When I was growing up, I was fascinated to see my father each day recite the morning blessings mandated for Jewish men. While the rest of the household bustled sleepily—my mother in the kitchen, my brother and I taking turns in the bathroom, my grandmother slowly getting dressed—my father, still in his pajamas, would stand in the center of our small living room, yarmulke on his head, tefillin wrapped around his arm and forehead, tallit draped over his shoulders. Using a tattered old siddur he had brought with him from Cairo, he would face the east and begin the ancient Hebrew prayers: “Blessed art thou, Lord our God, King of the Universe . . .”
I never knew then the content of what my father intoned, but I knew how committed he was to his practice: he prayed every morning without fail, from the day of his bar mitvah at the age of eleven (the rabbi in Cairo had decided to initiate him early because he had lost his father as a young child) until he a few years before his death at 84, when he became debilitated by Parkinson’s Disease. Ours was not a traditionally Orthodox Jewish family—we did not observe the Sabbath or keep kosher—but my father’s faithful performance grounded him and all the rest of us, bringing us us to what T.S. Eliot called “the still point of the turning world.”
Continue reading “Where the Dance Is . . . On Cultivating a Daily Practice by Joyce Zonana”

In “Time Telling in Feminist Theory,” Rita Felski suggests that there are four main ways feminists discuss and use time: redemption, regression, repetition and rupture. They are aptly named as they behave similar to their labels. Redemption is the linear march of time, hopefully progressing step by step towards a redeemed, or at least better, future even if sometimes things get momentarily worse. Regression is the want to go back in time or at least return to idyllic and/or imagined pasts: to matriarchy or to a time before patriarchy’s violent arrival. Repetition is a focus on the cyclical nature of time in bodies, in daily chores, in seasons and so on. Rupture posits a break in time in a way what was before no longer makes sense or doesn’t exist. Think utopia or dystopia.
This week’s Torah portion is Vayikra (Leviticus 1:1 – 5:26). Vayikra is essentially one long discourse on animal sacrifice with an occasional grain or oil offering included. This killing of animals, their subsequent burning and the shared eating of their flesh was the predominate way deities were worshipped in ancient Canaan. It was believed that the smell of cooking meat appeased the gods and most importantly stifled their anger. It is no wonder then that the ancient Israelites so integrated within the surrounding culture adopted similar methods of worship.
