Ancestors – Page 4 – Feminism and Religion

Archives from the FAR Founders: Learning Compassion from Inmate Number 74799 by Cynthia Garrity-Bond

This was originally posted on July 21, 2017. This is the first post of our new series to highlight the work of the four founders of FAR, Garrity-Bond, Caroline Kline, Gina Messina and Xochitl Alvizo

Technically I was employed as a lab assistant at our community

Considered standard prison procedure, Michael was scheduled for an autopsy the following day. While my grief over Michael’s death was considerable, it was the pending autopsy that caused my immediate concern. As I pictured Michael on the cold table of steel, the crude instruments sawing and cutting into his already weathered body, I took it upon myself to somehow ease this last assault. I phoned the Tucson corner’s office, hoping to speak to the pathologist who would be performing Michael’s autopsy. With surprising bureaucratic ease, I was transferred to him. After introducing myself, I explained he would be receiving Prisoner 74799, my brother, from Tucson General, and that by all appearances this was just another disposable inmate whose criminal past simply caught up with him, sort of a karma-like ending. His thin, emaciated body, I warned, is covered in tattoos, which I feared might induce a harsher judgment upon this cast away soul. I asked the pathologist that when he begins the post, he please remember Prisoner 74799 was somebody’s son, somebody’s brother, father and friend and more importantly, that this man was loved. “Please” I pleaded, “try to see beyond the obvious signs of poor choices mapped onto his body, instead see he is more than his prison issued number and that Michael Paul, while far from saint, was a man who loved and was loved.”

To Stand in the Presence of the Ancients! – Enheduanna, Part 1 by Janet Maika’i Rudolph

Ishtar controlling a lion ca 2334-2154 BCE

To be in the presence of antiquities is powerful. They carry an energy which is palpable. I found this to be true at the recent exhibit at the Morgan Library in Manhattan that ran from October 14, 2022 through February 19, 2023.

Enheduanna is a fascinating woman who lived in the lands of Mesopotamia circa the 23^rd century BCE. She was a priestess who was also a writer and chronicler of her times. She named herself in her writings making her the first known author of any written works in history. She was so influential that for centuries after her death, scribes learned their craft in scribal schools by reading and copying out her work. Scholars have referred to her as the Sumerian Shakespeare[1]

Her main temple was in Ur, the very city that hundreds of years later gave rise to the biblical priestess Sarah and her husband, Abraham. We can only image how much they had been influenced by her.

Boundaries: A Poem Drawn from the Well of Jacob by Marcia Mount Shoop

kikuchi valley, waterfall and light lay in the forest, kikuchi, kumamoto, japan

Today is the day in the Christian church year that we remember Jesus’ last supper with his friends/chosen family before he was betrayed by some of those same friends/chosen family. He talked to his beloved circle that night about many things, including betrayal and their capacity to embody Divine Love in a broken world after his death. Just a few days later he was executed by the Roman government because his prophetic and compassionate life was a threat to the powers that be of his day–both governmental and religious. In honor of this day in my faith tradition, I share a poem I wrote about one of the women in Jesus’ life before he was executed by Empire. Since Jesus’ death, he was kidnapped again by multiple Empires who have used him to put an ecclesial and even divine seal of approval on systems of oppression and genocide. The woman at the well gives us a window into Jesus the liberator. May we have space to remember him today as another Easter Sunday approaches for Christians around the world.

Life Still Shaped by the Witch Hunts? by Eline Kieft

In this article I reframe my understanding of feminism through the lens of Mona Chollet’s In Defence of Witches, and reflect on how my psyche as a woman today is still deeply influenced by the effects of the witch hunts in mediaeval times.

Legacy of Carol P. Christ: Curiosity About Everything and the Language of the Goddess

The was originally posted on April 14, 2014

My recent discovery of Marija Gimbutas on Youtube rekindled my admiration for her work. In her slide-lecture “The World of the Goddess” Marija Gimbutas allows us to follow the line of reasoning she used to decipher the “language of the Goddess” in Old Europe.

Careful attention to her lecture shows that Gimbutas did not close her eyes, dream, and then attach her own ideas and intuitions to the artifacts she later discussed. Rather, she catalogued groups of images with similar symbolism and used her knowledge of nature (what does a water bird or an owl look like?) and folklore (she collected thousands of songs connected to the agricultural and life cycles in her native Lithuania in the 1930s) to unlock the meaning of ancient symbols.

Hope Is Giving Birth in the Face of the Dragon by Beth Bartlett

The image of the baby born under the rubble of the earthquake in Syria has been haunting me. So has the image in my mind of her mother, giving birth to her baby while trapped after the building, where she, her husband, and their children were sleeping, collapsed. The baby’s uncle, when digging through the debris hoping to reach his brother and family, found the baby alive, her umbilical cord still attached to her mother. When he cut the cord, the baby let out a cry. Tragically, her mother had died after giving birth, as had her father and siblings.

The Reindeer Goddess Seeks Help by Judith Shaw

Imbolc has come and gone. It appears that Punxsutawney Phil, the American version of animal weather prophets on that cross-quarter day, was correct. Winter cold continues. I’ll admit that I am getting pretty tired of the cold but it does help me to keep focused on the paintings for my winter fairytale – Elena and the Reindeer Goddess.

Though my work on this project will certainly continue into the spring and summer, this will be the last excerpt I post here at FAR. I know you will all be more interested in postings related to the growing times of spring and summer once the days are longer and warmer. This third excerpt picks up where my post from last month stopped. If you missed excerpts one and two you can check them out here and here.

Considering “Everything Everywhere All at Once”

The multiverse as a metaphor for trauma is rather compelling to me. It speaks to the way in which different realities and experiences impose themselves on others as a matter of fact rather than malintent. These realities necessarily co-exist in interrelationship but may compound the weight and confusion of present experience.

Warning: Spoilers Ahead!

Everything.

Everywhere.

All at Once.

I remember thinking, this is kind of a weird name for a movie, even if it is about the multiverse and shifting realities. But I’m a big sci fi fan, so of course, I jumped at the chance to see it when my friend said she wanted to see the movie, again, with me specifically. Mom’s day out for both of us. Check. A… m.o.v.i.e. I remember movies from a time pre-pandemic: there’s a big screen, right? And food? I like food. Sign me up. (j/k). I seem to remember movie theaters being more crowded though—my friend and I had almost a private viewing. And sitting practically on top of my friend by the end of the film, after laughing so hard I cried, crying because I was so sad, gaping in shock, horror, and even disgust, and wondering what I just saw, I reflected: this movie was perfectly named.

From the Archives: A Feminist Retelling of Noah’s Ark

This was originally posted on May 4, 2018

My daughters came to me after Sunday School one day, concerned about a story they had heard in which God drowned almost everyone on Earth. So I sat down and thought about why a community might want to tell that story, and what valuable wisdom might be lifted from it for my children. Here is what I told them:

God/ess has many faces, which help us understand different things we need to know at different times. Sometimes we think of God/ess as Crone, an old, old woman crowned with silver hair as an emblem of her wisdom, who helps us learn to let go of anything that is holding back the wellness of our community and ourselves.

The Legacy of Carol P. Christ: Weaving and Spinning Women: Witches and Pagans by Max Dashu A Review

Moderator’s Note: This was originally posted on September 19, 2016

Max Dashu’s Witches and Pagans: Women in European Folk Religion 700-1000 challenges the assumption that Europe was fully Christianized within a few short centuries as traditional historians tell us. Most of us were taught not only that Europe became Christian very rapidly, but also that Europeans were more than willing to adopt a new religion that was “superior” to “paganism” in every way. Careful readers of Dashu’s important new work will be challenged to revise their views. When the full 15 volumes of the projected series are in print, historians may be forced to hang their heads in shame. This of course assumes that scholars will read Dashu’s work. More likely they will ignore or dismiss it, but sooner or later–I dare to hope–the truth will out.

History has been written by the victors—in the case of Europe by elite Christian men. These men may have wanted to believe that their views were widely held, but Dashu suggests that they were not. Combing artistic and archaeological records, Dashu finds (to give one example) that images of Mother Earth nursing a snake are far from uncommon and can even be found as illustrations in Christian documents and on Christian monuments. Clerics rage against people—particularly women–who continue to visit holy wells and sacred trees and to practice divination and healing rituals invoking pagan powers. To paraphrase Shakespeare: “Methinks the cleric doth protest too much.” Were these things not happening and happening often, there would have been no need to condemn them. Using these clues, Dashu provides intriguing new readings of the Poetic Edda and Norse sagas.