The Problem of Jehosheba: Reading One Biblical Character in Two Different Feminist Ways by Jill Hammer

Tucked away in II Kings 11 is the story of a mother-daughter feud that is personal, political, and ultimately fatal. Jehu, a charismatic military commander, is anointed by Elisha as the next king of the northern kingdom of Israel. Jehu kills the previous king of Israel, Jehoram, and also Jehoram’s mother Jezebel (yes, that Jezebel—the famous/infamous queen). As part of his violent rise to power, Jehu also kills Ahaziah, king of the southern kingdom of Judah. Ahaziah’s death should mean that Athaliah (Atalya), who is queen mother of Judah as well as the daughter of Jezebel, cedes power to a new king and a new queen mother. Instead, according to the Book of Kings, Athaliah has the rest of the king’s sons and grandsons murdered, and seizes the throne for herself. 

All seems lost for the Judean line, except that Jehosheba (Yehosheva), wife of the high priest Jehoiada and sister of the murdered King Ahaziah, saves one of Ahaziah’s sons, along with the child’s wetnurse, and hides them both in the Temple. Jehosehba keeps the boy, Joash, and his nurse in the Temple until he is six years old. At that time, Jehosheba’s husband, the high priest, anoints Joash king, stages a coup, and executes Athaliah as a usurper. Jehosheba’s action saves the Davidic line. The collection of Jewish legends known as Otzar Midrashim lists Jehosheba as one of the righteous women of the Jewish people.

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Legacy of Carol P. Christ: His Terror

Moderator’s Note: This was originally posted on March 25, 2019. AND the issues are still with us and as vivid as ever.

The first two parts of Susan Griffin’s Woman and Nature, “MATTER” and “SEPARATION,” are written in the authoritative voice of western philosophy and science that declares matter to be dead and the body an impediment to thought, and proceeds to separate the mind from the body. All of this, Griffin suggests, is based in the fear of death.

As Griffin notes, in this equation woman is identified with the body and her voice is silenced. Re-reading these parts of Woman and Nature for the umpteenth time for a class I am teaching felt even more painful than it had before. I was reliving parts of my own story.

I was brought up in the tract home suburbs of post-war Los Angeles in a world of women. Both of my grandmothers played central roles in my upbringing, introducing me to nature and the spirit of life they experienced as we explored trails the Los Angeles County arboretum before it was fenced or when we frolicked in the waves and picked up sand dollars at the seashore south of San Francisco. When I was ten years old my family moved to a new neighborhood that was almost entirely made up of families like ours with small children, fathers who worked, and mothers who stayed home.

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Witches’ New Year: She is Everywhere by Caryn MacGrandle

Samhain, the Witches ‘New Year’ was a busy time for me. I did a workshop at a local large artist facility Lowe Mill Arts in Huntsville, Alabama. I watched and participated in a releasing burning ceremony the next night at the same artist site. There is so much we are needing to release especially with where we are in the world right now. 

And then the following night, I was in charge of a Fire Circle at the Witches Ball at Mill Kat Healing Arts Center where I host my weekly circles.

I admit to some trepidation hosting the very public Fire Circle. I live in the deep south of Alabama most definitely not known for its open mindedness. A friend told me that she shared the Witches Ball event on her facebook page and received the comment, ‘that is how they indoctrinate you.’

Oh my.

But we are not in a time to be deterred by fear. I have been called to share this magic. And people need it.

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Biblical Poetry – Trees by Janet Maika’i Rudolph

Image from an Egyptian tomb ca. 1314-1200 BCE. Isis is giving nourishment in the form of fruit and drink,

In many cultures of the world, including our own, trees are considered the ancestors of humanity – own our ancestors.

Trees are connected with great goddesses throughout antiquity. We see this in the bible where, as I’ve noted before, the Tree of Life is Eve’s tree for the word Eve means life. It is, in essence, the Tree of Eve. Goddesses in trees feeding humans were common themes in ancient Middle Eastern art. The tree was Hers to give freely of as she wished.  

Anthropologist and religious scholar, Mircea Eliade writes extensively about the associations of trees ancestral connection to humans. He calls them both mystical and mythical.[1] His examples include the Miao groups of Southern China and Southeast Asia who “worship the bamboo as their ancestor.” He also notes Australian tribes who view the mimosa as their progenitor. And there is a tribe from Madagascar, called Antaivandrika which means “people of the tree,” who considered themselves descended from the banana tree.

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Legacy of Carol P. Christ: Practice Great Generosity

This was originally posted on August 20, 2018

Nurture life.

Walk in love and beauty.

Trust the knowledge that comes through the body.

Speak the truth about conflict, pain, and suffering.

Take only what you need.

Think about the consequences of your actions for seven generations.

Approach the taking of life with great restraint.

Practice great generosity.

Repair the web

In Rebirth of the Goddess, I offered Nine Touchstones of Goddess Spirituality as an alternative to the Ten Commandments. The Nine Touchstones are intended to inform all our relationships, whether personal, communal, social, or political.

The eighth touchstone asks us to practice great generosity.

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For Mahsa by Lori Stewart

On Friday, September 16, 2022 Mahsa Amini died in a Tehran hospital having been arrested by Iranian morality police on September 13 for wearing “inappropriate attire”. She was 22. Mahsa’s family claims she had bruises to her head and limbs from being beaten. The Iranian police dispute that claim saying Mahsa died from a pre-existing health condition.

Mahsa’s death sparked major protests against the Islamic Republic in Iran and protests of support are occurring around the world. Women are burning their hijabs, which they are mandated by Iranian law to wear, chanting, “Women, life, freedom”. They are cutting their hair which is a longstanding symbol of protest and loss in Iran’s history. This action harkens back to the epic Persian poem “Shahnameh” by Ferdowsi in which hair is a theme and the cutting of hair a symbol of mourning. Around the world, people have followed suit by cutting their hair in solidarity with the protesters in Iran. A recent chant by the protesters is “it’s the beginning of the end” as they challenge their theocratic government.

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Remembering “The Burning Times,” Part 1 by Beth Bartlett

I first saw it when looking at their faces while showing The Burning Times in class — the blank stares, the pained expressions, the tears, the looking away. The scenes and sounds of women tortured and burned alive touched something deep and ancient in them.  Here it was — the historical trauma of women.[i]  The lasting impact of historical trauma is experienced by subsequent generations for hundreds of years, manifesting in such things as depression, PTSD, self-destructive behaviors, anger, violence, suicide, and more. As Native LGBTQ activist and writer Chris Stark so eloquently put it: “The experiences of our grandparents and great-grandparents are written into the library of our bodies . . . . My ancestors’ loss and screams are written in me – their pain and murder and rape merged with my own as a child. . . We carry them through time. We remember.”

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Revisiting Our Sisters’ Feminisms by Xochitl Alvizo

This post draws much from a previous post I wrote back in 2013, which generated great discussion in the comments. I came back to it as I was reflecting on our sisters’ revolution in Iran, Women, Life, Freedom, following the death of Mahsa “Zina” Amini while she was in the custody of the “morality police” in Iran. This woman-led movement has been nonstop for seven weeks. I’m in full support of the women and have continued to learn more about their context and history. The movement is powerful and inspiring, heavy and difficult, but its energy is alive and blazing. There is an impromptu song that has come to represent the movement; the song was created by linking real-time tweets and Instagram posts together – you can hear the song, read the lyrics, and see the screenshots in the video below:

Now the post I’m drawing back to from 2013 – a little different from the original – but one intended to invite us to reflect on our engagement with and support of one another across place and difference. And about the relationship between the local and global, and the need to hold a balance of both.

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Women’s March, October 2022, Long Beach, CA by Marie Cartier

All photos by the author

Marie Cartier

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Legacy of Carol P. Christ: Tree-Hugging Is About Trees and So Much More Than Trees

This was originally posted March 11, 2019

Not too long ago I heard someone deride members of a seminar who were building labyrinths in the olive groves of Greece as “a bunch of tree-huggers.”  I bristled! I probably first heard of the Chipko tree-hugging movement which is led by women in the 1970s and 1980s. Because I love nature, I naturally assumed hugging trees is a good thing. Originally, I had no idea that the tree-hugging movement was about much more than saving trees from being felled in the interests of short-term profit.

I did not know that the deeper purpose of the movement is to save a way of life based on forest-culture that is being threatened by the imposition of western ideas and practices promoted by colonialism and its successor, the green revolution. Nor did I know that the traditional forest-culture of India is the provenance of women: more than 4000 years of observing and experimenting created a “women’s knowledge” passed down from mother to daughter.

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