In a previous post on FAR I wrote about some of the Easter customs in Greece in which pre-Christian and Christian practices intertwine, and I would like to pick up this thread again here.
Today is ‘Bright Saturday’, the Saturday after Greek Easter (one week after Western Easter in 2019). This week is known as ‘Bright Week’, and is the joyful culmination of the Orthodox calendar cycle which began with carnival back in February. During Bright Week, people come together in celebration and feasting. Fasting is not permitted, a welcome relief after the seven weeks of Lent.
While Carnival and Twelfth Night customs are mainly performed by men, spring rituals and dances are almost exclusively in the hands of the women. Many of the dance songs are sung a cappella by the women themselves, typically in unison, emphasising group unity and solidarity. Continue reading “Ritual Dances for Greek Easter by Laura Shannon”

For the Visionaries of the Women’s Movement and Beyond.
The other night I was invited out by a new friend to meet a group of his friends. It was a lovely gathering, and I felt welcomed. As we hugged good night outside the restaurant, one of the women commented, “Wow you really are tall.” Without missing a beat, I responded, “Yes it has been the bane of my life.” As the words tumbled out of my mouth I was aware that I spoke them dispassionately, not as is usual with a catch in my throat.



Today I am reposting the song and story of Kassiani, the Byzantine composer, poet, and hymnographer, who is not well-known to western feminists or in western history in general. In Christian Orthodox tradition, Kassiani’s most famous song will be sung this week on Easter Tuesday night or very early Easter Wednesday morning, placing a woman’s love for Jesus at the heart of the Easter drama.

