Art – Page 2 – Feminism and Religion

The Stories We Tell by Xochitl Alvizo

I often read multiple books at the same time that seemingly have nothing to do with one another. Currently I’m in the middle of these three:

How the Word is Passed: A Reckoning with the History of Slavery Across America by Clint Smith;
Emergent Strategy: Shaping Change, Changing Worlds by Adrienne Maree Brown; and
Determined: A Science of Life Without Free Will by Robert M. Sapolsky.

And I also just completed these two:

Jesus and John Wayne: How White Evangelicals Corrupted a Faith and Fractured a Nation by Kistin Kobes Du Mez; and
Slow Productivity: The Lost Art of Accomplishment without Burnout by Cal Newport.

And although these books are of different genres and very different topics, the importance of our imagination comes up as a point of connection in four out of the five books. As I’m also in the midst of thinking and writing about church for my current book project, the role of our human imagination across the many parts of our lives, both individual and social, feels timely.

A House for the Goddess by Annelinde Metzner

For the past few years I’ve been contributing to FAR as a poet. So grateful for the opportunity to connect with you wise women! This month I realize I should share with you another side of me, my music.

On June 8th, I produced, directed and composed the music for “A House for the Goddess” in Asheville, North Carolina, featuring 29 performers including two sopranos, a cellist, myself and another pianist, two dancers, an MC and a women’s choir. The concert, whose venue was offered generously by Land of the Sky United Church of Christ, was a sellout, and over three thousand dollars was raised for the Linda Norgrove Foundation for the women and children of Afghanistan (https://lindanorgrovefoundation.org.)

My compositions, both choral pieces and solo art songs, always find their birth through the inspiration of poetry. At this venue, the texts of the poetry were displayed on two screens overhead as the songs were sung.

Women Fly Free by Judith Shaw

Artists tend to develop their own visual language over the course of a career, returning again and again to certain motifs. That’s certainly the case for me with trees, women and goddesses, doorways and passages, ancient symbols, flowers, and animals — in particular birds — emerging again and again.

POET WARRIOR BY JOY HARJO: HEALING HEARTS AND NATIONS by Maria Dintino

Moderator’s Note: This post is presented as part of FAR’s co-operation with The Nasty Women Writers Project, a site dedicated to highlighting and amplifying the voices and visions of powerful women. The site was founded by sisters Theresa and Maria Dintino. This was posted on their site in 2021 and then again on March 21, 2023. You can see more of their posts here.

**“MY INNATE IMPULSE IS HEALING, WHICH IS ALSO STANDING UP FOR JUSTICE, WHICH CAN HEAL HEARTS AND NATIONS.” – JOY HARJO**

Healing hearts and nations is what Joy Harjo does. Standing up for justice is what Joy Harjo does. Joy Harjo is a teacher and leader for our times, for all times.

When she asks this question in her book, Poet Warrior:

“What do I do with this overwhelming need for justice in my family, for my tribal nation, for those of us in this country who have been written out of the story or those who appear to be destroyed or perverted by false story?” (46),

Judy Chicago, Feminist Trailblazer by Joyce Zonana and Janet Maika’i Rudolph

“Instead of looking to the male world for approval, I had to learn to rely on my own instincts. In some strange way, the rejections I faced strengthened me, but only because they forced me to learn to live as I saw fit and to use my values and judgment as my guides.”
The Flowering: The Autobiography of Judy Chicago

Janet: I live near New York City and am fortunate to be close to many museums. The New Museum has been showing an exhibit by Judy Chicago that takes up the entire facility of four floors. And it is remarkable. Not only is the breadth of her work astounding but so are the stories of how she has had to fight to be accepted in a man’s world of art. Joyce Zonana first recommended that I go. This blogpost came about as part of a discussion between the two of us.

Imagine a World of Beauty for Beauty’s Sake by Carolyn Lee Boyd

Reconstructed Minoan Frescoe: Martin Dürrschnabel, CC BY-SA 2.5 <https://creativecommons.org/licenses/by-sa/2.5>, via Wikimedia Commons

Imagine a world where beauty is revered just for bringing pleasure and joy; where buildings abound in graceful, naturalistic, lively renderings of animals and plants; where the human body is magnificent art; where everyday objects for all are ornamented with complex, graceful imagery. Imagine a world where “beauty” is not a narrowly defined style of attractiveness or an attribute of works created by a small elite, but a revelation of life’s joy created by all, an expression of delight in the Earth, and a bridge to the worlds within us. If we look back across human history, we will find all these expressions of “beauty for beauty’s sake,”

From our earliest millennia, “where you find humans, you will find art,” says pre-historian Jean Clottes (Marchant). People carved zig zags in shells 500,000 years ago (Handwerk). About 164,000 years ago, people left behind in South African caves ochre and pierced shells, perhaps for jewelry (Marchant). Artists created the oldest cave paintings yet found, stunning in their realism and movement, in Spain 65,000 years ago (Handwerk).

Finding Happiness Through Nature and Creativity by Judith Shaw

We live in difficult times. Daily we hear of culture wars, real wars, mass shootings, floods, fires and multiple other climate disasters and human clashes.

How on Earth can one maintain a positive outlook and experience genuine happiness? I’ve discovered a few activities that effectively pull me out of dwelling on past challenges or worrying about future uncertainties. These activities consistently guide me back to a state of inner peace and contentment.

Every Atom of Our Being by Annelinde Metzner

In the vibrant, sensual, lush season of Beltaine, when all the world (at least in our hemisphere!) awakens to greenness, rebirth and new life, I’m pulled to express myself through the body. The Goddess is our body, and the Earth’s body, and that of all beings. The sacred is in every atom of our being. The snake, and the apple, and the tree are all symbols of Her, and She gives us the many gifts of our body without shame. She loves to hear us singing back, as She sings to us.

From the Archives: Archy and Mehitabel by Barbara Ardinger

This was originally posted on December 1, 2019

Archy the Cockroach and Mehitabel the Cat were introduced to the world in 1916 by Don Marquis, a columnist for the New York Evening Sun. Marquis was more than a mere columnist; he was a social commentator and satirist admired by nearly every famous writer of the first quarter of the 20^th century. Franklin P. Adams, for example, said Marquis was “far closer to Mark Twain than anybody I know” (see note).

Legacy of Carol P. Christ: GODDESS AND SACRED COW: A RE-EXAMINATION OF THE MYTHOLOGY OF THE SACRED BULL

This was originally posted on August 5, 2013

Most archaeologists and visitors to museums assume that when they see a horned bovine, they are faced with the image of the male God or the image of the bull sacrifice. In the minds of many, these two are one, as we have been taught that the male God who was the consort or son-lover of the Goddess was sacrificed. Yet horned Goddesses are not infrequent in the history of religions and Hindus still revere the sacred cow.

Cattle have played an important role in human life from the beginning of agriculture. Cows provide milk which is also turned into butter, cheese, and yogurt. Most of the young males and some of the females are killed for meat or leather, while a few males are kept to impregnate the females. Though the “raging bull” is the lens through which most of us think about mature male bovines, I have been told by a friend who raised cattle that in fact bulls are for the most part gentle and even sweet–though of course they are also potentially dangerous.