Feminist Awakenings – Page 17 – Feminism and Religion

Lucy Burns, A Look at a Catholic American Suffragette by Michele Stopera Freyhauf

As we approach the election period infused with controversy, saturated by television commercials, as well as endless advertisements on the radio, Internet, and yes, even Facebook, we must remember the sacrifices made by our foremothers during the suffrage movement, which gave women the right to vote. While all elections are important, this one has targeted issues involving women in a way that could negatively impact our rights – to the point of rewinding the clock on progress made in women’s equality during the last 40+ years. This election needs the voice of all informed voters. However, it is imperative for all women to make their voices heard this year by casting a vote. To turn a blind eye to these issues diminishes the sacrifices our foremothers made for us. To not cast a vote takes away your voice, makes you a silent bystander – something that was tried by the government and patriarchal system during the suffrage movement.

To illustrate this, I would like to highlight Lucy Burns and the Night of Terror endured at the Occoquan Workhouse by her and many of her friends. Of all Suffragettes, Lucy Burns spent more time in jail then any other protesters. Born 1879 in Brooklyn, Lucy was raised in the Roman Catholic tradition by a father who believed that his sons and daughters should be educated equally. Burns gradated from Vassar College in 1902, then attended Yale Graduate School studying linguistics. She eventually went to Oxford University in England to resume her studies. It was at Oxford that she became involved with activism and the suffrage movement. Continue reading “Lucy Burns, A Look at a Catholic American Suffragette by Michele Stopera Freyhauf”

Silencing Miriam: Prophetess, Liberator, and Leader By Michele Stopera Freyhauf

The prophetess Miriam, Aaron’s sister, took a tambourine in her hand, while all the women went out after her with tambourines, dancing; and she led them in the refrain: Sing to the LORD, for he is gloriously triumphant; horse and chariot he has cast into the sea.”(NAB, Exodus 15:20-21)

The Song of Miriam is not a story of death and destruction, but rather liberation. It is a poetic celebration of God’s liberation of the Israelites from the oppressive Egyptians, which, according to Bernhard W. Anderson in “The Song of Miriam Poetically and Theologically Considered,” marks the beginning of the Israelite tradition (292). Phyllis Trible in “Bringing Miriam out of the Shadows” states that this act marks the end of the Exodus, which was started by Miriam, not Moses (169, 172). The act of liberation reveals God’s action in humanity. Gerald Janzen in Exodus believes this act also moved the Israelites “to fear the LORD and believe in the LORD and in his servant Moses” (109). The uniqueness of this passage is that the most unlikely person leads – this person is not a man but rather a woman.

This brief passage in the Hebrew Scriptures is revelatory – Miriam is revealed for the first time. She is a prophetess, Aaron’s sister, and the role of leader of the victory dance to honor the Divine Warrior.

Continue reading “Silencing Miriam: Prophetess, Liberator, and Leader By Michele Stopera Freyhauf”

Why Men (and Women) Can’t Have It All by John Erickson

Can women have it all? Possibly. Can men ever have it all? Maybe. Regardless of however we put it, the are ills to every good deed in the world and we need to get back to understanding how and why we use each other in order to fully understand that behind every good man might be a good woman but also behind every good women there might also be a good man.

Growing up, my favorite movie was The Associate staring Whoopi Goldberg as a woman at a Wall Street firm attempting to climb her way up the corporate ladder through hard work and dedication. Her character Laurel Ayres does all the work and comes up with the ideas that clients eventually invest in, her partner Frank takes all the credit and eventually surpasses her at work by getting the promotion she had been vying for. In a prodigious scene that I still vividly remember from my childhood, Laurel quits her job and starts an investment firm on her own; betting every cent and piece of property she has on the eventual success of her new business adventure.

In an attempt to break through the proverbial glass ceiling and play with the big boys of Wall Street, Laurel eventually discovers that although she can be (and is) the genius behind many of the great ideas that would save companies millions, she still needs to have her ideas expelled by a man she creates in order to win over clients, which eventually leads her to become successful. However, while Laurel is reaping in the benefits of having Mr. Cutty, her made up business partner, by her side, she eventually learns that no matter what she does she will always be secondary to her male business partner. Continue reading “Why Men (and Women) Can’t Have It All by John Erickson”

WHY DON’T FEMINISTS EXPRESS ANGER AT GOD? by Carol P. Christ

My relationship to God changed when I accused “Him” of everything I thought “He” had done or let be done to women—from allowing us to be beaten and raped and sold into slavery, to not sending us female prophets and saviors, to allowing “Himself” to be portrayed as a “man of war.”

In the silence that followed my outpouring of anger, I heard a still small voice within me say: In God is a woman like yourself. She too has been silenced and had her history stolen from her. Until that moment God had been an “Other” to me. “He” sometimes appeared as a dominating and judgmental Other, and at other times as a loving and supportive Other, but “He” was always an “Other.” I as a woman in my female mind-body definitely was not in “His” image.

After I expressed my anger to God, God transformed from an Other into what Whitehead once described as “a fellow [or should I say female] sufferer who understands.” Although I had already been searching for a “God in my image” or “in whose image I could be,” I had yet to find Her. In the quiet after the storm, I came to believe that I would. Continue reading “WHY DON’T FEMINISTS EXPRESS ANGER AT GOD? by Carol P. Christ”

That Which Is Sacred by Max Dashu

We are going through a huge cultural shift toward restoring the female to her full radiance. However you want to define that, it is rising now, through us.

That which is Sacred, what should we call it? We’ve been told to name it he, him, his. That it was blasphemy to do otherwise, to say she, even as they desecrated the Divine with comparisons to mortal overlords, those cruel masters, despoliators, persecutors. No. Reconsider. That fearful address to an authoritarian punisher takes us far from true reverence. Rather revere the roots of Being, manifesting in all Nature around us, within us. The profound silence, and the Deep calling to the Deep.

Deeply I go down into myself. My god is Dark and like a webbing

made of a hundred roots that drink in silence. ― Rainer Maria Rilke

There are myriad emanations of the indescribable Source, but Goddess women call it she, as medicine to what they have forbidden in us, to us. That Shakti, the effulgence that pours through all living beings, including the rocks. The Shekhinah, the ever-flowing waters of Nummo, of Anahid. The Tao that is “the mother of whatever exists under the sky, upon whom myriads of beings depend for their birth and existence,” as the Dao De Jing says.

“The Universe is the Goddess. She is not separate from it, She did not create it and then let it be. She is what is, what was, and what will be.”¹ So the Kemetic people praised Neith, Mother of the Neteru, on her great temple at Sa in the Nile Delta. Inscribed magnificats exalt her in some of the greatest spiritual literature of the world:

Greater is her name than of all gods and goddesses

The primordial One, eldest of the primeval gods

She who made that which is

She who created that which exists…

Who gave birth to Ra,

Who brought forth in primeval time herself,

Never having been created.

But not all wisdom is written. Continue reading “That Which Is Sacred by Max Dashu”

A Cross-Cultural Feminist Alchemy: Studying Mago, Pan-East Asian Great Goddess, Using Mary Daly’s Radical Feminism as Springboard by Helen Hye-Sook Hwang

Feminist theology was self-transcending to me. I was unafraid of going beyond the boundary of Christianity and its God.

Mago is the Great Goddess of East Asia and in particular Korea. Reconstructing Magoism, the cultural and historical context of East Asia that venerated Mago as the supreme divine, is both the means and the end. Magoism demonstrates the derivative nature of East Asian religions such as Daoism, Buddhism, and Confucianism while redefining East Asian Shamanism to be the religious expression of Magoism.

I encountered the topic of Mago during my doctoral studies. The topic of Mago fell out of nowhere at the time I was preparing for qualifying examinations. I had never heard the name, Mago. Only when I was able to collect a large amount of primary sources from Korea, China, and Japan, was I awakened to the cultural memory of Mago. I grew up craving the stories of Halmi (Grandmother/Great Mother), a common referral to Mago among Koreans. I had a childhood experience of being in the fairy land unfolded by my grandmother’s old stories. While “Mago” was unfamiliar to most Koreans, she was taken for granted in her many other names such as Samsin (the Triad Deity) and Nogo (Old Goddess) and place-names such as Nogo-san (Old Goddess Mountain) and Nogo-dang (Old Goddess Shrine). Continue reading “A Cross-Cultural Feminist Alchemy: Studying Mago, Pan-East Asian Great Goddess, Using Mary Daly’s Radical Feminism as Springboard by Helen Hye-Sook Hwang”

Back to Beginnings by Elise M. Edwards

I wasn’t reading it to find out about the origins of the earth in the way the big bang theory explains it. I was reading it to find out what an ancient people thought about the connection between God, the heavens and the earth, and all the creatures and creations in between.

For years, I’ve been fascinated by creation myths. Yet as a feminist, I was taught to be suspicious of the biblical creation myths in Genesis. The creation of man from dust and the subsequent creation of woman from his rib have often been interpreted to support claims about women’s inferiority to men. And obviously, the accounts of Eve and the serpent and her role in “tempting” Adam have been used to justify claims of women’s susceptibility to evil and their wanton natures which lead men astray.

So it was a bit of relief when in my first weeks of study in seminary, my Hebrew Bible professor pointed out that there are two creation myths in the opening chapters of Genesis. I was relieved because Chapter 1 and the first few verses of chapter 2 told a creation story I enjoyed reading. Continue reading “Back to Beginnings by Elise M. Edwards”

Painting Mary Daly By Angela Yarber

You don’t have to be perfect to be a saint. The saints who comprise my Holy Women Icons are far from perfect, but each one has made a difference in the lives of countless women. By giving iconography a folk feminist twist—by painting these women and calling them holy—it is my hope that their lives can embolden us to stand for justice, equality, and peace in the ways they did. Last month, the Shulamite was our focus as her undulating lines and sensuous curves reminded us to love our bodies regardless.

Given the recent censoring of Sister Margaret Farley’s book, Just Love, by the Vatican due to its “radical feminist themes,” I thought it would be most fitting this month to feature a holy woman who irked the Vatican. Since I haven’t yet had the opportunity to create an icon for Margaret Farley, I’d like to dedicate this month’s article to another radical feminist who subverted traditional Catholic doctrine: Mary Daly.

Mary Daly (1928-2010) described herself as a “radical lesbian feminist.” Continue reading “Painting Mary Daly By Angela Yarber”

Why I Failed Feminism 101: Gender, Sexuality, and the Power of Relationships

I forgot, that relationships, like feminism, are not easy, and that it is a conscious and continual effort of renewal to remind yourself everyday why you love the person you love and more importantly, in the case of feminism, why you fight, “the good fight.”

I was once told by my ardent feminist advisor in undergrad to “not put all my proverbial eggs in one man basket” after discussing my relationship with my boyfriend over a cup of coffee. Thinking my relationship was different and that we were special, I heeded the warning but thought of it no further. Now, looking back on it three in a half years later, I wish I would have.

Relationships are a powerful tool. They help to make you feel special. They help to bring you joy. They help you discover the reason why a divine presence may have endowed us with the ability to love and most importantly they help you realize and discover things about yourself you may have never taken the time to notice.

Feminism 101 is more than just the pop culture stereotype of a bunch of women advising the younger generation of girls to be weary of men and the pain they can bring. Feminism, specifically as what I now call Feminism 101, is the transformative ability to listen to your elders, trust yourself, and ultimately, if you happen to trust in the relationship you have built, knowing deep down that it is built on equality, love, and trust. Continue reading “Why I Failed Feminism 101: Gender, Sexuality, and the Power of Relationships”

A MEDITATION ON A MIDRASH: “ABRAHAM’S DAUGHTER” BY ARCADE FIRE by Sara Frykenberg

The wages of the sin of sacrificing our children is their death, whether the sacrifice is to some supposed higher order, to absolute obedience or to appear to be the “good Christians” we are “supposed to be”…

Maybe its because I enjoyed the books more, or because of my sister’s all too expectation-garnering reviews or even, because I’d seen this theme before, in an amazing yet gruesome Japanese movie, Battle Royal, I left the theater unsatisfied after watching The Hunger Games. I did however, LOVE the song that played at the end of the movie, which I downloaded before we left the theater. I listened to it in the car on the way home. I listened to it the next day, the day after that and for days after that… I listened and listened, and I found surprise, power, anger, sorrow and a channel for grieving that I had needed in the Midrash “Abraham’s Daughter” by Arcade Fire.

Abraham took Isaac’s hand and led him to the lonesome hill

While his daughter hid and watched, she dare not breathe

She was so still.

I discovered the practice and potential power of Midrash from my teachers in graduate school. The idea of an “extra-biblical” story that might help to expound upon Biblical passages that are all too often unexplained or unsatisfactory to (my) feminist consciousness was very appealing to me—and it is still appealing to me. But I have to admit that the feminist Midrash I read in my classes seemed too positive and did not resonate with me. The pieces were too much like a tender hug or a mother hen covering my wounds with her wings. I wanted to hear a story of Bible that could help me make sense of the violence I’d discovered in my childhood religion. I needed a story of Bible that honored my violent struggle to counter the abuse within it and within me.

Like Isaac, I was too intimate with my abuser: unable to avoid walking hand and hand with him when pushed to do so. Asked to create a prayer or Midrash for a class once, I wrote about the way I would turn the radio in my car up when I started to hear ‘God’ speak to me. I didn’t know how to listen and tune out the abusive maxims that played over and over again in my head (maxims that surfaced every time I even thought about the divine). Continue reading “A MEDITATION ON A MIDRASH: “ABRAHAM’S DAUGHTER” BY ARCADE FIRE by Sara Frykenberg”