A few weeks ago, I came across a postcard that I was given at a conference last year. I got the postcard (advertisement?) because it has a picture of Fannie Lou Hamer on it, and in my home and office, I like to display images and quotes from inspirational women, especially black women. Hamer was a sharecropper from rural Mississippi who became a leader within the civil rights movement in the United States. I was happy to have something with her likeness on it. It was only later that I looked at the text on the front and back of the card, which read in part, ”Often called the ‘spirit of the Civil Rights Movement,” Hamer worked tirelessly on behalf of the rights of others—including the unborn. [She said,] ‘The methods used to take human lives such as abortion, the pill, the ring, etc. amounts to genocide. I believe that abortion is legal murder.’” I realized then that the card was distributed by an organization called Consistent Life, who, in support of a “consistent ethic of life,” is “committed to the protection of life threatened by war, abortion, poverty, racism, capital punishment and euthanasia.”
I was conflicted about the us
e of Hamer’s image for this organization’s purposes. It is true, Hamer did have those views about abortion and birth control. But I did not know if her image and story was being manipulated for a particular political and religious agenda—one I do not align myself with. I put the card in a box of other images and quotes. I didn’t display it, but I didn’t throw it away, either, which is why I came across it again a couple weeks ago as I was cleaning and decorating my home office. I had the same misgivings about the image as before, and I set it aside again. Continue reading “Fannie Lou Hamer’s Commitment to Life by Elise M. Edwards”


The title of this post is meant to reflect where I am in the semester, temporally speaking: halfway. Actually, the idea that I am halfway is a bit of a shock to me, considering I feel like I just started! I have a 
I concluded
Historical note: I took the name Formosus (r. 891-896) from one of the popes of the Dark Ages. After his death, his body was exhumed, dressed in papal vestments, and put on trial for political crimes. The corpse was found guilty, and the vestments were torn off it. Then it was thrown into the Tiber. A monk pulled it out, and it is said that the corpse was then burned. 
It’s been almost two years since I lost someone I loved. The relationship was short, tortured, unhealthy (as all my romantic relationships have been, but that’s another story…) However, I fell particularly hard for this one. When we separated, the pain was unthinkable. I was surprised by how deep it ran. I didn’t know until he was gone how much I really cared about him. I became physically sick, and even now there are days when I only have to bring him to mind to conjure a familiar pressure behind my eyes and in my throat.
This weekend those of us not performing the ritual pilgrimage, or Hajj, will enjoy the Festival of the Sacrifice of Eid al-Adha. Celebrated on the 10th day of the 12th lunar calendar month, it tends to creep up without warning, since we operate on the solar Gregorian calendar. The next day I jump a plane to Southeast Asia so my attention is already diverted.
When I was about eight years old, I dreamed one night that I stood inside the workings of an immense instrument, so big it filled the sky. It was crafted of wood and gold, and although there was no obvious source of light, it was brightly illuminated. I could have confused it for the inner workings of a clock except that I could hear the sweet music it produced resonating throughout its cavernous hollows. It was curious to me that there seemed to be no atmosphere there either to breathe or to carry sound. Within it, I did not perceive any movement. And, there was no actual melody that it produced, which could be sung or repeated. There was only an enveloping harmonic thrumming. The sound was multiplicative and voluminous although not piercing. I understood it in the dream to be cosmic, structural, primordial, and generative. When I awoke, I had the feeling that I had seen something divine. It was not heaven. It was not God. It was more like the instrument of the universe, or the universal instrument, created as a first work among creation
I was reading the highly enjoyable