Foremothers – Page 16 – Feminism and Religion

The God of Abraham, Sarah, and Hagar by Race MoChridhe

race-mochridhe The morning air is hot around the pillars of Jerusalem stone, but the congregation is already tired. The prayers are old, pro forma and remote, drawing power now from the sound of the Hebrew more than from the meaning of the words. “Thank you for mercifully restoring my soul to me…” intones the small group of gathered men, “and for not making me a woman.”

The voices are smooth and practiced, unmixed with the rustling of pages except for a teenager who cannot recite from memory, whose Hebrew is still bad enough that he has to pay attention. This boy tires of waking, and wonders why God did not make him a woman—why he will never be a thing as close to his maker’s image as a woman seems to him to be. Continue reading “The God of Abraham, Sarah, and Hagar by Race MoChridhe”

Nominating Holy Women Icons by Angela Yarber

Who is your Holy Woman Icon?

When I began the academic study of religion in 1999, I was struck by the pantheon of male saints, venerated, honored, painted, adored, perhaps even worshipped. From virtually every tradition, men reigned supreme—in leadership, iconography, decision-making, worship—which is one of the myriad reasons groups like Feminism and Religion must exist. To combat this oppressive supremacy.

In 2010, I decided to put my wonder and this patriarchal dis-ease on canvas. I painted a triptych of Sophia, the feminine Greek word for wisdom often understood as the feminine face of Jesus, for a group triptych exhibition. Inspired stylistically by the art of Shiloh Sophia McCloud and He Qi, I endeavored to give traditional iconography a folk twist in an attempt to make it more accessible, perhaps a bit less brooding and intimidating. Emboldened by the works of womanist and feminist scholars in religion, my icons aim to subvert traditional—and often patriarchal—depictions of a virtually all-male sainthood. Though there are surely some women depicted Catholic and Orthodox iconography, and a robust number of women and goddesses in Hindu iconography, I found myself at a loss when it came to positive, affirming, and empowering icons of women across the vast spectrum of religious and spiritual traditions. Continue reading “Nominating Holy Women Icons by Angela Yarber”

Power & Restraint: A Feminist Perspective on Mormon Sisterhood: A sculpture series by Page Turner, presented by David Volodzko

David Volodzko History offers few instances of women helping create scripture. Hinduism’s sacred Rigveda may have been partly composed by women, and scholars believe the biblical Book of Ruth was possibly written by a woman, but the evidence for each is wanting. And while Muhammad’s widow was entrusted with the manuscript that would become the Quran, its scribe was a man named Zayd ibn Thabit. The only clear exception to this is the Book of Mormon, which Joseph Smith partially dictated to his wife Emma. The central role of Mormon women in the church was therefore fixed from the start.

In 1842 Joseph Smith organized the church sisters into a philanthropic organization known as the Relief Society. Among other things, the Relief Society sent women to medical school and opened cooperative stores. Operating independently from local bishops, it afforded Mormon women unprecedented independence. In fact the early Mormon Church was a feminist pathfinder. The first Mormon pioneers arrived in Salt Lake City in 1846, and by 1870 Utah Territory became the second place in the Union (after Wyoming) to give women the right to vote—nearly fifty years before the Nineteenth Amendment. But Mormons wanted freedom for all women, and that same year the Relief Society held a meeting in which the renowned poet Eliza Snow entrusted Bathsheba Smith with a mission to travel “all through the South” preaching “retrenchment [restriction of government spending] … and women’s rights.” Continue reading “Power & Restraint: A Feminist Perspective on Mormon Sisterhood: A sculpture series by Page Turner, presented by David Volodzko”

What My Mothers and Mentors Taught Me about Self-Care by Elise M. Edwards

During another week of killings, war, protests, and debates about whether Black Lives Matter or Blue Lives Matter, I’m concerned about the toll it takes on those who are witnessing the violence and fighting for justice.

I’m not on the front lines of these battles, but I can feel my energy draining, nonetheless. Over the past few days, while I’ve stayed informed about the latest tragedies and conflicts, I’ve intentionally limited my exposure to most news and social media outlets. I’ve begun preparing for a contemplative retreat with other women who also care about justice. For me to continue to participate in any effort of transforming society, culture, or the church, I must nurture my mind, spirit, and body.

Audre Lorde put it like this:

“Caring for myself Is not self-indulgence. It is self-preservation, and that is an act of political warfare.”

Self-care is a radical practice of self-love. It is absolutely necessary when engaged in conflict against those who do not show love to you, or worse, those who seek to destroy you. Your survival and your flourishing are defiantly brave. Self-care honors the God who created you, the One who loves you, and the Spirit who sustains you. Continue reading “What My Mothers and Mentors Taught Me about Self-Care by Elise M. Edwards”

thea Gaia née Dorothy Ivy Wacker: Feminist Foremother and a Great “Ponderer” by Glenys Peacock

Rev. Dorothy Waker (thea Gaia) — Rev. Dorothy Wacker (thea Gaia)

On 15th May, 2016 thea Gaia left this earth which was her home for 85 years. thea was born
Dorothy Ivy Wacker in Gatton, Australia on 9th February, 1931, the eldest of four children.
Her family were descendants of German immigrants who came to Australia in the 1860s.
In primary school, Dorothy was a bright student, winning a bursary enabling her to continue
her studies at high school which she completed in 1947. She then studied primary teaching
at Queensland Teachers’ College and from 1950-52 she worked at School for the Deaf,
Dutton Park, Brisbane.

Dorothy joined South Brisbane Congregational Church and became President of Queensland
Congregational Youth Fellowship. At age 22, she decided to take theological training to
become a Congregational minister. Dorothy studied for Bachelor of Arts and Bachelor of Divinity at the University of Queensland. In 1959, she was awarded a Certificate of Ordination by the Queensland Congregational Union. Dorothy was ordained on 17th April, 1959 at Broadway, Woolloongabba, the first woman ordained as a Minister of Religion in Queensland. Over the next 10 years she was minister for Belmont, Broadway and Chermside Congregational Churches. Continue reading “thea Gaia née Dorothy Ivy Wacker: Feminist Foremother and a Great “Ponderer” by Glenys Peacock”

Women Keepers of Ritual and the Caloian by Lori Tiron-Pandit

LTPPortrait10_15 As a child, I learned all about my religion from my grandmother, in her small and remote Romanian village. She told me many Bible stories from our Christian Orthodox tradition, often disguised as bedtime fairytales, but it was not doctrine that I learned from her, as much as ritual. She taught me the prayers to say at night so I don’t have nightmares, the candles to light in church for luck, the list of dead and living to give the priest for blessings, the making and delivering of food as offerings in memory of the recently deceased.

So many of the spiritual rituals I learned from my grandmother involved food. She taught me when and how to fast, as well as how to prepare the ritual Christmas and Easter feasts: kneading and baking the traditional sweet bread filled with cocoa and walnuts or sweet cheese, cooking the celebratory pork or lamb-based dishes.

In my family, my grandmother was the keeper of rituals, many of them Christian, and many carried from a “primitive”, pagan, pre-Christian time. After growing up, as I distanced myself from my rigid Christian roots, I began to look with more appreciation back at these older traditions, some almost extinct, that had been passed down to me. Continue reading “Women Keepers of Ritual and the Caloian by Lori Tiron-Pandit”

“Suchness” of inequality vs. the “story” of patriarchy by Oxana Poberejnaia

oxana In the TV film about American suffragists “Iron Jawed Angels” Alice Paul (played by Hilary Swank) says to a psychiatrist who came to prison to assess her mental state during her hunger strike:

You asked me to explain myself. I just wonder what needs to be explained. Let me be very clear. Look into your own heart. I swear to you, mine’s no different. You want a place in the trades and professions where you can earn your bread? So do I. You want some means of self expression? Some way of satisfying your own personal ambitions? So do I. You want a voice in the government in which you live? So do I. What is there to explain? Continue reading ““Suchness” of inequality vs. the “story” of patriarchy by Oxana Poberejnaia”

What Dorothee Soelle Taught Me about Creativity by Elise M. Edwards

I’m currently developing a book that considers how theological and ethical considerations in architectural design can define good architecture. My book discusses five virtues related to the architectural design process that promote human participation in bringing out God’s intention of flourishing for humanity and creation. Those five virtues (or values) are: empathy, creativity, discernment, beauty, and sustainability. In the book, I’ll explain how these virtues orient design tasks to the social and ethical aims of architecture.

In this virtual space, I want to have a discussion about what these virtues mean from a feminist standpoint. In my writing, I draw from theological ethics, architectural theory, and feminist theory to emphasize community discernment and participation. It’s fitting, then, to claim opportunities in my work to acknowledge the feminists who have influenced me while also opening up the dialogue to the feminists in this community who continue to inspire and guide me to do my best work. Continue reading “What Dorothee Soelle Taught Me about Creativity by Elise M. Edwards”

Dance of Persephone: The Trata of Megara by Laura Shannon

Laura Shannon square crop In a previous post on FAR I explored Greek Easter customs which interweave Christian and pre-Christian beliefs. Today I would like to take a closer look at one of these customs, the women’s ritual dance known as Tráta, ceremonially performed on ‘Bright Tuesday,’ the Tuesday after Easter. Versions of Tráta survive in the towns of Mégara and Elefsina just west of Athens, on the island of Salamína directly across from them, and in the surrounding area as far as Thebes.

Elefsina, of course, is Eleusis, where for over 2,000 years the Eleusinian Mysteries enacted the story of Demeter and her daughter Persephone’s descent to the Underworld. Choral dance was a central part of the ceremonies at Eleusis – as at other sacred sites including Delphi, Knossos, Athens, and Vravrona – and the ‘Well of the Beautiful Dances’ can still be seen at the archaeological site. It is a a visible reminder of the circle dancing which was a part of the initiatory experience, bringing cosmic order – symbolised by the circle – into the human world. This is still one of the functions of the Tráta as performed today.

Eleusis – ‘Well of the Beautiful Dances’

Continue reading “Dance of Persephone: The Trata of Megara by Laura Shannon “

A New Covenant by Joyce Zonana

As the Jewish High Holiday of Passover draws to a close, I have been reflecting on this seasonal ritual so central to collective Jewish identity and so significant to me personally.

The Haggadah, the script for the Seder gathering, enjoins all Jews to experience the Exodus—the liberation of the ancient Hebrews from slavery in Egypt —as if it were happening to each of us in our own time. Because I was born in Cairo to an Arab Jewish family that left Egypt when I was two, I always felt Passover to be mine. No need for “as if”: our Exodus was all too real. Yet, from my parents’ accounts, life in Egypt had been delightful. I could not reconcile the Haggadah’s dreadful representation of ancient Egypt with my family’s treasured memories of contemporary Cairo: I could not understand why we celebrated deliverance from an Egypt we loved.

Continue reading “A New Covenant by Joyce Zonana”