Goddess Spirituality – Page 12 – Feminism and Religion

The Goddess of Willendorf and Does My Uterus Make Me Look Fat? by Molly

“Loving, knowing, and respecting our bodies is a powerful and invincible act of rebellion in this society.”
~ Inga Muscio

I do not remember the first time I ever saw her, but I do know that I have loved the Goddess of Willendorf sculpture for many years. When someone uses the phrase, “Great Goddess” or “Great Mother,” she’s the figure I see. To me, she honors the female form. I love her full-figure and the fact that she is not “perfect” or beautiful. I love that she is not pregnant* and what I like best is that she is complete unto herself. She is a complete form, not just a headless pregnant belly. She represents a deep, ancient power to me.

In a past post for FAR, I wrote:

I have a strong emotional connection to ancient Paleolithic and Neolithic goddess sculptures. I do not find that I feel as personally connected to later goddess imagery, but very ancient figures call to something deep and powerful within me. I have a sculpture of the Goddess of Willendorf at a central point on my altar. Sometimes I hold her and wonder and muse about who carved the original. I almost feel a thread that reaches out and continues to connect us to that nearly lost past—all the culture and society and how very much we don’t know about early human history. There is such a solid power to these early figures and to me they speak of the numinous, non-personified, Great Goddess weaving her way throughout time and space.

via Echoes of Mesopotamia by Molly Meade |.

Continue reading “The Goddess of Willendorf and Does My Uterus Make Me Look Fat? by Molly”

Caer Ibormeith, Celtic Goddess of Dreams and Prophecy by Judith Shaw

Caer Ibormeith, Celtic Goddess of Dreams and Prophecy, is a pan-Celtic goddess who was worshipped in Ireland, Scotland and Wales. In Scotland and Wales Her name was used to name places such as Caer Edin (Edinburgh). In Ireland Her name identified the homes of Goddesses and Gods, such as Caer Arianrhod, home to the Goddess Arianrhod. Continue reading “Caer Ibormeith, Celtic Goddess of Dreams and Prophecy by Judith Shaw”

Morrigan, Celtic Goddess of Sovereignty, War and Fertility by Judith Shaw

Morrigan, Celtic Goddess of War and Death, is a dark goddess we mortals tend to approach with fear and trepidation. A great Warrior Goddess, She represents the more terrifiying aspects of female energy; sensuality, magic, prophecy, revenge, and war. She could either shapeshift into a crow or raven or be accompanied by them. In the Ulster cycle stories she also appears as a cow, a wolf and an eel. This indicates Her connection to prosperity, sovereignty and the land. Encompassing all essential divine functions, She is the Goddess of War, Sovereignty, Fertility and the Land.

Continue reading “Morrigan, Celtic Goddess of Sovereignty, War and Fertility by Judith Shaw”

An Archaic Trinity of Goddesses? Not Necessarily. by Barbara Ardinger

Barbara Ardinger In her comment following my last post which was about mythology, my friend, Carol Christ, expands on my paragraph about how the so-called “ancient triple goddess” was really invented in 1948 by Robert Graves in his book, The White Goddess. (Thanks, Carol.)

Back in the 1970s and 1980s, when the Goddess movement was just getting up on its feet and our ovular books were being published, the idea arose that if “they” have a holy trinity, “we” have one, too. And ours is older and holier. We see it in the three phases of the moon, new (Virgin), full (Mother), and dark (Crone). Here’s a tiny sample of these books that changed the lives of so many women and men:

Woman’s Mysteries Ancient and Modern by M. Esther Harding (1971, but first published in 1933)
The Goddesses and Gods of Old Europe (1974) by Marija Gimbutas
When God Was a Woman (1976) by Merlin Stone
Lost Goddesses of Early Greece: A Collection of Pre-Hellenic Myths (1978) by Charlene Spretnak
The first edition of The Spiral Dance (1979) by Starhawk
The Chalice and the Blade (1987) by Riane Eisler
Laughter of Aphrodite (1987) by Carol P. Christ
The Holy Book of Women’s Mysteries (1989) by Z. Budapest
The Reflowering of the Goddess (1990) by Gloria Feman Orenstein
Whence the Goddesses: A Source Book (1990) by Miriam Robbins Dexter

Triple goddess? ’Tain’t so. Our beloved triple goddess is one of our foundational myths. It’s nice and it’s perhaps inspiring, but it’s only a myth. Anyone who looks at a calendar or almanac—or up into the sky every night for a month—can easily see that the moon doesn’t have three phases. It has four: waxing, full, waning, and dark. And since the late 20^th century, women have lived long enough to go through more than three stages of life. Continue reading “An Archaic Trinity of Goddesses? Not Necessarily. by Barbara Ardinger”

When Baby Girls and Old Crones Ruled by Jeri Studebaker

Jeri Studebaker

The data came as somewhat of a shock to me. I stumbled across it one day in The Civilization of the Goddess, a mammoth book by the late Lithuanian-American archaeologist Marija Gimbutas about what Gimbutas dubbed “Old Europe” – a culture area in southeastern Neolithic Europe that she maintains was centered around female deity.

Until she had the temerity to suggest that people at some point in the past might have worshipped goddesses rather than gods, Gimbutas had a sterling reputation among academics, even being hired to teach at two of the most prestigious of all American archaeology departments, Harvard’s and UCLA’s. After presenting her goddess theory of Old Europe, however, Gimbutas came under attack by a few powerful male archaeologists, after which her reputation among academics began to plummet (see Spretnak 2011 for a good accounting of Gimbutas’ fall from grace).

Before I get to the data that so startled me, I need to tell you a bit about archaeologists. Like the members of many academic disciplines, they disagree with each other – sometimes vehemently (and perhaps even somewhat more vehemently than scholars in other disciplines). One thing however they all agree on is this: the higher the quality and quantity of grave goods buried with an individual, the higher that individual’s status in her or his society. Continue reading “When Baby Girls and Old Crones Ruled by Jeri Studebaker”

Has the Phaistos Disk Been Cracked? by Carol P. Christ

Recent headlines in the international press announced that the enigmatic language of the ancient Cretan “Phaistos Disk” has been translated—in part—by the Welch-Cretan scholar Gareth Owens. Owens states that the Phaistos Disk records an ancient hymn to a Mother Goddess. More specifically he claims that one side is dedicated to a Pregnant Goddess and the other to a Birth-Giving Goddess.

All of this is very exciting, but is he right? Continue reading “Has the Phaistos Disk Been Cracked? by Carol P. Christ”

The Sphere: A Symbol of Ancient Greek Female Spirituality by Stuart Dean

Stuart WordPress photo Originally, in ancient Greek, ‘sphere’ simply meant ‘ball.’ Though its grammatical gender varied, it was primarily a feminine noun. It is in that sense and with that gender that it bounces into Western literature in the episode of the Odyssey where Nausicaa and her companions are playing catch on a beach (Odyssey 6.100 ff).

Nausicaa is said to be conducting her companions in ‘molpe,’ a curious term that seems to refer to dancing, music and poetry as a single form of performance art. Authorship (including possibly female authorship) and dates of individual episodes of the Odyssey remain debatable, but both from this episode as well evidence from other sources there is no doubt that in general what Nausicaa and her companions are doing here relates to an actual custom among Greek women that dates back to well before writing was adopted. Furthermore, molpe was spiritually significant. As the conductor of its performance Nausicaa is compared to Artemis.

The reference to Artemis as one of those who ‘holds heaven’ (Odyssey 6.150), suggests that the sphere with which Nausicaa and her companions are playing may have been intended (at least by the author of this episode) to be a symbol of the celestial sphere. That suggestion is bolstered by an appeal to what is to be found in the fragments that survive of the poetry of Sappho, who it is readily apparent considered herself as much a musician and choreographer as a poet. That is to say, whereas Nausicaa may be a fictional persona, with Sappho we have the only direct evidence of any substance directly from an actual woman of what constituted molpe. From how she refers to a female performer of molpe as goddess-like (S. 96), followed immediately by a comparison of yet another woman’s beauty to that of the moon, as well as other fragments of poems where either the appearance or movement of women in connection with a molpe performance is related to celestial events such as the appearance of a full moon or the movement of the Pleiades, it is clear that for Sappho choreography was in effect applied cosmology (see S. 154 and S. 34 and how it is surely echoed in a much later Latin poem here). Continue reading “The Sphere: A Symbol of Ancient Greek Female Spirituality by Stuart Dean”

Cerridwen, Dark Goddess of Transformation, Inspiration and Knowledge by Judith Shaw

Cerridwen, Dark Goddess of Transformation, Inspiration and Knowledge is best known as the mother of Taliesen, the greatest of all the Welsh poets. But Her story is much older and Her powers run deep.

Cerridwen (“White Sow”, or “White Crafty One”) has many other names: Dark Moon Goddess, Great Mother, White Lady of Inspiration and Death, Goddess of Nature, and Grain Goddess. She rules the realms of death, fertility, regeneration, inspiration, magic, enchantment and knowledge. Her ritual pursuit of Gwion Bach symbolizes the changing of the seasons, nature’s yearly cycle of death and rebirth.

Continue reading “Cerridwen, Dark Goddess of Transformation, Inspiration and Knowledge by Judith Shaw”

The Descent of Inanna to the Underworld by Deanne Quarrie

Inanna provides a many-faceted image of the feminine. She is a goddess of order, fertility, grains, love, war, heaven and earth, healing, and emotion. She is called the “Lady of Myriad Offices”. Most of the powers once held by her, “the embodied, playful, passionately erotic feminine; the powerful, independent, self-willed feminine; the ambitious, regal, many-sided feminine” were eroded by the patriarchy throughout time.

Her descent to the Underworld is a valuable story at any time of the year but even more so here as the wheel turns fully into the dark of the year. During the dark of the year, we are to turn inward, our most introspective work is to be accomplished at this time. It is vital that we enter the darkness as did Inanna, bare and bowed low. Continue reading “The Descent of Inanna to the Underworld by Deanne Quarrie”

Mother Blessings and the Power of Ritual by Molly

You are the
most powerful
intelligent
inspirational

Woman

Close to my heart.

You continue to
become
exponentially more amazing.

Always giving
others the step UP.

Force of the cosmos
connecting the Web

You are.

Thank you.

–Phanie

Last week, my friend sat on the floor during my mother blessing ceremony and wrote the above poem for me. When she gave it to me she said, “I’m not like you, I don’t write things and share them on the internet.” It was very powerful to receive the gift of written word from someone who does not often write, but who knows how deeply writing speaks to me. Continue reading “Mother Blessings and the Power of Ritual by Molly”