Women’s Agency – Page 3 – Feminism and Religion

Requiem? by Sara Wright

A requiem for the seasons is an act of living remembrance for what is vanishing, be that long-cherished seasonal moments, forms of celebration that once tied us to nature’s cycles, and to more than human species – some that are going extinct.

Cheeping twittering birds awakened me at dawn. The first snow of the season cast a spell over the landscape last night and this generous dusting brought in the wild turkeys… I wished all good morning as I scattered seed under the crabapple. A couple of very friendly individuals followed me back to the door. My little dog Coalie is spellbound. She loves these birds.

I noted turkey hieroglyphics on the doormat as I came in but otherwise took no pleasure from the white shrouded landscape. I used to love snow but because each of the seasons is warming, we are getting mixed precipitation on a regular basis beginning in mid – November. The first snow opens an icy door to winters that are dominated by continuous freeze thaws. Last year I considered myself fortunate to have been able to snowshoe as long as I did.

The Gendered Dimensions of the Water Crisis in Iran: Impacts on Women’s Health, Livelihoods, and Security

Moderator’s Note: This post has been brought to you in cooperation with the NCRI women’s committee. NCRI stands for the National Council of Resistance of Iran. You can learn more information as well as see this original article by clicking this link. A description of their Council can be found at the end of this post.

The water crisis in Iran has moved far beyond a simple environmental issue — it has become a humanitarian, ecological, and economic disaster.

While at first the problem seemed to be the result of drought and declining rainfall, its true causes ran much deeper: entrenched corruption and mismanagement at the heart of the ruling establishment. Until these systemic roots are addressed and removed, Iran’s present — and its future — will only become more precarious.

A significant number of researchers and international observers emphasize that 70 to 80 percent of the current crisis stems from mismanagement, unsustainable policies, lack of transparency, and corruption. As one report notes, “Iran’s water crisis is not a crisis of resources; it is a crisis of decisions—decisions that have made the land thirstier and the future darker. This crisis, alongside the erosion of public trust in governance, is a symptom of structural and managerial failure.” (Newsweek, August 1, 2025; The Times, December 8, 2022; Reuters, April 27, 2021)

Holding Our Brokenness by Elizabeth Cunningham

Dear FAR readers, here is a selection from my new collection Holding Our Brokenness, a gathering of poems. I chose these particular poems for their connection to feminism and/or religion. I hope you will enjoy them.

The Old One Speaks

You must be unmade here
inside my grey cloak
inside my cold womb
here where the ice forms
and breaks
at the river’s edge.

What Kali Tells Me

It’s all in the rhythm.
Falseness throws you off beat.
Rhythm renews your strength
with every step. That’s how time
becomes timelessness.

Sex Radical. A new film by Andy Kirshner; film discussion by Janet Rudolph

At the bottom of this post you will find information for a free streaming of the film.

We are witnessing now in real time what happens when the full weight of the Federal Government turns its attentions and goes after individuals and even companies with the intent to squash dissent, intimidate and punish dissenters. This is perhaps most prominent among the immigrant population and those who the administration have been targeted with the legal system. But before there was Mahmoud Khalil, CBS, The Washington Post, UC Berkeley and all the others who have been hounded by government, there was Ida Craddock who faced the full weight of a government that turned its sights on her.

FAMISHED—ON FOOD, SEX, AND GROWING UP AS A GOOD GIRL by Anna Rollins: Book Review by Esther Nelson, part 2

Part 1 was posted yesterday.

MARRIAGE

“He looked at me without judgment. With him, I didn’t feel the need to perform.” Both her future husband (first year medical resident) and she (now studying applied linguistics) disliked fundamentalism’s legalism, but they were still committed to Christianity. Both were “devoted to [sexual] abstinence.” Sex did not even happen on their wedding night, but when it did, it hurt. For years, the pain continued. Vaginismus. “I didn’t know there was a name for it. I didn’t know that…it was twice as common for those who had grown up in religiously conservative households.” It took years to get through the pain. “It’s not until we can believe that our bodies are inherently good and worthy of pleasure and joy that we can begin to heal.”

A new pastor arrived at Rollins’ church armed with Christian nationalist ideas and fervor. It didn’t set right with her. She was moving toward progressive positions beginning with “my body, my choice.” She adds, “If there’s anything someone who’s struggled with an eating disorder understands, it’s the concept of bodily autonomy.” She began to research the Reformers beginning with Martin Luther who said this about women: “If women become tired, even die, it does not matter. Let them die in childbirth. That’s what they are there for.” Rollins’ husband pushes back, though, quoting Scripture—“there is no male or female…we are all unified in Christ.” Why then, Rollins wonders, does sexism run rampant in the church?

FAMISHED—ON FOOD, SEX, AND GROWING UP AS A GOOD GIRL by Anna Rollins: Book Review by Esther Nelson, part 1

In her Preface, Rollins writes, “Hypercontrolling my food and using exercise compulsively had always been how I coped with life, stress, expectations, and fear.” Many people (usually women) use this coping technique in their day-to-day lives. Controlling your body’s needs and desires allows you to feel powerful. I know. I am one of those people.

Powerful or being in control was not something the author felt able to achieve in any “normal” way given her upbringing “in an Appalachian [West Virginia] church that fully embraced purity culture [sexual abstinence before marriage] and rigid gender roles.” Rollins continues, “…I’d bought into the scripts offered to me by both diet culture [controlling food intake to achieve a better-looking body] and purity culture [controlling your sex drive] … [knowing] that if I controlled my appetites, I could control my world. That if I made myself smaller, I would be better, safer.”

Rollins interviewed scholars, psychologists, and an array of women while writing FAMISHED. She states, “When women worked to heal from body shame, their relationship to religion was intricately involved.”

The author divides her work into three sections: Girlhood, Marriage, and Motherhood.

Feminism – the small and the large of it by Xochitl Alvizo

Feminism’s critical principle is the affirmation and promotion of the full humanity of women; an assertion that must be made in light of a world that diminishes women’s dignity and autonomy thereby authorizing their subjugation. Sexism is the word we use to name the attitudes, prejudices, and actions that work to diminish women’s dignity and autonomy for their subjugation. Patriarchy is the resultant ossified system of those attitudes, prejudices, and actions as they become the norm.

All That She Carried by Tiya Miles: Recovering the Untold Stories of Black Women in America, part 2 by Theresa Dintino

Part 1, appeared yesterday.

There are many women named Rose in the ledgers of unfree people in Charleston around 1850. The defining feature to find the Rose mentioned on this sack is that her daughter is named Ashley, not a common name for Black female children of the time. Miles finally locates a Rose and an Ashley in the inventory of Milberry Place Plantation, a country estate of a man named Robert Martin. When Martin died, his estate was liquidated and thus the mention of the sale of Ashley.

“Ashley is listed among one hundred unfree people in the inventory of Martin’s enslaved property taken in the year 1853. Her attributed value of $300, in comparison to that of other women listed at $500 and $600 in the cotton boom decade of the 1850’s, suggests that she may have been a younger or relatively unskilled worker”(69).

Things were bad enough for unfree people but the disruption that came like a tsunami through their lives when an enslaver died and his property was sold was a fear most carried and trembled at the thought of. Unfree families were always being torn apart in the time that slavery was legal and allowed in this country, but when estates were being divided up, it became particularly excruciating and this is what came to pass for Rose and Ashley.

All That She Carried by Tiya Miles: Recovering the Untold Stories of Black Women in America, part 1 by Theresa Dintino

Moderator’s Note: This piece is in co-operation with The Nasty Women Writers Project, a site dedicated to highlighting and amplifying the voices and visions of powerful women. The site was founded by sisters Theresa and Maria Dintino. To quote Theresa, “by doing this work we are expanding our own writer’s web for nourishment and support.” This was originally posted on their site on November 30, 2021. You can see more of their posts here.

First she was told about a grain sack dating from around 1851 that had these words embroidered on it:

My great grandmother Rose
mother of Ashley gave her this sack when
she was sold at age 9 in South Carolina
it held a tattered dress 3 handfulls of
pecans a braid of Roses hair. Told her
It be filled with my LOVE always
she never saw her again
Ashley is my grandmother
Ruth Middleton
1921

Let’s Have The Talk – What Does “The Birds and The Bees” Actually Mean: By Zoe Carlin

Recently, I have thought about a common idiom that has been used to refer to sexual reproduction, the birds and the bees. I became curious why animals that appear in most gardens were used as an example to explain where babies come from, until I did some research. It turns out that since the birds lay eggs, that is their representation of the female body and the bees represent the sperm due to pollination. It is a very subtle, overlooked message that can be disguised as being more age-appropriate to young children. However, I decided to dig a bit deeper. Ed Finegan, a USC professor of linguistics and law, has stated that this phrase has existed a lot longer than one might think. There is evidence of it being used in a somewhat sexual context going back to at least two authors, Samuel Coleridge Taylor (1825) and an entry from John Evelyn’s The Evelyn Diary (1644).

In Work Without Hope, Samuel Coleridge Taylor quotes, “All nature seems at work . . . The bees are stirring, birds are on the wing . . . and I the while, the sole unbusy thing, not honey make, nor pair, nor build, nor sing.” This separation of the birds and bees is indicating the loneliness and sadness of missing out on a potential romantic connection. When going even further back in time to 1644, it was noticed in the Evelyn Diary that there was an entry discussing the interior design of St. Peter’s in Rome: “That stupendous canopy of Corinthian brasse; it consists of 4 wreath’d columns, incircl’d with vines, on which hang little putti [cherubs], birds and bees.” This description is illustrating that there is a possible sensual or sexual meaning of the architecture in St. Peters.