
For by my side you put on
many wreaths of roses
and garlands of flowers
around your soft neck
and with precious and royal perfume
you anointed yourself.
On soft beds you satisfied your passion.
And there was no dance
no holy place
from which we were absent.
–Sappho (trans. Julia Dubnoff)
Sappho, the poet from Lesbos (630-570 BCE), was considered one of the greatest poets of her time—one of her epithets was “the tenth Muse.” I discovered the poems of Sappho in my thirties and was utterly captivated. I had newly embarked on a relationship with a woman and Sappho’s love poetry (though by no means exclusively lesbian) supported the expression of eros between women. Yet even more than that, Sappho’s poems supported an erotic relationship between self and world—a relationship that included ritual as a form of intimacy. I’m not a Greek scholar—I experience Sappho’s poems in translation. Yet the translations I read back then were a revelation: a world in which women lived in circle with one another.
Continue reading “Sappho’s Poems as an Ethos for Women’s Ritual by Jill Hammer”



This parshah contains the account of Jacob’s marriages to Leah and Rachel, (who happen to be his cousins) as well as the birth of his 11 sons and one daughter. It describes the long amounts of time Jacob worked for Laban in order to marry Laban’s daughters, and recounts the trickery of Laban giving first Leah, the older daughter to Jacob, before allowing Jacob to marry who he wanted to, Rachel.
The parshah for this week is Lech Lecha (Genesis 12:1-17:27). I’ve actually written about Lech Lecha on this forum before, concentrating on the parental aspects of the divine. See 
Yesterday, Time Magazine announced that its “Person of the Year” for 2017 would be 

