Hawk, beautiful and deadly, soars high in the air – circling and circling – its piercing eyes focused below. Spotting Hawk, one is amazed by its elegance and power while feeling a strange and ancient connection to this magnificent bird. Yet it strikes fear in the hearts of small animals.
Continue reading “Hawk – A Soaring Visionary by Judith Shaw”Tag: Transformation
Butterfly – Soul Transformation by Judith Shaw
I offer this look at the life and stories of Butterfly as a healing salve for our very troubled world. In this time of great, world-wide transformation, as we grapple with the many, many racial, social, economic and environmental injustices currently tearing the fabric of society apart, may the lessons that Butterfly brings help us on our path to love.
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The Dying Time by Esther Nelson
At the end of Anita Diamant’s novel, THE RED TENT, Dinah—the same young woman who is only briefly mentioned in the biblical account (Genesis 34)—dies after a long and full life. The biblical text tells us that Dinah “went out to visit the women of the region” and that “Schechem son of Hamor the Hivite, prince of the region, saw her…seized her and lay with her by force” (vss. 1-2). The passage is often titled “The Rape of Dinah.”
In Diamant’s version of the story, Dinah and King Hamor’s son engage in consensual sex. In keeping with the biblical account, the king then attempts to negotiate a bride price with Jacob (Dinah’s father), but Jacob and his sons are reluctant to agree to the marriage. They demand soon thereafter that all the men in Hamor’s kingdom undergo circumcision as a bride price. On the third day after surgery, the sons steal into the city and kill the men.
After just a mere mention of Dinah’s “rape” in Genesis 34, she disappears from the story. In THE RED TENT, Diamant not only gives Dinah a powerful voice, she also weaves a wonderful tale of mothers, daughters, heartache, betrayal, loss, love, and joy. Dinah gives birth to her lover’s son in Egypt, develops a strong bond and working relationship with the midwife, Meryt, and eventually falls in love with Benia, a master carpenter.
Gentle Moments in a Violent World by Marcia Mount Shoop
“Be gentle with yourself.”
It may be some of the most redemptive guidance I have ever received. And I share that invitation daily with people in painful situations.
“Be gentle with yourself.”
In a world seemingly hell bent on self-destruction, being gentle even for a moment is a radical act of resistance. A moment of tenderness. A moment of trust. A moment of attentiveness to need.
But really, what good does gentleness do in a world as brutal as ours can be? How does being gentle provide any kind of answer to the assault of being commodified or objectified or betrayed or assaulted or oppressed or erased or abused or discarded or exploited? Continue reading “Gentle Moments in a Violent World by Marcia Mount Shoop”
Bear Spirit Guide by Judith Shaw
Bear has been important to human mythology and story for thousands of years. Some feel that Bear is the oldest European deity, as bones and skulls of bears have been found lovingly arranged on niches found in caves across Europe. The first written sentence from the Old Europe Script, invented around 6,000 years ago reads, “The Bear Goddess and the Bird Goddess are the Bear Goddess indeed.
Pachamama – August 1st – A day to Honour the Great Mother Goddess
In Andean traditions the entire month of August is devoted to Pachamama.
Pachamama is the Supreme Goddess honored by the indigenous people of the Andes including Peru, Argentina and Bolivia. She is referred to as both the physical planet Earth as well as the universal Feminine Energy in time and space. Her name literally translates as Pacha – meaning world, land, earth, universe; and Mama, meaning Mother. She is the Mother of the World.
In Incan mythology Pachamama is also celebrated as a fertility Goddess who oversees planting and harvesting. She is responsible for the well-being of plants and animals and is often depicted as a Dragon or serpent representative of the Andean Mountains. When Pachamama feels disrespected it is thought that she causes earthquakes. Andean people believe that recent earthquakes in the region are a result of humanity’s destruction, disregard and disrespect for the planet. Continue reading “Pachamama – August 1st – A day to Honour the Great Mother Goddess”
Dragonfly, Guide to Transformation and True Sight by Judith Shaw
Dragonfly, dragonfly darting quickly hither and yonder, up and down, left and right – a transparent shimmering spark with effervescent wings, representing the dreamtime and the illusionary nature of reality. Dragonfly, dragon – both immortalized in mythology worldwide.
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Season of Change – Transformation by Judith Shaw
Fall is here, the leaves are changing color, the days are shortening and our ongoing natural cycle of change and transformation now moves toward the dark, quiet days of winter. Both the idea and the process of transformation have fascinated me my whole life. Blame it on my Scorpio rising. Scorpio is ruled by Pluto, the planet of transformation and regeneration. Diving deep and surfacing has always been my mode.
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Shapeshifting Goddesses by Judith Shaw

Magic, divine intervention, shapeshifting – what do these things offer the modern mind, concerned with time clocks, definitive proofs and skeptical disbelief? Yet to the ancients, shapeshifting was a well known tale, found in stories and mythologies across the world.
Public Art and Personal Transformation by Jessica Bowman

Public Art Sculptures
Borrego Springs, CA
Artist: Ricardo Breceda
Photo: Jessica Bowman
Public Art displays like the image above, a dragon that appears to be moving through the sand dunes of Borrego Springs, California offer tremendous insight into the time and era of the society when it was created, the surrounding community, the patron of the work and of course, the artist. In the case of this artwork and several other similar sculptures found in the barren but beautiful landscape within the Anza-Borrego Desert State Park the subject matter supports the wildness of the region and invites the viewer to consider the area before the impacts of modern civilization. In this case, it isn’t difficult to imagine such an untamed time as there are miles and miles of sandstone, treeless mountains and desert brush with very few people anywhere to be found. Also in this case, the artwork is absolutely appropriate for the environment in which it is placed.
“If private art suggests an intimate exchange, public art gathers a congregation. While I have observed that all art is to some degree public, pubic art merits its name in virtue of the fact that the creation of a public is its point of departure. Public art presupposes the public sphere and produces a public in relation to that concept. Unlike popular or mass art, it does not assume a preexistent generic audience to be entertained or instructed but sets out to forge a specific public by means of an aesthetic interaction.” (Hein, pg. 49)
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