If Holly Near’s Simply Love Album Were a Musical by Elisabeth Schilling

For many of us, listening to women-loving-women songs is a spiritual experience. That is because somehow it makes us feel seen, puts a sense of hope into our world as well as daydreams of romance. We can understand the challenges and the regret or guilt that comes with disappointing others and ourselves, them for not being who they wanted us to be and for us, not being who we are for far too long. Holly Near’s Simply Love album narrates a story that I might envision as a musical theatre production, and I really wish someone would ask me to write it and then hold the casting call (yeah, I’d want to be in it too, so save me a part). I offer some of my thoughts on two central songs in the would-be musical in hopes of sacred liturgy on a potential stage.

Simply Love has 28 songs and was released (according to Spotify) in 2000. I think the synopsis would be surrounding Cassandra, in a loving relationship with her partner, reflecting on her journey to this place of authenticity. I can imagine how it might be living one’s live in an exploratory way and coming to new revelations later in life.

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Re-Imaging Three Marys by Janet Sunderland

The recent #metoo movement, along with young women entering Congress, has pointed to an important question. Why, in this 21st Century, are these achievements remarkable? Why has it taken so long for women to be recognized as capable for these positions? One possible reason is the Christian mythology around women. However, to recreate the way women are viewed, we must re-imagine the women who have been standard-bearers for two thousand years.

 

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Kassiani’s Song: Woman at the Center of the Easter Drama by Carol P. Christ

Today I am reposting the song and story of Kassiani, the Byzantine composer, poet, and hymnographer, who is not well-known to western feminists or in western history in general. In Christian Orthodox tradition, Kassiani’s most famous song will be sung this week on Easter Tuesday night or very early Easter Wednesday morning, placing a woman’s love for Jesus at the heart of the Easter drama.

For many this song is the high point of Easter week.

Kassiani, also known as St. Kassia, was a Greek woman born into a wealthy family in Constantinople (now Istanbul) about 805 to 810 AD. According to three historians of the time, she was intelligent and beautiful and selected as a potential bride for the Emperor Theophilos. The chroniclers state that the Theophilos approached her and said: “Through woman, the worst,” referring to the sin of Eve. Clever Kassiani responded, “Through woman, the best,” referring to the birth of the Savior through Mary.

Apparently unable to accept being put in his place by a woman, Theophilos chose another bride. Perhaps relieved, Kassiani founded a monastery in Constantinople becoming its first abbess. She was an outspoken theological advocate of icons during the iconoclastic crisis (for which she was flogged). One of only two women to publish under her own name during the Byzantine Middle Ages, Kassiani wrote both poetry and hymns. Up to 50 of her hymns are known today, with 23 of them being part of the Greek Orthodox liturgy. Continue reading “Kassiani’s Song: Woman at the Center of the Easter Drama by Carol P. Christ”

Hekate, Goddess of Liminality and Intermediary by Deanne Quarrie

Deanne Quarrie

Let me share with you the Goddess most honored as the Goddess of liminal time and space.  It is our beloved Hekate, Great Goddess of the Three Ways, bridging Earth, Sea and Sky as we travel between worlds.

In modern times, She is seen by many as a “hag” or old witch stirring the cauldron. This idea was popularized by Roberts Graves’ book, The White Goddess. In early writings, however, she is portrayed as a beautiful and powerful maiden goddess.

“I come, a virgin of varied forms, wandering through the heavens, bull-faced, three-headed, ruthless, with golden arrows; chaste Phoebe bringing light to mortals, Eileithyia; bearing the three synthemata [sacred signs] of a triple nature.  In the Aether I appear in fiery forms and in the air, I sit in a silver chariot.” (Chaldean Oracles)

She was the only one of the ancient Titans that Zeus allowed to retain her power after the Olympians seized control. She shared with Zeus, the awesome power of granting all wishes to humanity (or withholding, if she chose).

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Making it Mine: An Un-Orthodox Passover by Joyce Zonana

Passover is a holiday of remembrance, of ritual re-enactment: this, we say, is what our ancestors experienced. This is what they felt and knew, what they tasted in their blood. The movement from slavery to liberation, from the soul’s winter to spring. We must never forget, we say, we must always remember, be thankful for our freedom, never take it for granted. “In each generation,” the Haggadah enjoins, “we should feel as if we personally had come out of Egypt.”

jz-headshotThis year, I celebrated the Jewish feast of Passover on March 31st–almost three weeks before the holiday’s official start on the evening of April 19th, the 15th of Nissan. It turned out to be my best Passover yet.

Because I’d been accepted for a residency at an artists’ colony beginning on April 17th, I had known since last Fall that I would not be home for the holiday. Given Passover’s importance for me–a Jew who left Egypt in her own lifetime, part of what some have called the “Second Exodus”–I had thought I might postpone the residency and even considered turning it down. But the colony could not change the dates, and, after much deliberation, I decided that my work as a fledgling translator was worth missing my usual gathering of family and friends. I told myself I could mark the arrival of Passover internally.

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New Beginnings: Re-Birthing Myself a Million Times and One by Elisabeth Schilling

Photo 2I think being a mother must be an amazing experience. I don’t really know the glimmers and shadows of any life but mine, even though I would be more than happy to listen. Recently, I’ve been reading the poems of Carol Ann Duffy, Scottish poet, U.K. Laureate, and once partner to poet Jackie Kay, and she writes something in one of her poems (“A Clear Note”) that I resonate with: “Never have kids. Give birth to yourself.” It is not Duffy, the narrator, who says this, but a character named Moll.

In the triptych poem, three women—Agatha, Moll, and Bernadette, three generations of women, speak to and about each other through time and space. The quote is just something Moll recalls saying to her daughter, Bernadette one night when she is drunk. I of course do not think a woman cannot give birth to herself if she has children. But it is certainly a good (in my opinion, for I wish it so) excuse for myself, revising this line of verse in my own voice: I will never have kids; I need the entirety of life to birth myself.

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Dear Mary by Sara Wright

This piece was written in response to Gina Messina’s recent Feminism and Religion piece “Who is God?”

Dear Mary,

When I responded to a post on feminism and religion this morning I wrote that you were my first goddess. As a child I knew little beyond that you were the “Mother of God,” and I found your presence immensely comforting, even seeking you out in secret, entering your rose garden in a local monastery. I needed you so.

Early in adolescence I learned that your life was one of purity, sacrifice, and loss. Your purity left me bereft. How could a young Victorian girl be “good enough” to serve such a figure? I was fierce and passionate – a thorny red rose – with an empty hole in my heart.

Sadly, I released you and chose your sister the whore, the Black Goddess in disguise… but I didn’t know that then; I only knew that the “black” woman succumbed to her flesh as I did, covered herself in shame…What lies Patriarchy tells…

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Find Your Warrior Archetype, Sisters: We are in the Fight of our Lives by Trelawney Grenfell-Muir

I read a news story this week about dozens of children sex trafficked at an auto show in Detroit. I read about a young man getting no jail time for sexually assaulting a six year old girl… sex traffickers targeting and grooming girls through internet apps for children… white women still earn $0.80 for every dollar men earn, and women of color even less… the Supreme Court may kill Roe v. Wade this week… five women executed in a bank, and the media ignored it… many men used the government shutdown to coerce (rape) poor, desperate mothers into trading sex for money or food… yet another gunman shot his ex-girlfriend and four other people…

There’s plenty more bad news. We live in a collapsing, apocalyptic dystopian misogynistic nightmare. Misogynist violence floods to us in a toxic deluge from billboards, magazines, movies, TV shows, ads, games, and most interactions with family, friends, and our culture.

How do we survive in this holocaust? How do we keep sane? How do we protect that which we hold most dear?

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Eve is the Hero of the Garden of Eden, Part 2 by Janet Maika’i Rudolph

The serpent in the Bible is treated as Eve’s partner in crime, a malevolent seducer who is responsible for humankind’s expulsion from paradise. But did you know there are serpents who figure positively in the Bible? There are serpent priests, a feathered serpent and a healing serpent. Check out this passage:

Be ye therefore wise as serpents

Matthew 10:16

Levites were serpent priests as evidenced by the etymology of their name. The root word levi is seen in the name of the creature “leviathan,” the giant serpent. This is reminiscent of the Pythia, the oracle from Delphi whose title is derived from the root word python.

The feathered serpent referenced in Isaiah 30:6 is a seraph, usually translated as a “fiery flying serpent.”

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Eve is the Hero of the Garden of Eden, Part 1 by Janet Maika’i Rudolph

She is a tree of life to those who embrace her

and those who lay hold of her are blessed.

Proverbs 3:18 (Berean Study Bible)

Eve’s story, as it has been passed onto us from the Bible, makes Her responsible for manki . . .ahem . . .humankind’s being cursed for all time. The story as our culture sets it up is that the serpent is an evil tempter with Eve as a weakling co-conspirator. Both Eve and the serpent are considered guilty parties, responsible for their own drawing down of the curse.

At the risk of being rude: BULLSHIT!

In truth, Eve’s story is a powerful tale complete with a magical talking serpent. And it only communicates directly with Eve, and never with Adam. Why?

BECAUSE THIS IS EVE’S STORY.

Continue reading “Eve is the Hero of the Garden of Eden, Part 1 by Janet Maika’i Rudolph”