
For many of us, listening to women-loving-women songs is a spiritual experience. That is because somehow it makes us feel seen, puts a sense of hope into our world as well as daydreams of romance. We can understand the challenges and the regret or guilt that comes with disappointing others and ourselves, them for not being who they wanted us to be and for us, not being who we are for far too long. Holly Near’s Simply Love album narrates a story that I might envision as a musical theatre production, and I really wish someone would ask me to write it and then hold the casting call (yeah, I’d want to be in it too, so save me a part). I offer some of my thoughts on two central songs in the would-be musical in hopes of sacred liturgy on a potential stage.
Simply Love has 28 songs and was released (according to Spotify) in 2000. I think the synopsis would be surrounding Cassandra, in a loving relationship with her partner, reflecting on her journey to this place of authenticity. I can imagine how it might be living one’s live in an exploratory way and coming to new revelations later in life.
Continue reading “If Holly Near’s Simply Love Album Were a Musical by Elisabeth Schilling”

This past term I had the opportunity to teach courses on the Christian doctrines of Christology and Trinity. My first inclination was to approach these doctrines from the perspective of their historical development. For, I find the historical study of doctrinal development to be a fascinating and liberating approach to theology because it delivers the searcher from the illusions of ubiquity and universality, even in matters of the most central tenets of faith. When people can see doctrine in its political, polemical, and posited guises, we can be free from absolutization of belief in past expressions as well as in present permutations.
Tall, hearty. sometimes pushy, and usually very loud, Outtadeway-O is easily able to propagate and multiply Herself so that we can find Her in crowded airport terminals, at bus and subway stops, and just about anywhere people are traveling from or to. She’s in charge of trains, planes, and taxi-cabs. She’s the One who, when we’re in a hurry to get somewhere on time, shouts, “Please, oh, please get out of the way!” Pilots, engineers, station masters, ticket agents, and ÜberAlles drivers all hear Her. You better bet they get out of Her way.


The awakening occurred at 1:27am with the pterodactyl-cry only uttered by toddlers. It continued around 2am when said pterodactyl joined weary moms in bed. Stinging tears splattered pillows with a swift headbutt to my nose, later accompanied by footied talons jabbing my ribcage as this tiny person became the human crossbar of a giant “H,” vertical moms arching precariously on either edge of the overstuffed bed. 5:30am came all too soon as both children arose, crows louder than any rooster, tired moms stretching their aching backs. Navigating this whole feminist parenting thing is complicated, y’all. As an artist, author, activist, and academic, I thought I had a handle on my identity and vocation; now I feel like motherhood is the only moniker defining my exhausted reality.
