call them together, HetHeru. And so, began my relationship with Isis. Continue reading “The Blood of Isis by Deanne Quarrie”

Priestess as Shamanic Path – Part 2 by Molly Remer

This is a continuation of Molly’s piece from Wednesday, 10 August 2016. You can read Part 1 here.

After explaining that the homebirth of her second son was her, “first initiation into the Goddess…even though at that time I didn’t consciously know of Her,” Monica Sjoo writing in an anthology of priestess essays called Voices of the Goddess, explains:

The Birthing Woman is the original shaman. She brings the ancestral spirit being into this realm while risking her life doing so. No wonder that the most ancient temples were the sacred birth places and that the priestesses of the Mother were also midwives, healers, astrologers and guides to the souls of the dying. Women bridge the borderline realms between life and death and in the past have therefore always been the oracles, sibyls, mediums and wise women…

…the power of original creation thinking is connected to the power of mothering. Motherhood is ritually powerful and of great spiritual and occult competence because bearing, like bleeding, is a transformative magical act. It is the power of ritual magic, the power of thought or mind, that gives rise to biological organisms as well as to social organizations, cultures and transformations of all kinds… (page unknown).

I have been a childbirth educator since 2006 and I have given birth five times. Each birth brought me the gift of a profound sense of my own inherent worth and value. It was the shamanic journey through the death-birth of my tiny third child, however, that ushered in a new sense of my own spirituality and that involved a profound almost near-death experience for me. After passing through this intense, initiatory crisis, the direction and focus of my life and work changed and deepened. Shortly after the death-birth of my third son, I wrote: Continue reading “Priestess as Shamanic Path – Part 2 by Molly Remer”

Priestess as Shamanic Path – Part 1 by Molly Remer

It is late autumn, 2009. I am 30 years old and pregnant with my third baby. He dies during the early part of my second trimester and I give birth to him in my bathroom, on my own with only my husband as witness. The blood comes, welling up over my fingers and spilling from my body in clots the size of grapefruits. I feel myself losing consciousness and am unable to distinguish whether I am fainting or dying. As my mom drives me to the emergency room, I lie on the back seat, humming: “Woman am I. spirit am I. I am the infinite within my soul. I have no beginning and I have no end. All this I am,” so that my husband and mother will know I am still alive.

I do not die.

This crisis in my life and the complicated and dark walk through grief is a spiritual catalyst for me. A turning point in my understanding of myself, my purpose, my identity, and my spirituality.

It is my 31st birthday. May 3rd. My baby’s due date. I go to the labyrinth in my front yard alone and walk through my labor with him, remembering, releasing, letting go of the stored up body memory of his pregnancy. I am not pregnant with him anymore. I have given birth. This pregnancy is over. I walk the labyrinth singing and when I emerge, I make a formal pledge, a dedication of service and commitment to the Goddess. I do not yet identify myself verbally as a priestess, but this is where the vow of my heart begins.

I do not know at the time, but less than two weeks later, I discover I am in fact pregnant with my daughter, my precious treasure of a rainbow baby girl who is born into my own hands on my living room floor the next winter. As I greet her, I cry, “you’re alive! You’re alive! There’s nothing wrong with me!” and feel a wild, sweet relief and painful joy like I have never experienced before.

Continue reading “Priestess as Shamanic Path – Part 1 by Molly Remer”

Maiden, Mother, Crone: Ancient Tradition or New Creative Synthesis? by Carol P. Christ

Carol P. Christ by Michael Bakas high resoultion The image of the Goddess as Maiden, Mother, Crone is widespread in contemporary Goddess Spirituality. The Triple Goddess honors three ages of women, in contrast to the wider culture that: affirms young women as sex objects while shaming them as sluts; celebrates mothers on Mother’s Day, while providing few legal and economic protections for mothers; and ignores older women.

Though Goddess feminists have created rituals for menstruation and birth, I suspect that a greater number of rituals have celebrated “croning.” The reasons for this are twofold. One is that women have time and space to reflect on the meaning of life in middle age. The other is that aging women are not honored and respected in the wider culture–creating a need for rituals that do just that. Many women I know have spoken of the empowerment they felt in their croning rituals.

On the other hand, many women I know have not been particularly interested in a croning ritual. Continue reading “Maiden, Mother, Crone: Ancient Tradition or New Creative Synthesis? by Carol P. Christ”

Women’s Ritual Dances: Secret Language of the Goddess by Laura Shannon

My life’s work with traditional women’s circle dances of Eastern Europe and the Near East has been a natural interweaving of feminism, activism and Goddess spirituality. I would like to share how I came to discover these dances and their potential as tools for healing and transformation.

Circles of women dancing with joined hands appear in rock art, pottery shards, vases and frescoes going back thousands of years¹, showing that ritual dance was a primary means of women’s worship. I believe that existing women’s circle dance traditions of the Balkans are direct descendants of these rituals. In their expression of values of partnership, sustainability, and peace, they are living links to the matrifocal Goddess culture of Old Europe as articulated by Marija Gimbutas.²

garfinkle2 — Tell Halaf, Iraq, ca, 5000-4000 BCE (Garfinkel)

Incorporating symbols of the Goddess in her many guises, these women’s ritual dances are deeply spiritual. They are feminist in the way they provide women with a place of power, not ‘power-over’ but ‘power-from-within.’³ They are an activist practice because the qualities they embody – connection, inclusiveness, balance, empathy, and mutuality – are the principles of a Partnership society, as proposed by Riane Eisler;⁴ or in Carol Lee Flinders’ term, a society of Belonging.⁵ Each dance circle is an opportunity to practice being in community in a respectful and cooperative way, which can offer a profound source of healing.⁶

How did I come to these women’s dances? As a child I was convinced of certain truths: that nature is holy, that God is also female, and that instead of hurting one another, people should celebrate together with music and dance. These longings led me to the rich folk dance traditions of the American melting pot, women’s Middle Eastern Dance circles, and the women’s spirituality network. Around the same time, in the early 1980s, I encountered the meditative communal dance practice known as Sacred Dance. Together with my university training in Intercultural Studies and Dance Movement Therapy, these different streams helped shape the path of my life. Continue reading “Women’s Ritual Dances: Secret Language of the Goddess by Laura Shannon”

Boann, Celtic Goddess of Inspiration and Creativity by Judith Shaw

Judith Shaw photo Boann, Celtic Goddess of Poetry, Fertility, Inspiration, Knowledge and Creativity was one of the Tuatha De Danann (People of Danu). She was associated with the 70 mile long river Boyne in Northeast Ireland and its source, the Well of Segais. Some bards say that long, long ago when the world was young and wild places were everywhere, Boann initiated that spring by walking counter-clockwise around stones found there, causing the water from under the earth to spring forth with great strength and rush down to the sea. The pool formed by the spring was encircled by nine sacred hazelnut trees, whose nuts could impart knowledge when eaten. The salmon of wisdom swam in the waters of this hidden pool from which the river Boyne flows.

Continue reading “Boann, Celtic Goddess of Inspiration and Creativity by Judith Shaw”

Who’s In That Clock? by Barbara Ardinger

Hickory, dickory, dock,
The mouse ran up the clock;
The clock struck one,
And down he run,
Hickory, dickory, dock.

Someone’s been watching that mouse with the suction-cup feet. From her mouth to our ears.

Hickory dickory image2 You all know my story, at least the popular version of it. I was an only daughter, the princess (so to speak) of the house until Mama died. Then Papa, who couldn’t seem to manage anything, much less a busy household, went out and got married again and brought Stepmother and her two ugly daughters into the house…and the princess was promptly reduced to servitude.

One of the things Mama brought to Papa when they married was her longcase clock, which she had inherited from (yes) her grandfather. That clock is ten feet tall, and it stood in our grand parlor until Stepmother moved it into the hall beside the stairs. Now it stands outside my bedroom under the stairs. (It’s my own little corner and I have my own little chair there.) I’ve been looking at that clock all my life. Although it, and our household, ran smooth as the day is long while Mama was alive, it doesn’t always go bong on the regular hours anymore. And when it strikes, something weird often happens. Like, one time when it struck eight, I heard this invisible chorus start singing about going into the woods and being happy ever after. Like, one time when it struck two, three mice came dancing out of it, and when it struck three, they went blind and I had to lead them to their hole in the wall. And one time when it struck twelve, the front door flew open and this beam of light came shooting down from the sky and shone down the hall the lit up the clock’s face. But it was twelve midnight, not twelve noon! The face changes, too. Sometimes it’s smiling, sometimes it has eyes that follow the hands around, and sometimes frowns. And on Sundays, when Stepmother gets her lazy daughters out of bed and I have to help them get dressed (forget about bathing!) and then they all go to the new church, well, that big old clock looks like it’s shaking its head. Continue reading “Who’s In That Clock? by Barbara Ardinger”

thea Gaia née Dorothy Ivy Wacker: Feminist Foremother and a Great “Ponderer” by Glenys Peacock

Rev. Dorothy Waker (thea Gaia) — Rev. Dorothy Wacker (thea Gaia)

On 15th May, 2016 thea Gaia left this earth which was her home for 85 years. thea was born
Dorothy Ivy Wacker in Gatton, Australia on 9th February, 1931, the eldest of four children.
Her family were descendants of German immigrants who came to Australia in the 1860s.
In primary school, Dorothy was a bright student, winning a bursary enabling her to continue
her studies at high school which she completed in 1947. She then studied primary teaching
at Queensland Teachers’ College and from 1950-52 she worked at School for the Deaf,
Dutton Park, Brisbane.

Dorothy joined South Brisbane Congregational Church and became President of Queensland
Congregational Youth Fellowship. At age 22, she decided to take theological training to
become a Congregational minister. Dorothy studied for Bachelor of Arts and Bachelor of Divinity at the University of Queensland. In 1959, she was awarded a Certificate of Ordination by the Queensland Congregational Union. Dorothy was ordained on 17th April, 1959 at Broadway, Woolloongabba, the first woman ordained as a Minister of Religion in Queensland. Over the next 10 years she was minister for Belmont, Broadway and Chermside Congregational Churches. Continue reading “thea Gaia née Dorothy Ivy Wacker: Feminist Foremother and a Great “Ponderer” by Glenys Peacock”

Epona – Goddess of the Land by Deanne Quarrie

celtic-horse Deanne Quarrie This week I bought a pendant that caught my attention. It is Celtic knot work of horses, meant to represent Epona. This triggered my interest in Epona and off I went to learn more.

Epona is a goddess from Gaul. Sadly, any information about her from those early days of worship are lost to us. This is the case of the most ancient deities from that region and time in history. It is thought that she was picked up in Gaul by the conscripted soldiers of the Roman Army who saw a depiction of her upon her horse and they adopted her. Since this army rode across the land on horseback, she was the perfect deity to pay homage to and so, she traveled with them. She soon made it to Rome and is one of only a few deities, not originally Roman, to be worshiped in the Roman Empire. Continue reading “Epona – Goddess of the Land by Deanne Quarrie”