A Silhouette of a Woman, the Menorah, and a Pillar of Light: Discovering the Origins of the Goddess in Judaism by Alaya A. Dannu

2.24.2017

During a meditation before bed, I saw an image of a candelabra similar to what Jewish people use for Hanukkah. It was yellow/gold in color, engraved/etched onto a surface. All at once I saw the imagery of a star, a silhouette of a woman, and a beam of light move from the base of the candelabra through the top and beyond.

In these moments, I did not understand the significance of or the relationship between these images. What did a feminine figure have to do with the Jewish candelabra? What is the name of their candelabra? I could not even recall the name of it. It was something I grew up knowing the name of, as it was an image that I frequently saw beside the kinara of Kwanzaa in my school-aged years.

Because I was sheltered from the Abrahamic religions, my mother opted for participating in Kwanzaa as a means to shield me from any potential bullying from my classmates, and to celebrate a part of my diverse heritage. It was already a problem for my peers and the adult staff at school that I chose to identify as a Jamaican-American or a mixed person, as opposed to African-American. To tell a group of African-American Christians or those with an Afro-centric view that I didn’t celebrate Christmas or Kwanzaa, or that my mother taught me to listen to my dreams and intuition, would only serve as a means to further isolate myself; and by extension, my little sister. So celebrate Kwanzaa we did, until I began high school.

Continue reading “A Silhouette of a Woman, the Menorah, and a Pillar of Light: Discovering the Origins of the Goddess in Judaism by Alaya A. Dannu”

On Chronic Illness and Justice by Ivy Helman

29662350_10155723099993089_8391051315166448776_oFor almost four years, I’ve been living with the long-term effects of an inner ear lesion.  The lesion is long gone but its side effects are not.  Throughout the day, I feel a combination of unsteadiness and sudden, unpredictable sensations of movement.  On better days, the unsteadiness is almost non-existent and the feelings of movement are minimal.  On worse days, I’m troubled with a type of brain fog that makes it hard to concentrate as well as disrupting unpredictable sensations of being on a boat that can’t pick one direction in which to move.  It’s frustrating, tiring and demoralizing.

Summer is the season of worse days.  There is really nothing I can do to feel better.  Even staying well-hydrated and taking it easy often doesn’t steady the boat.  So, instead, I often continue my life as normal.  Then, I lay in bed at night and hope sleep comes soon. Continue reading “On Chronic Illness and Justice by Ivy Helman”

On Guilt and G-d, the Parent by Ivy Helman.

29662350_10155723099993089_8391051315166448776_oSometimes, being overwhelmed with guilt makes one unable to act.  Other times, guilt manipulates and attempts to control.  It might offer a sense of responsibility and concern. More often than not, guilt comes bundled in small doses of should-haves and could-haves.

For example, when you feel guilty for skipping exercise and instead lay in front of the television binge-watching your new favorite show.  It’s not the end of the world, but you really should have gone and exercised.  Or, when you feel bad for getting into a fight with a friend and saying something mean when you could have done otherwise.  In general, I think there is such a thing as a healthy amount of guilt which spurs right actions, sincere apologies, forgiveness and knowledge of the good.

Jewish tradition generally agrees with me that a measured amount of guilt is often quite helpful.  Guilt instructs us in right and wrong and guides us to be more responsible, more mature individuals.  Indeed, it even clues us into a better understanding of G-d.   Continue reading “On Guilt and G-d, the Parent by Ivy Helman.”

The Three Mothers: Feminine Elements and the Early Kabbalah by Jill Hammer

For over ten years, I’ve been teaching a work of early Jewish mysticism known as Sefer Yetzirah, or the Book of Creation.  There are widely differing opinions on the book’s origin and dating, but many scholars date it to the sixth century.  Its core concept can be described simply: the Divine used the Hebrew letters as metaphysical channels to create the different aspects of reality: the directions, the elements, the planets, the months of the year, and so forth.  Each letter is a channel by which God creates a unique form or entity, and meditating on the letters provides us with a connection to divine creative power. In its discussion of the letters, Sefer Yetzirah shows a strong connection to feminine imagery, and thus helps the later kabbalah develop its own link to the feminine.

Sefer Yetzirah shows influences from Aristotle to Gnosticism, and is often viewed as a work of Jewish philosophy.  However, it is also a work of meditation, giving the reader instruction on how to focus and connect to the divine. Scholars such as Richard Hayman and Marla Segol have noted that the book’s structure and content connect it to magical literature: for example, the book has a deep concern with “sealing” the space of the world: letters of the Divine Name are used to seal the six directions of the universe.  In a similar way, ceremonial magicians of the ancient world used sealing ritual, including the incantation bowls that were buried in the corners of a home to keep out evil forces.  The book, like much ceremonial magic of the region, also discusses the elements.  However, Sefer Yetzirah has a three-element system rather than a four or five-element system.  The three formative elements are air, water, and fire.

Continue reading “The Three Mothers: Feminine Elements and the Early Kabbalah by Jill Hammer”

On Belief and Action by Ivy Helman

29662350_10155723099993089_8391051315166448776_oMy birthday was last Wednesday.  Perhaps more than any other time of the year (yes, even more than Rosh Hashanah and Yom Kippur), the days and weeks leading up to my birthday are filled with personal reflection.  Not that religious and secular new years don’t give me pause to reflect, but I think the lack of buzz around this personal event seems to offer me more space and time to think.

This year more than past years, I’ve been thinking about beliefs: what I believe in; how ideas and concepts that were important to me last year are less so this year and vice versa; how beliefs motivate me to act or not; what role belief plays in my life; why some beliefs demand solid resolve and others not so much; and so on.  I wanted to share with you some of my personal reflection. Continue reading “On Belief and Action by Ivy Helman”

Crowding into the Spirit World: Reclaiming a Metaphysics of Multiplicity by Jill Hammer

A number of years ago, I had the opportunity to take a class with Chava Weissler, a scholar at Lehigh University who studies Jewish history, community, and sacred practices– particularly those practices related to women.  My fellow students in the class were other rabbis, taking a break from their work in order to do some learning.  Dr. Weissler was teaching about an Ashkenazi Jewish women’s practice known as “soul candles”—the making of candles during the High Holiday season to honor the dead of the community as well as the mythic ancestors.  Candles for Abraham and Sarah were made alongside candles for grandparents and other deceased relatives, using wicks that had been laid out along the graves to take the “measure” of the dead.  During the making of the candles, the candlemakers would ask that these ancestors would pray for the living, just as the living prayed for the dead.  As Dr. Weissler described this practice, a nervous giggle passed through the room.

I remember being shocked.  I understand that my colleagues have varying beliefs around life after death and around spirit in general.  And, hearing my colleagues laugh at such a ritual and its attendant beliefs surprised me.  Those same colleagues would never laugh at the idea that God wrote the Torah (even if not all of them believe that) or at the idea that God answers prayers (even though I’m sure many of them struggle with that idea too).  But the belief in ancestors who could intercede on behalf of their relatives was alien enough to be funny.  This caused me to notice that the contemporary spirit world, for some Jews, is rather empty.  It contains an abstract God, and no one else.

Continue reading “Crowding into the Spirit World: Reclaiming a Metaphysics of Multiplicity by Jill Hammer”

Queen Esther from The Goddess Project: Made in Her Image by Colette Numajiri

Queen Esther
An orphan child,
who became
a well respected queen,
Esther, the Queen of Persia,
was a woman of integrity,
Wisdom and courage,
a beautiful woman, truly supreme,
favored by God,
She had a awareness of dependability,
steady strong, long-suffering faithfulness, with vision foreseen
in courage to stand in times of trouble
with true self esteem,
wise above measure,
Esther, Queen of Persia.
Like many Goddess tales, Esther (from the Old Testament “Book of Esther” or the “Megillah”) took full control of a dangerous situation and against all odds created a miracle, saving the lives of ALL OF HER PEOPLE.
There is a yearly Jewish celebration because of Her called PURIM (today, March 1st this year) where people wear costumes, re-read the Megillah, feast and give gifts of food and money to the needy.

Continue reading “Queen Esther from The Goddess Project: Made in Her Image by Colette Numajiri”

Esther’s Choice — And Ours by Joyce Zonana

The Book of Esther tells a story in which women’s power is not so much repressed as asserted. The king who banishes one queen finds himself submitting to the will of another. Numerous women writers of various ethnic, religious, and racial backgrounds in the nineteenth, twentieth, and twenty-first centuries have found inspiration in the stories of both Esther and Vashti’s disobedience to an autocratic king.

jz-headshotThis year, February 28th, the 14th of Adar on the Jewish calendar, is the first night of Purim, a holiday the orthodox Chabad organization blithely calls the “most fun-filled, action-packed day of the Jewish year.” Purim is celebrated with two full readings of the Megillah–the Book of Esther–in synagogues; whenever the tale’s villain Haman is mentioned, congregants drown out his name with noisemakers and foot-stomping. Children and adults masquerade and often cross-dress. Plays are performed; Haman is burned in effigy. After a daylong fast, everyone shares a festive meal, where drinking is encouraged, even mandated:

A person should drink on Purim until the point where he can’t tell the difference between “Blessed is Mordechai” and “Cursed is Haman. (Talmud – Megillah 7b; Code of Jewish Law 695:2)

It all sounds like great fun. But what exactly are we celebrating when we celebrate Purim?

Continue reading “Esther’s Choice — And Ours by Joyce Zonana”

On Snakes by Ivy Helman

imageIn the ancient world, snakes represented fertility, creativity, rebirth, wisdom and, even, death.  They were often closely connected to female goddesses, priestesses and powerful human females who were the embodiment of such powers.    For example, there is the Minoan goddess/priestess holding the two snakes in her outstretched arms.  She is closely linked with fertility and domesticity.  Similar figurines, with similar associations and dating to approximately 1200 BCE, have also been founded in the land of what once was Canaan, where Israelites also lived.  Medusa, in whose hair lived venomous snakes, turned men who looked at her to stone.  Ovid’s account of the creation of Medusa credits the Greek goddess Athena with Medusa’s lively hair.  Another Greek legend says Perseus, after killing Medusa, gave her head to Athena who incorporated it into her shield.  Athena, the goddess of wisdom, is portrayed often with snakes wrapped around her as a belt and/or on the floor next to her. Continue reading “On Snakes by Ivy Helman”

Michal the Priestess: Midrash, Multiplicity, and the Tales of King David by Jill Hammer

When I was in my late teens, I discovered midrash: the Jewish exegetical process by which commentators weave creative and additive interpretations into the sacred text.  Midrash comes from the word “to ask,” “to seek,” or “to divine.” For example, the tale in which a well follows the prophetess Miriam through the wilderness is an ancient midrash. The story in which God stops the angels from singing as the Egyptians drown in the Sea of Reeds is a midrash. Each of these stories derives from a particular close reading of text, whether a Torah text or a verse elsewhere in the Bible.  Each of them allows a new generation to add its own perspectives to the tradition.

Contemporary feminists, and many other contemporary artists, writers, and exegetes, have used a modern form of midrash to add liberatory perspectives to Jewish tradition and to biblical lore.  From Miriam to Vashti, female biblical characters shine in the creative interpretations of feminist midrashists.  Judith Plaskow’s “The Coming of Lilith” made a huge impact on the reading of the story of Eve and the legend of Lilith. Anita Diamant’s The Red Tent changed the conversation on Dinah forever. Alicia Ostriker, Norma Rosen, Veronica Golos, and many others have joined in this creative play which highlights marginalized voices within the text.  Wilda Gafney has made contributions to a Christian and womanist form of midrash.  Voices like Andrew Ramer and Joy Ladin have invited us to see queer and trans themes in the text. And of course many others, from poet Yehuda Amichai to bibliodramatist Peter Pitzele, have added to this rich tapestry.

Continue reading “Michal the Priestess: Midrash, Multiplicity, and the Tales of King David by Jill Hammer”