Responding to Human Suffering by Elise M. Edwards

Elise EdwardsIn the past few weeks, there have been renewed debates throughout the US about death with dignity laws and the role of government is providing or securing access to health care. The tragic story of Brittany Maynard and the incessant election-year politicking about the Affordable Care Act (Obamacare) have made issues about human suffering more visible and volatile than usual. These are topics I deal with in two courses I am teaching this semester–one about Christian ethics and the other about bioethics.

I truly admire those who work in the presence of suffering daily by caring for others.   It’s difficult to even talk about suffering in the classroom day after day. My intention behind doing so is for my students to resist simplistic responses by either valorizing human pain and suffering or retreating to escapism. I caution them about using religion to legitimize suffering when it accompanies from evil, yet encourage them to see the meaning in suffering as well. We try to maintain the fine line of affirming the experiences of those who claim to gain strength or some other good from their pain without crossing into discourse that names the pain itself as something good. We debate whether there can be any way of discussing suffering as redemptive. We discuss disparities in medical treatment and health care along economic, racial, gendered, cultural, and international divides and what the responses of clergy, medical providers, and everyday people to remedy them.

Through these heavy debates, I’ve gained more clarity about the ways that suffering is often a result of human injustice and I’m deeply saddened by it. Continue reading “Responding to Human Suffering by Elise M. Edwards”

I Look To The Sky by Martha Cecilia Ovadia

I was10298689_10104523891581853_7256973903379376739_n formed by traditions. I was formed by religious rituals. I was a part of a religious community.

I no longer have traditions. I no longer have religious rituals. I am no longer part of a religious community.

I constantly have to tell myself the “no longers” when I feel the echos and ghosts of my past creeping up behind me, reminding me of not only who I was, but who I no longer am.

I sometimes whisper to my husband, “I sleep with ghosts…”

I do not just sleep with ghosts. I wake with ghosts. I sometimes even feel like a ghost. Why?

For me, the act of being Catholic was very much a part of my be-ing. To no longer have Catholicism as part of my be-ing leaves me feeling haunted.

My normal schedule when I was 21 looked like this:

6:00 am: Morning Prayer (Liturgy of the Hours)
7:oo am: Daily Mass, rosary
12:00 pm: Meet people at our church hall (the youth room) to then go to lunch (where we would do midday prayers before eating)
5 pm: sometimes mass again
7 pm: adoration, rosary, and then evening prayer with praise and worship

If it was Saturday or Sunday, it was even more intense (because I was not in classes).

When I was an active Catholic, I had a very distinct language for everything. I had a ritual for all occasions. I was an integral part of a community with very defined roles. I do not have these things anymore and navigating without them has been exhilarating but terrifying. Continue reading “I Look To The Sky by Martha Cecilia Ovadia”

Has the Phaistos Disk Been Cracked? by Carol P. Christ

Carol Christ in LesbosRecent headlines in the international press announced that the enigmatic language of the ancient Cretan “Phaistos Disk” has been translated—in part—by the Welch-Cretan scholar Gareth Owens. Owens states that the Phaistos Disk records an ancient hymn to a Mother Goddess. More specifically he claims that one side is dedicated to a Pregnant Goddess and the other to a Birth-Giving Goddess.

All of this is very exciting, but is he right? Continue reading “Has the Phaistos Disk Been Cracked? by Carol P. Christ”

Painting “Unknown” Holy Women: Commissions, Gifts, and the Unsung Stories of “Ordinary” Women by Angela Yarber

angelaEach month on Feminism and Religion, I feature a Holy Women Icon with a folk feminist twist. The painting is accompanied by an essay describing the holy woman’s life and the ways she stood for justice and peace, the ways in which she embodied feminism. Thus far, we have explored the stories of holy women that are well-known, perhaps not by the wider public, but by feminists seeking to uncover the forgotten truths of holy women throughout history. They are goddesses, saints, artists, dancers, scholars, clergy, and pillars of the faith: Virginia Woolf , the Shulamite, Mary Daly, Baby Suggs, Pachamama and Gaia, Frida Kahlo, Salome, Guadalupe and Mary, Fatima, Sojourner Truth, Saraswati, Jarena Lee, Isadora Duncan, Miriam, Lilith, Georgia O’Keeffe, Guanyin, Dorothy Day, Sappho, Jephthah’s daughter, Anna Julia Cooper, the Holy Woman Icon archetype, Maya Angelou, Martha Graham, Pauli Murray, La Negrita, Tiamat/tehom, and Mother Teresa, just to name a few.

We tell their stories in our classrooms. Other artists paint them. Many have biographies or autobiographies recounting their lives. Their stories embolden us to stay strong, and continue working for justice and equality. But what of the women whose songs really are unsung, whose stories never grace the pages of our textbooks? What about the “unknown” women who have, indeed, emboldened us, paved the way for us to be who we are, but who most people have never heard of? Many such women are also holy, thus deserving of canonization as Holy Woman Icons.

ElizabethI would like to dedicate this post to all the holy women who fill our lives, yet whose stories we never hear. Because it is not only these seemingly famous women—these heroines of feminism—who are holy and whose stories matter.   Continue reading “Painting “Unknown” Holy Women: Commissions, Gifts, and the Unsung Stories of “Ordinary” Women by Angela Yarber”

Max Dashu: Feminist Scholar, Author, Historian, Artist by Jassy Watson

JassyI had the honour of hosting Max Dashu, Feminist Scholar, Historian and Artist here at Goddesses Studio this weekend past. Max is currently on her second Australian tour and we were blessed for her to come on quite the journey to present to an intimate group of Wide bay Goddesses, “Rebel Woman Shamans: Women Confront Empire” and “Deasophy: Goddess Wisdom” with a little “Female Iconography” thrown in.

Max’s knowledge and gift of story-telling is inspirational. “Rebel Woman Shamans: Woman Confront Empire” looked at holy women and female prophets who led many rebellions to resist conquest, slavery, and colonization. These women visionaries, priestesses, diviners and medicine women challenged systems of domination on multiple levels and drew on their cultural traditions to resist empire. It was their direct access to transformative power that these women had, that makes the spiritual political, as they act to lead, defend, and protect their peoples. Continue reading “Max Dashu: Feminist Scholar, Author, Historian, Artist by Jassy Watson”

A Moment of Silence by Natalie Weaver

Natalie Weaver editedIn my last post, I shared with you my wonderment at the power of music to speak for us when we lack speech and to touch us when we are beyond reach.  Now, I experience wonderment at the power of silence.  For, it was silence that in the end helped my father-in-law, who was truly my father, to shed his mortal coil.  After the noise of caregivers and nurses, of talking and encouraging, of wailing and whispering, there was a window of silence when I sat alone with him, stroking his forehead lightly.  I knew he would be free in that quiet to exhale, and with that final breath, he too became silent.

Silence then filled the house, until it was punctuated by the tidal sounds of grief.  And, just like the tides, the grief now ebbs and flows between moments of gentle motion and moments of crushing force.  Behind that grief, though, and behind the rituals we perform to externalize that grief, there remains a giant silence.  It is strange to me that the silence is not experienced as emptiness.  It is not a void or a vacancy or a nothing.  It is an active presence, that is, the silence itself.  It is a deep mystery to be experienced in its own right, without the error of imposing upon it the productions of noise.  For, the silence of bereavement is a fathomless place from which to hear something we could not have heard before.   The silence is holy. Continue reading “A Moment of Silence by Natalie Weaver”

Get your fatwa off our backs! by amina wadud

amina 2014 - croppedIt’s not so easy any more to control the parameters of Islam and the way it is practiced by those who wish to stuff their opinion down the throats of other Muslim citizens, be they minorities or majorities across the globe.

This past week the Selangor Islamic Religious Counsel in Malaysia, issued a fatwa against Sisters in Islam (SIS), accusing them of being “deviant” because they subscribe to religious liberalism and pluralism.  They called for a ban on all their publications and to silence their social media. They sought to shun their activities and personhood “in the name of Islam.’

The next day SIS held a press conference and went on full counter attack.  This is what it has come down to for many who stand for justice, equality, and human dignity for all, within an Islamic perspective.

Let me step back and explain about a fatwa.  Continue reading “Get your fatwa off our backs! by amina wadud”

Death with Dignity by Carol P. Christ

Carol Christ in LesbosIn the summer of 1960 when I was 14 years old my much loved grandmother Mae Inglis Christ died of a cancer that affected her brain. The last time I saw my Nannie was shortly after her diagnosis in the early spring. While we were visiting, the cancer affected her back, and she took to her bed. In those days children were not allowed in hospitals. I never saw my grandmother alive again, but my mother told us that our grandmother was hooked up to tubes much longer than she should have been. Mother vowed, “This will never happen to me.” I was driven to the funeral in a limousine with my grandmother’s girlfriends. They spoke about my grandmother’s last days, describing how (because her mind was affected by cancer) my little grandmother had screamed and screamed at them for not visiting–even though they were with her every day. They found my grandmother’s outbursts so traumatic that they said they were relieved to see her looking so peaceful in her coffin. Continue reading “Death with Dignity by Carol P. Christ”

November, A Silent Month? by Barbara Ardinger

Barbara ArdingerNovember, which begins with All Saints Day (yesterday) and All Souls Day (today), gives us a quiet, welcome break between the loud make-believe of Halloween and the incessant caroling of the winter solstice season with its popular holidays. In the Northern Hemisphere, the days are noticeably shorter and darker now. Where I grew up, it’s gray, cloudy, and often rainy. It has always seemed to me that people are turning inward and the month is closing in on itself. Even today in southern California, I feel a delicious melancholy composed of silence and rest from hard work.

giant head

For two millennia, the standard-brand churches have admonished women to be silent. As it is written, “Let the woman learn in silence with all subjection. But I suffer not a woman to teach, nor to usurp authority over the man, but to be in silence” (1 Timothy 2: 11-12).

Let’s say that today is a typically gloomy November day. The sun is lazy and clouds are floating mysteriously across the sky. Look, they’re gathering over there in the east. As clouds often do, they begin to assume shapes. Let’s look closer…and we begin to see a fiery mountain. Above that fiery mountain floats a giant head. Listen! The head is speaking. “I am One, the Great and Powerful. Thou shalt not take My Name in vain. Thou shalt have no other gods before me for I am a jealous God—”

But the silence of this gloomy November day is suddenly broken as the women standing in the mud at the foot of the fiery mountain suddenly begin to shout back at the preaching giant head. “There’s been plenty of gods before you,” one woman shouts. “And even more goddesses came before you,” calls another woman. Continue reading “November, A Silent Month? by Barbara Ardinger”

The Sphere: A Symbol of Ancient Greek Female Spirituality by Stuart Dean

Stuart WordPress photoOriginally, in ancient Greek, ‘sphere’ simply meant ‘ball.’  Though its grammatical gender varied, it was primarily a feminine noun.  It is in that sense and with that gender that it bounces into Western literature in the episode of the Odyssey where Nausicaa and her companions are playing catch on a beach (Odyssey 6.100 ff).

Nausicaa is said to be conducting her companions in ‘molpe,’ a curious term that seems to refer to dancing, music and poetry as a single form of performance art.  Authorship (including possibly female authorship) and dates of individual episodes of the Odyssey remain debatable, but both from this episode as well evidence from other sources there is no doubt that in general what Nausicaa and her companions are doing here relates to an actual custom among Greek women that dates back to well before writing was adopted. Furthermore, molpe was spiritually significant.  As the conductor of its performance Nausicaa is compared to Artemis.

The reference to Artemis as one of those who ‘holds heaven’ (Odyssey 6.150), suggests that the sphere with which Nausicaa and her companions are playing may have been intended (at least by the author of this episode) to be a symbol of the celestial sphere.  That suggestion is bolstered by an appeal to what is to be found in the fragments that survive of the poetry of Sappho, who it is readily apparent considered herself as much a musician and choreographer as a poet.  That is to say, whereas Nausicaa may be a fictional persona, with Sappho we have the only direct evidence of any substance directly from an actual woman of what constituted molpe.  From how she refers to a female performer of molpe as goddess-like (S. 96), followed immediately by a comparison of yet another woman’s beauty to that of the moon, as well as other fragments of poems where either the appearance or movement of women in connection with a molpe performance is related to celestial events such as the appearance of a full moon or the movement of the Pleiades, it is clear that for Sappho choreography was in effect applied cosmology (see S. 154 and S. 34 and how it is surely echoed in a much later Latin poem here). Continue reading “The Sphere: A Symbol of Ancient Greek Female Spirituality by Stuart Dean”